re: Report: CEO of Disney wants Kathleen Kennedy fired from Lucasfilm

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Well somebody better become apparent real damn quick before Rian Johnson gets too far along with the next trilogy.

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I dont understand why people think Star Wars is such a hard franchise to run. There are so many good stories to tell.

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There’s only one reason they’re having problem finding a replacement, because everyone they’ve approached has made the same demand: in order to come on board, Iger has to allow them to remake TLJ. TLJ ruined the franchise and gives you nothing to work with going forward. The hyperdrive weaponry alone is a deal breaker. Rey is too perfect and needs to be brought down a notch. It’s got to be respectful to previous entries in the franchise. There’s stuff that you can work with in TLJ to where if you just reshoot some scenes and carefully edit others, I think you can keep it under $100 million.

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It's a decision Mark Hamill has shared his distaste for a number of times in the past and he's now elaborated on that. "There's just such a huge gap between Return of the Jedi and Force Awakens - I had to really contemplate that," he explains. "I said ‘hey, how did I go from being the most optimistic, positive character to this cranky, suicidal man who wants people to get off his island?’"

"It was a radical change, but I think sometimes being pushed out of your comfort zone is a good thing," Hamill adds. "Although a part of me said to Rian, ‘but you know, a Jedi would never give up’. My concept of the character was that even if I chose the New Hitler thinking he was the New Hope, yeah I'd feel terrible, but I wouldn't secret myself on an island and then turn off the Force."

Hamill, meanwhile, is just disappointed that he didn't get to show off the Jedi Master's impressive powers.

"J.J. said, ‘Oh and by the way I'll probably put in a couple of floating boulders to show the Force emanating from you, as strong as it is.’ So I'm thinking for VIII, I'm going to have Force Lightning coming out of every orifice of my body. You know, lifting an eyebrow and toppling AT-ATs like dominoes. That would have been fun to be that powerful! Plus, I wouldn't have to do much. They wouldn't have to teach me choreography to do lightsaber duels. I'd just have to do this,” Hamill points across the room, “and let the special effects guy do everything."

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Alternaut up to 6 alters. Bold.

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can't fire her (yet) because no one wants to succeed her as captain of a sinking ship.

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RLDSC FAN

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Shes a lot richer than I am for doing nothing more than sinking an almost unsinkable ship

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During the production of 1941, while working for screenwriter John Milius, Kennedy came to the attention of Steven Spielberg, who hired Kennedy as his assistant. Both Spielberg and Kennedy agree she was a terrible typist who was kept on only because of her good production ideas. Kennedy was credited as associate to Spielberg on Raiders of the Lost Ark (1981), then associate producer on Spielberg's production of Tobe Hooper's Poltergeist (1982).

She began receiving producer credit with Spielberg on the box-office success E.T. the Extra-Terrestrial (1982), which continued on most of his films for the next three decades. Following her work on the Indiana Jones films, she rose to become one of Hollywood's leading producers.

In 1981, she helped co-found and run the hugely successful production company Amblin Entertainment, with Spielberg and her future husband Frank Marshall. She went on to collaborate with such directors as Martin Scorsese, Robert Zemeckis, Barry Levinson, and Clint Eastwood when they made films for Amblin. She took over a large portion of the running of Amblin and served as president of the Amblin company until 1992, when she decided to form her own film company with Marshall.

She became a partner with him in The Kennedy/Marshall Company, a Santa-Monica-based film-production company with a deal at DreamWorks. She continued her business relationship with Spielberg and became executive producer for both Jurassic Park (1993) and the historical drama Schindler's List.

During the 1980s and 1990s Kennedy served on the advisory board of the National Student Film Institute and in 1991 was a "Grimmy Award" recipient in recognition for her outstanding support of student film making. Kennedy was also an Honorary Chairperson of the institute.

In 1995, she was awarded the Women in Film Crystal Award for outstanding women who, through their endurance and the excellence of their work, have helped to expand the role of women within the entertainment industry. In 2007, she was the first recipient of Women in Film's Paltrow Mentorship Award, for showing extraordinary commitment to mentoring and supporting the next generation of filmmakers and executives.

In 2005 she was a producer on two of Spielberg's films: War of the Worlds and Munich, the latter of which earned her an Academy Award nomination. Marshall and Kennedy were producers for the US versions of two Studio Ghibli animated features, Ponyo released in 2009 and The Secret World of Arrietty, released in 2012. In 2012, Lincoln, produced by Steven Spielberg, was nominated for seven Golden Globes and twelve Academy Awards.

In May 2012, she stepped down from Kennedy/Marshall, leaving Marshall as sole principal of their film company. In the following month, Kennedy became co-chair of Lucasfilm Ltd. alongside George Lucas. When Lucas sold Lucasfilm to Disney, Kennedy was promoted to president.

Kennedy sits on the Board of Governors of the Academy of Motion Picture Arts and Sciences (Producers Branch). For the 2001–02 period, she was co-president (with Tim Gibbons) of the Producers Guild of America.

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Raiders of the Lost Ark (1981) (associate to Steven Spielberg)
Poltergeist (1982) (associate producer)
E.T. the Extra-Terrestrial (1982) (producer)
Twilight Zone: The Movie (1983) (associate producer) (segment 2)
Gremlins (1984) (executive producer)
Indiana Jones and the Temple of Doom (1984) (associate producer)
The Color Purple (1985) (producer)
Young Sherlock Holmes (1985) (executive producer)
Back to the Future (1985) (executive producer)
The Goonies (1985) (executive producer)
Fandango (1985) (executive producer)
An American Tail (1986) (executive producer)
The Money Pit (1986) (producer)
*batteries not included (1987) (executive producer)
Empire of the Sun (1987) (producer)
Innerspace (1987) (co-executive producer)
The China Odyssey: 'Empire of the Sun', a Film by Steven Spielberg (1987) (associate producer)
The Land Before Time (1988) (co-executive producer)
Who Framed Roger Rabbit (1988) (executive producer)
Always (1989) (producer)
Back to the Future Part II (1989) (executive producer)
Dad (1989) (executive producer)
Indiana Jones and the Last Crusade (1989) (associate producer)
Tummy Trouble (1989) (executive producer)
Arachnophobia (1990) (producer)
Gremlins 2: The New Batch (1990) (executive producer)
Roller Coaster Rabbit (1990) (executive producer)
Back to the Future Part III (1990) (executive producer)
Joe Versus the Volcano (1990) (executive producer)
Hook (1991) (producer)
An American Tail: Fievel Goes West (1991) (executive producer)
Cape Fear (1991) (executive producer)
A Brief History of Time (1991) (executive producer) (uncredited)
A Wish for Wings That Work (1991) (TV) (executive producer)
Noises Off (1992) (executive producer)
Schindler's List (1993) (executive producer)
We're Back! A Dinosaur's Story (1993) (executive producer)
A Dangerous Woman (1993) (executive producer)
Jurassic Park (1993) (producer)
A Far Off Place (1993) (executive producer)
Trail Mix-Up (1993) (executive producer)
Alive (1993) (producer)
Milk Money (1994) (producer)
The Flintstones (1994) (executive producer)
Balto (1995) (executive producer)
The Indian in the Cupboard (1995) (producer)
Congo (1995) (producer)
The Bridges of Madison County (1995) (producer)
Twister (1996) (producer)
The Best of Roger Rabbit (1996) (executive producer)
The Lost World: Jurassic Park (1997) (executive producer)
A Map of the World (1999) (producer)
Snow Falling on Cedars (1999) (producer)
The Sixth Sense (1999) (producer)
Olympic Glory (1999) (executive producer)
Jurassic Park III (2001) (producer)
A.I. Artificial Intelligence (2001) (producer)
The Sports Pages (2001) (TV) (executive producer)
Signs (2002) (executive producer)
The Young Black Stallion (2003) (executive producer)
Seabiscuit (2003) (producer)
Munich (2005) (producer)
War of the Worlds (2005) (producer)
Persepolis (2007) (executive producer)
The Diving Bell and the Butterfly (2007) (producer)
The Curious Case of Benjamin Button (2008) (producer)
Indiana Jones and the Kingdom of the Crystal Skull (2008) (executive producer)
Ponyo (2009) (U.S. version co-producer)
The Last Airbender (2010) (executive producer)
Hereafter (co-producer with Clint Eastwood, Robert Lorenz & Steven Spielberg) (2010)
The Adventures of Tintin (2011) (producer)
War Horse (2011) (producer)
The Secret World of Arrietty (2012) (U.S. version executive producer)
Lincoln (2012) (producer)
Star Wars: The Force Awakens (2015) (producer)
The BFG (2016) (executive producer)
The Girl on the Train (2016) (executive producer) (uncredited)
Rogue One: A Star Wars Story (2016) (producer)
Star Wars: The Last Jedi (2017) (producer)
Solo: A Star Wars Story (2018) (producer)
Star Wars Episode IX (2019) (producer)
Untitled Indiana Jones fifth film (2020) (producer)

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