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re: Toxic Fandom: How Hollywood Is Battling Fans Who Are ‘Just Out For Blood’

Posted on 10/3/24 at 9:40 pm to
Posted by gizmothepug
Louisiana
Member since Apr 2015
8665 posts
Posted on 10/3/24 at 9:40 pm to
quote:

Sometimes, toxic fandoms behave reactively. A “House of the Dragon” episode featuring two female characters kissing and an episode of “The Last of Us” focusing on a gay couple were both review bombed — the practice of mobbing sites like Rotten Tomatoes and IMDb with negative user reviews, which gained mainstream attention following the premiere of 2017’s “Star Wars: The Last Jedi.” And an entire YouTube ecosystem is devoted to declaring projects like “The Marvels” and “The Boys” “woke garbage” (among other pungent sobriquets). Just as frequently, the backlash begins before the project has seen the light of day: a Reddit mega-thread dedicated to outrage over “Bridgerton” casting a Black woman (Masali Baduza) as the love interest for Francesca (Hannah Dodd); social media epithets directed at the actors of color cast as elves and dwarves in “The Lord of the Rings: The Rings of Power”; death threats aimed at Leslie Jones during the press tour for 2016’s “Ghostbusters.”


Outside of a so-called “Ghostbusters” and Bridgeton (I was never going to be interested in that), I like everything else listed. Even, God forbid The Rings of Power. It’s not toxic fandom, or any other made up term that comes out of nowhere to combat the fact that people aren’t watching garbage TV at the rate people in Hollywood would like.
Posted by Scoob
Near Exxon
Member since Jun 2009
23555 posts
Posted on 10/4/24 at 1:56 pm to
That's just such a stupid, arrogant mindset on display in the article.

Movies and television (and comic books etc) are entertainment. They are not sacred texts of a religion, they are not carefully recorded and preserved history or other knowledge like a textbook. There is no real benefit to mankind, like the guy preserving his steps in an invention etc.

They serve 3 purposes-
1) they allow the creator to express his/her vision
2) they entertain me (the viewer)
3) they produce income for the creator

Only the first purpose is guaranteed, and that's only if the creator can get it made, without interference from studios etc. Purpose #2, entertaining me, is dependent on me and whether I like it. Purpose #3, income, is largely dependent on whether #2 works for enough viewers.

No movie is entitled to a $1 billion box office take, no matter what people expect. Star Wars used to print money, as they say- doesn't matter. If the audience doesn't find something appealing, they won't watch.

Complaining about "toxic fanbases"... that's the peak of arrogance.
There's a fanbase of a property because it appealed to a large group initially- Star Wars, Star Trek, Tolkien's Middle-Earth, Marvel and DC comics, Godzilla etc. There's probably a story somewhere about gay cannibal pygmies, but that doesn't appeal to a large group- so it doesn't have a big fanbase.
Being "toxic" or review-bombing, is simply the fanbase responding to a direction they don't find appealing. Again going to the gay cannibal pygmies, there's not a big review-bomb movement, because nobody cares. In Star Wars or Marvel etc, enough people care that their complaints and criticisms become noticed.

I don't have to watch another movie in my life, and other than boredom, there's no other consequence to me.

Like I said, you have every right to make a movie about the lives of gay cannibal pygmies, or trying to grow turnips in a desert. If that floats your boat, go for it. If you want to call it "Star Wars" and make the pygmies Jawas or Hobbits, or set the turnip farmers in Tatooine or Mordor in the hopes some studio will fund your project, knock yourself out. Good for you, you've tried to link it to something that's profitable, and maybe you can get it done.
It's not something I'm interested in, despite my love of Star Wars or Tolkien. I'm not planning to watch, I might look at reviews with a WTF mentality just because I'm a fan of the property. If I decide "nah", that's no insult to you, I'm just not interested.
If you continue to make these and that's ALL that comes from the properties, I will likely try to be more vocal, and express "this isn't what I want from Star Wars/Tolkien". I liked those for a reason, and I want more of what I like.

It's kinda like me liking Community Cafe Special medium-roast coffee (with the yellow label) ground fresh from the beans. I buy the beans and grind my own, every morning and make a pot. I like it.
Community can make Decaf Ginseng Expresso with peppermint and chicory if they want. I don't want it, I'm not going to buy it, and I don't care. But if they drop everything else and produce just that, I'm going to be irritated and attempt to complain, and say "bring back the medium-roast beans". I might bitch about it. If they don't, I won't buy more Community products, because it's not what I want.


Posted by 3nOut
I don't really care, Margaret
Member since Jan 2013
32407 posts
Posted on 10/4/24 at 3:11 pm to
quote:

People aren’t out for blood. They’re tired of having an agenda shoved down their throats and franchises they’ve been a fan of for decades be brought down by it.



this. in the last few years there has been numerous properties brought to life that i was genuinely excited about.

Wheel of Time
Last of Us
Halo
LotR
Witcher
Reacher

EVERY. SINGLE. ONE. OF. THE. SHOWRUNNERS. had a a very easy laid out path and decided that they were smarter than the source material and could do a better job.

Last of us was good but they wasted two whole episodes that weren't terrible but were solely for agenda.

Terminal List and Fallout were the only two where i felt like they let the OG come through.
This post was edited on 10/4/24 at 3:11 pm
Posted by ThoseGuys
Wishing I was back in NC
Member since Nov 2012
2627 posts
Posted on 10/4/24 at 4:00 pm to
quote:

death threats aimed at Leslie Jones during the press tour for 2016’s “Ghostbusters.”


In my defense I had been sending her death threats before Ghostbusters. Bitch needs to stop screaming all her lines.
Posted by Roaad
White Privilege Broker
Member since Aug 2006
84045 posts
Posted on 10/4/24 at 4:21 pm to
THEY
CAN'T
FIGURE
OUT
BLADE

Ffs, they have one of the great actors of a generation signed on to play him

A god damn layup.

Anyone on this board could hammer out a Blade script in an afternoon


1. Cool black guy
2. Cool swords and tech
3. Killing tons of vampires
4. fill out rest with generic whogivesafrick
5. Make dollars

Bonus Points* Cameo by Snipes

Easiest layup Marvel has in their arsenal
Posted by Jay Are
Baton Rouge
Member since Nov 2014
6131 posts
Posted on 10/4/24 at 5:03 pm to
quote:

4. fill out rest with generic whogivesafrick


#4 sounds like a sure-fire way to end up with two shitty Blade movies starring Snipes.
Posted by SouthEasternKaiju
SouthEast... you figure it out
Member since Aug 2021
47258 posts
Posted on 10/4/24 at 5:11 pm to
Figuring out Blade would

- remind audiences that black superheroes existed on film before Black Panther.

- remind audiences how bad arse a black superhero could be.

- remind audiences that the writers are retarded.
Posted by Roaad
White Privilege Broker
Member since Aug 2006
84045 posts
Posted on 10/4/24 at 5:15 pm to
quote:

sounds like a sure-fire way to end up with two shitty Blade movies starring Snipes.
that would make a billion dollars, given the other points

Never said it would be an Oscar winner
Posted by Scruffy
Kansas City
Member since Jul 2011
77270 posts
Posted on 10/4/24 at 5:39 pm to
quote:

that would make a billion dollars, given the other points

Never said it would be an Oscar winner
Don’t worry about Jay Are.

She doesn’t like the concept of a non-progressive movie.

Blade is easy as frick…if they just stick to the character and comic.

Have action scenes like Deadpool.

The movie would make a billion.
This post was edited on 10/4/24 at 5:40 pm
Posted by Bronson2017
Birmingham
Member since Feb 2019
2201 posts
Posted on 10/5/24 at 6:09 am to
quote:

I read a rumor that studio executives who met with Pierce Brown about possibly producing a Red Rising series wanted to heavily reduce his involvement so that they could make "creative" changes to his work, and he ultimately refused.


I’m in the middle of this series (Iron Gold) and I am so happy to hear he is stubborn with the adaptation. Fantastic series with really good characters.
Posted by Saint Alfonzo
Member since Jan 2019
30267 posts
Posted on 10/5/24 at 8:15 am to
It couldn't possibly be that their products suck. No, it's the fans fault.
Posted by OMLandshark
Member since Apr 2009
120445 posts
Posted on 10/5/24 at 9:18 am to
(no message)
This post was edited on 5/14/26 at 12:20 am
Posted by Jay Are
Baton Rouge
Member since Nov 2014
6131 posts
Posted on 10/5/24 at 9:54 am to
quote:

She doesn’t like the concept of a non-progressive movie.

Blade is easy as frick…if they just stick to the character and comic.


I agree the concept of Blade is really cool, but we got one pretty good Blade movie. Out of three. The good Blade movie did not stick to the comics.

Marvel has had trouble making good Blade comics. Not just recently. He's mostly appeared in guest and supporting roles. Every one of his starring role series was either a mini-series or canceled quickly.

The most accurate adaptation of Blade into a movie would have him appearing as a supporting character, which is supposedly a version of the new film's script that was already abandoned.

I don't want Blade to be progressive (though I know some people here would have a ton to say about the black vampire killing a bunch of white vampires if the first Snipes movie were released next weekend); I want him to be in a compelling story, something the creators of Blade have struggled to achieve for 50 years.

Much of this thread seems to be about fans wanting 1:1 translation between different media instead of adaptation. While that idea is impossible, and very much a current internet culture desire, Blade is a supremely bad example of a property that would work well with this kind of translation.
Posted by PattyRay38
Baton Rouge
Member since Jul 2010
140 posts
Posted on 10/5/24 at 10:59 am to
quote:

It's because [Leslie Jones] went on the defense and made it about race. It was never about race - it was about people waiting 30 years for a seuqle to a beloved film and that sequel having nothing to do with the originals and that it starred approximately 1/2 of a funny person's worth of actor's.


This is one aspect of this “toxic fandom” thing I have been saying since 2016 when the Ghostbusters remake came out. Paul Feig and the actresses went on the defensive on everyone who was not instantly supportive, calling fans “basement dwellers” and whatnot. The problem and toxicity was something they somewhat created themselves and it could have all been avoided pretty easily. No one involved in that film took into account the “waiting 30 years” thing and seemed to forget that, since 1990, Dan Ackroyd had, every few years or so, talked in some interview about progress made on Ghostbusters 3 and how they were “really close to going into production” so many times. This wasn’t the case of a movie coming out in 1984 and not being talked about in any way shape or form for 30 years and then they announce are remake. This was a situation where fans were constantly being teased with a third installment so it stands to reason that any announcement of a remake would not be received well, whether with team of Ghostbusters made of women or men.

And in truth, all the remake had to do was to adhere to a line that Bill Murray said in the original Ghostbusters movie where he talked about the “franchising rights alone could be worth millions.” If they wanted to do a lady Ghostbusters, just set it in the same world as the original Ghostbusters movie and treat them like a franchise opening up after 25 or 30 years of no ghost sightings in the world. Instead of having the original actors cameo as random characters, have them show up at the end just like they did at the end of Ghostbusters Afterlife. Have the Kate McKinnon character be someone who were defines the technology of Egon Spengler instead of creating it brand new. Maybe have her be a niece even. Excluding the part of the movie where people don’t believe in the existence of ghosts period, much of the narrative of that movie could have been completely unchanged by setting it in the world of the original Ghostbusters. Also, then they could’ve taken advantage of the fact that they filmed the movie in Boston by just setting it in Boston.

I do agree with the “toxic fandom” part where people attacked Leslie Jones. Even though she did speak negatively towards fans, going after her and sending her death, threats or posting personal pictures from her cell phone online was pretty sick of people to have done, especially because aside from a couple of the scenes of her character that were shown in the trailer, such as her getting dropped when trying to do the Mosh pit thing and asking “is this a lady thing or a black thing“ and the scene where she slapping Melissa McCartney and yelling “the power of Patty protects you,” her character through the rest of the film was actually nowhere near as bad as it seemed like it would be. That doesn’t change the fact that the 2016 Ghostbusters was just an unfunny film, but this is just one example of the creative woke types complaining about a small component of people who are complaining and are actually terrible and misogynistic people, but instead directing insulting words towards people who have genuine complaints or concerns, and that escalation is what is causing fandom to reject what people are doing to these long-standing franchisees.

And the fact the matter is that fandom can accept something new, which is shown by the fact that people didn’t reject having either youthful or useful female characters as primary protagonist in Ghostbuster Afterlife and its sequel. Also, male fans have long been accepting of actual good and well written and well performed female lead characters. I mean, have these woke types forgotten the fact that characters such as Ripley from Aliens or Sarah Connor exist? Or in modern times, look at the acclaim the first wonder, woman movie got and how no one was bashing Gal Gadot for her performance, That movie simply told a superhero origin film In the mold of all classic superhero origin, films, just this time with a female superhero instead of a male one.
Posted by alajones
Huntsvegas
Member since Oct 2005
35934 posts
Posted on 10/5/24 at 11:37 am to
I believe you are correct about a lot of things.

The internet not only gives what in reality is likely a small amount of weirdos an opportunity to blast their opinions as well as complain about creators and the control of IP, it also gives the excuse to the content creators that all of the criticisms come from weirdos.

I also think that the “toxic” part of relationships is always a two way street. Some fans have become hyper sensitive to content and see wokeness or girl power whenever they can and fifteen years ago likely would not have been so affected. Also, content creators as well as actors need to adhere to canonical themes and at least attempt to pay some attention to what made the property a hit in the first place.

There’s story after story that continues to come out of Hollywood that if you don’t feel, act, look, vote, etc. a certain way then you aren’t invited to the party. These writers and directors surround themselves with a self fulfilling prophecy circle and then blame “toxic fandom” for all their failures.
Posted by Roaad
White Privilege Broker
Member since Aug 2006
84045 posts
Posted on 10/5/24 at 12:53 pm to
quote:

I agree the concept of Blade is really cool, but we got one pretty good Blade movie. Out of three. The good Blade movie did not stick to the comics.
We got 3 Blade movies. One was great, one was good, one was meh.

All were alot of fun
Posted by Roaad
White Privilege Broker
Member since Aug 2006
84045 posts
Posted on 10/5/24 at 1:09 pm to
I understand the people who see "woke" in everything, while I don't agree with them.

Before 2020 it was an annoyance, largely. People would point it out, and yet still would go see it, roll their eyes, and soldier on. People called Black Panther a "woke" movie. . .and yet everyone saw it. People thought WW was going to be feminist propaganda. . .and still saw it.

After 2020, something changed. The themes got less subtle. Instead of being a "takeaway" from a movie, it was the explicit point of the movie.

Also all the casting nonsense, preemptively attacking fans, sports media virtue signaling, etc.

Then came Dylan Mulaney. . .

After the powerful and effective boycott, the disgruntled masses saw they could make a real difference. That is what mobilized the neckbeard mafia, in my mind. Once they knew they had some power, they made sure people would have to pay attention. Now that people know that they can just not watch or buy, and that there are enough like them to effect change. . .it was game on.

I don't agree with all of it, but I definitely understand.

PS- This post feels very stream of consciousness. If something isn't clear, I can explain better.
Posted by wareaglepete
Union of Soviet Auburn Republics
Member since Dec 2012
18566 posts
Posted on 10/5/24 at 4:28 pm to
Today’s America. Everyone is always right. It’s always someone else’s fault.
Posted by StansberryRules
Member since Aug 2024
5226 posts
Posted on 10/5/24 at 5:44 pm to
Hollywood seems to not understand that their job is to please the audience. the entire tone of that article is anger that people aren't mindlessly supporting their garbage.
Posted by Madking
Member since Apr 2016
70823 posts
Posted on 10/5/24 at 5:57 pm to
They’re clueless, spiteful and above all talentless people. Another degenerative feature of those types of thinkers is that they view the past as evil therefore they can’t learn from it so where as before you had a sort of building upon things that were done previously to continuously improve that’s all stopped now. This is why you get writers who only write about themselves, actors who don’t act and just play themselves, who can’t be a character that has different views from themselves. Directors who do the same so even the best stuff they can produce has a low ceiling. These studios as constructed can’t improve because of these things and if it’s going to turn around there would have to be mass firings which I’m not sure can happen with the current social terrorism that’s pervasive in todays culture.
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