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re: The Girl with the Dragon Tattoo {2011}
Posted on 12/27/11 at 8:22 pm to Blue Velvet
Posted on 12/27/11 at 8:22 pm to Blue Velvet
quote:
Yep, Hollywood pandering. Won't be seeing this film. Everyone on here will piss their pants when Hollywood remakes Red Dawn but it's okay to remake an already good movie so Americans don't have to (gasp!) read subtitles.
Aren't subtitles in and of themselves pandering to the non Swedish speaking audience? If you wanted to preserve the integrity of the work, shouldn't you have learned Swedish, so that you could understand the dialogue without the pandering subtitles? While we're at it, isn't the very idea of the film adaptation itself pandering as well? Shouldn't you--to maintain your logical integrity--have learned Swedish and read the novel in its original form? You accepted that pandering, though.
So, clearly, it's not the pandering you have a problem with, just the intensity of it. And you seem to conveniently draw the right right before where you step over. You condescending, snobby, hypocritical frick.
Posted on 12/27/11 at 8:28 pm to Hot Carl
fwiw, this isn't a movie that is artsy or creative enough to evoke that sort of snobbery
plus, they hired a much better director, composer, and cast than the original movie. technically, it's vastly superior
doing what they did with let the right one in/let me in (almost a shot for shot remake that was inferior to the original), is pretty shitty. this was completely different. that was a remake of the movie...this is another film based on the same book
plus, they hired a much better director, composer, and cast than the original movie. technically, it's vastly superior
doing what they did with let the right one in/let me in (almost a shot for shot remake that was inferior to the original), is pretty shitty. this was completely different. that was a remake of the movie...this is another film based on the same book
Posted on 12/27/11 at 8:34 pm to Hot Carl
Wow, tell us how you really feel hot carl. Lol.
Posted on 12/27/11 at 10:31 pm to JBeam
Enjoyed the film.
Loved the opening credits. Once again fincher is the master of credits.
Spoilers
Did not like how they handled Harriet being in London. I was really looking forward to them going down to Australia to pick her up.
Rooney Mara crushed the role.
Loved the opening credits. Once again fincher is the master of credits.
Spoilers
Did not like how they handled Harriet being in London. I was really looking forward to them going down to Australia to pick her up.
Rooney Mara crushed the role.
Posted on 12/28/11 at 1:09 am to 1999
I liked the film. The storyline was somewhat predictable but the acting was really strong. Craig and Mara crushed it...I really enjoyed it; from the credits to the cinematography.
SPOILERS
I didn't mind the scenes, although they were very graphic. I find rape scenes to be one of the worst to watch but the scenes did not offend me. A part of me was happy they were as graphic as they were so that I could really appreciate Lisbeth's revenge.
SPOILERS
I didn't mind the scenes, although they were very graphic. I find rape scenes to be one of the worst to watch but the scenes did not offend me. A part of me was happy they were as graphic as they were so that I could really appreciate Lisbeth's revenge.
Posted on 12/29/11 at 6:29 am to JBeam
Talked with my granddaughter last night - she's seen both versions of the movie and read the book. She says the US version is more true to the book, but she had to flinch from some of the violence:
Plucky Charms Reviews Holiday Movies
Plucky Charms Reviews Holiday Movies
quote:
The Girl with the Dragon Tattoo (Dec. 20 – That’s TODAY!)
This is a David Fincher (Fight Club, Seven) production, so if any of your bros are pussies about things like really, really graphic violence and psychological thrillerness, they can get in line for that movie about Matt Damon buying a zoo like that isn’t a terrible fricking idea and a ludicrous premise for a film that for some reason doesn’t include Kevin James being unfunny.
Seriously though, gird your loins. James Blonde and that skinny chick from The Social Network look like they’re about to one-up the Swedish original. They ain’t bullshittin’.
Posted on 12/29/11 at 6:52 am to Hot Carl
quote:You honestly believe that?
Aren't subtitles in and of themselves pandering to the non Swedish speaking audience?
quote:Sure.
While we're at it, isn't the very idea of the film adaptation itself pandering as well?
Personally, I liked the book and wanted to see a director take a stab at it. And I liked original movie and was really excited when I found out it was going to be remade 2 years later with English speaking actors and a more conventional view of women. After that guy who made Fight Club and that gruesome movie with a head in a box got a hold of it, I'm now excitedly waiting on Scorcese to take a shot at it next year with Leo and Diaz in lead and a summer 3D IMAX release and of course less violence so it can achieve a PG rating. When in doubt it's better to reach a wider audience. As long as the movie is somewhat similar to the source material I'm pleased with the stretching of details and leaving out any part of the story the director says isn't necessary. You delicious, handsome, witty intellectual.
Posted on 12/29/11 at 7:57 am to Celery
I saw it with both my mom and grandma.
It was a great movie though, I thoroughly enjoyed it. I thought that both Daniel Craig and Mara Rooney were great in their roles. It took me a while until I realized she was the gf in The Social Network, which makes what she transformed into even crazier. The two scenes were a little tough to watch, but her revenge made me feel a little better.
Also, she was naked a ton this movie.
It was a great movie though, I thoroughly enjoyed it. I thought that both Daniel Craig and Mara Rooney were great in their roles. It took me a while until I realized she was the gf in The Social Network, which makes what she transformed into even crazier. The two scenes were a little tough to watch, but her revenge made me feel a little better.
Also, she was naked a ton this movie.
Posted on 12/29/11 at 8:08 am to Borgishsmorg
quote:
I saw it with both my mom and grandma.
Posted on 12/29/11 at 8:57 am to Hot Carl
Finally saw it on Tuesday - I've read the book, but have not seen the Swedish version.
**SPOILERS**
A few things bothered me - most notably, the way they discovered Harriet - I don't understand the point of changing the book here. Would it have been too difficult to follow Anita in London and Harriet in Australia?
Also - am I remembering correctly, or after Advocate Palmgren had his stroke, didn't Lisbeth believe he was dead for the rest of the book? In the movie, they were playing chess together, and as I recall it was not until the 2nd book did Salander discover that he was still alive and began visiting him?
I also thought the movie missed out on some opportunities - the part where we realize that Martin is the killer, and the part where we figure out that Harriet is alive are heart-stopping moments in the book with a lot of buildup. In the movie, these 2 revelations felt sort of "ho-hum", like they just revealed these things as if they were no big deal. It lacked the punch it could've had.
Also, I wish the movie would have delved deeper into Salander's character. She is such a complex person in the book, it looked like they merely scratched the surface.
That said, I enjoyed the movie - I thought the acting was great. I particularly thought Martin was very good in the movie. My wife thought the "Sail Away" song he played during the torture was ridiculous and took her out of the moment, but I really liked it. To me, it showed how perverse Martin is that he would listen to a song like that while torturing someone.
**SPOILERS**
A few things bothered me - most notably, the way they discovered Harriet - I don't understand the point of changing the book here. Would it have been too difficult to follow Anita in London and Harriet in Australia?
Also - am I remembering correctly, or after Advocate Palmgren had his stroke, didn't Lisbeth believe he was dead for the rest of the book? In the movie, they were playing chess together, and as I recall it was not until the 2nd book did Salander discover that he was still alive and began visiting him?
I also thought the movie missed out on some opportunities - the part where we realize that Martin is the killer, and the part where we figure out that Harriet is alive are heart-stopping moments in the book with a lot of buildup. In the movie, these 2 revelations felt sort of "ho-hum", like they just revealed these things as if they were no big deal. It lacked the punch it could've had.
Also, I wish the movie would have delved deeper into Salander's character. She is such a complex person in the book, it looked like they merely scratched the surface.
That said, I enjoyed the movie - I thought the acting was great. I particularly thought Martin was very good in the movie. My wife thought the "Sail Away" song he played during the torture was ridiculous and took her out of the moment, but I really liked it. To me, it showed how perverse Martin is that he would listen to a song like that while torturing someone.
Posted on 12/29/11 at 9:02 am to DanglingFury
Yea I didnt know what to expect, but they both had read the book. I wanted to see it, and figured of I went with them I wouldn't have to pay.
Posted on 12/29/11 at 1:41 pm to Blue Velvet
quote:I will pay full price twice and buy the blue ray just because of this stupid fricking post.
Yep, Hollywood pandering. Won't be seeing this film. Everyone on here will piss their pants when Hollywood remakes Red Dawn but it's okay to remake an already good movie so Americans don't have to (gasp!) read subtitles. I guess remaking old movies we love is just "reaching a wider audience" too, amirite?
Posted on 12/29/11 at 2:19 pm to TigerNutts
I fricking hate the movie snobs. Hot Carl, well done.
I really liked the movie. The 2 and a half hours flew by.
I really liked the movie. The 2 and a half hours flew by.
Posted on 12/31/11 at 12:13 pm to Blue Velvet
the article Velvet cites raises some interesting points, but it way overstates the case and then continually contradicts itself.
I've seen the American version and have not seen the Swedish version. I've read about half the book before I got bored with it and stopped reading. I didn't like it much at all, as, like most polemics, it mistakes political and social ideas for plot and character -- or being interesting. It was a stunning act of preaching to the choir, which bores me.
But the one thing I cannot let go in the article is that the central tenet of the character of Lisabeth is that her abuse by men is not unique to her. In fact, the author clearly states, "By the time she was eighteen, Salander did not know a single girl who at some point had not been forced to perform some sort of sexual act against her will. … In her world, this was the natural order of things. As a girl she was legal prey, especially if she was dressed in a worn black leather jacket and had pierced eyebrows, tattoos, and zero social status.”
OK, we establish that she is lower than most, but she is still a representation of man's oppression of women. Now, look at the conclusion of the article:
"Yet the entire point is that Lisbeth doesn’t seem real to the regular Joe or Jane walking down the street. Even those closest to her don’t truly understand her."
BS.
The entire point of Lisabeth was, as stated earlier, that being forcibly sexualized by men is a universal thing. The name of the book was Men Who Hate Women, which the article makes a big deal out of. But as soon as it no longer suits the author's purpose, Lisabeth is no longer a universal experience for women getting oppressed by man, she is a unique, unreal, and unable to be understood by anyone. Her experience as a woman, just paragraphs before, was universal -- in fact, she was created solely because of the universality of rape the author argues exists -- and now she's impossible to understand?
That goes against the entire thesis of the article. And let's not even get into the ENTIRE SECTION the article spends on the marketing of the film, which is, as we all know, NOT THE FILM.
Finally, as big of a deal as the article makes of Craig saving the helpless Lisabeth, the film does quite the opposite. In the final scene with Harriet, Daniel Craig confesses that "he was saved too," speaking specifically of Lisabeth saving him as if he too, were one of the girl victims. This is a rather major point which the article simply fails to address, because it does not fit its empty thesis.
I've seen the American version and have not seen the Swedish version. I've read about half the book before I got bored with it and stopped reading. I didn't like it much at all, as, like most polemics, it mistakes political and social ideas for plot and character -- or being interesting. It was a stunning act of preaching to the choir, which bores me.
But the one thing I cannot let go in the article is that the central tenet of the character of Lisabeth is that her abuse by men is not unique to her. In fact, the author clearly states, "By the time she was eighteen, Salander did not know a single girl who at some point had not been forced to perform some sort of sexual act against her will. … In her world, this was the natural order of things. As a girl she was legal prey, especially if she was dressed in a worn black leather jacket and had pierced eyebrows, tattoos, and zero social status.”
OK, we establish that she is lower than most, but she is still a representation of man's oppression of women. Now, look at the conclusion of the article:
"Yet the entire point is that Lisbeth doesn’t seem real to the regular Joe or Jane walking down the street. Even those closest to her don’t truly understand her."
BS.
The entire point of Lisabeth was, as stated earlier, that being forcibly sexualized by men is a universal thing. The name of the book was Men Who Hate Women, which the article makes a big deal out of. But as soon as it no longer suits the author's purpose, Lisabeth is no longer a universal experience for women getting oppressed by man, she is a unique, unreal, and unable to be understood by anyone. Her experience as a woman, just paragraphs before, was universal -- in fact, she was created solely because of the universality of rape the author argues exists -- and now she's impossible to understand?
That goes against the entire thesis of the article. And let's not even get into the ENTIRE SECTION the article spends on the marketing of the film, which is, as we all know, NOT THE FILM.
Finally, as big of a deal as the article makes of Craig saving the helpless Lisabeth, the film does quite the opposite. In the final scene with Harriet, Daniel Craig confesses that "he was saved too," speaking specifically of Lisabeth saving him as if he too, were one of the girl victims. This is a rather major point which the article simply fails to address, because it does not fit its empty thesis.
This post was edited on 12/31/11 at 12:18 pm
Posted on 1/1/12 at 11:30 am to Baloo
quote:
I find rape scenes to be one of the worst to watch but the scenes did not offend me. A part of me was happy they were as graphic as they were so that I could really appreciate Lisbeth's revenge.
this. i actually found the rape scene to be much less disturbing than i thought it would be. it was very intense, the music was booming and it played out more like a murder when it was all done. One of the best scenes in the movie, and it made her revenge even better
Posted on 1/1/12 at 1:34 pm to drewhowie
The revenge scene was thoroughly fulfilling for everyone in the audience.
Posted on 1/1/12 at 1:44 pm to JBeam
I liked it, stayed close to the book.
Posted on 1/1/12 at 6:03 pm to NaturalBeam
quote:
A few things bothered me - most notably, the way they discovered Harriet - I don't understand the point of changing the book here. Would it have been too difficult to follow Anita in London and Harriet in Australia?
Totally agree with you here - it really annoyed me that they abbreviated and simplified Harriet's discovery in the manner they did. To me, it felt like a "dumbing down" of the plot for the average moviegoer. Ultimately, it just lessens the "wow" factor of discovering what exactly happened to Harriet IMO.
quote:
Also - am I remembering correctly, or after Advocate Palmgren had his stroke, didn't Lisbeth believe he was dead for the rest of the book? In the movie, they were playing chess together, and as I recall it was not until the 2nd book did Salander discover that he was still alive and began visiting him?
You are correct - in the book Lisbeth visits Palmgren in the hospital after he has suffered a massive brain trauma. She's told that he is unlikely to survive the trauma and that's the last Lisbeth sees of him in book 1. I haven't read 2 yet so the rest I can't comment on any inclusions from it - perhaps they added parts of book 2 to the film.
quote:
I also thought the movie missed out on some opportunities - the part where we realize that Martin is the killer, and the part where we figure out that Harriet is alive are heart-stopping moments in the book with a lot of buildup. In the movie, these 2 revelations felt sort of "ho-hum", like they just revealed these things as if they were no big deal. It lacked the punch it could've had.
Once again, totally agree with you. I think this is typically the problem in most book-to-film translations. The problem, as always, is being limited by time. The book goes through great lengths and detail to lead up to both the discovery of Harriet and the revelation that Martin is the serial murderer. The film unfortunately seems to quickly reach these conclusions but sacrifices the "oompf" that you feel when discovering these things in the novel. That, more than anything else, was probably my biggest complaint with the movie.
This post was edited on 1/1/12 at 6:05 pm
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