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Message
re: The Bear season 3 - spoilers ok
Posted on 7/16/24 at 4:00 pm to jumbo
Posted on 7/16/24 at 4:00 pm to jumbo
quote:
I really want a Matter Of Faks spinoff.
Really? I thought one Fak was good but then they kept multiplying and the Cena haunting shite was just grating.
Also Bear finally stepping to dick chef Joel McHale was slightly undercut by JAW's real life lack of height. It should've felt like he might haul off and punch him but McHale being half a foot taller took some steam out of that.
Posted on 7/18/24 at 11:56 am to Pettifogger
quote:
That god-awful 15 minute conversation between chefs sitting around the table waxing poetic about their spiritual connection to food was hard to
it was like they took the worst parts of No Reservations and distilled it down to that conversation.
Posted on 7/18/24 at 10:59 pm to emanresu
quote:
The major plot points, both new and old, just didn't have much substantive progression.
It was 10 episodes of filler. Sure they had some beautiful montages and cool cuts and the acting was great as it had been, but was no substance to it. Drudged through it all but was not a fan.
Posted on 7/21/24 at 4:07 pm to lionward2014
I get the sense that this should end sort of like Good will hunting.
Claire will finish her residency and move somewhere full time. Carmy will decide to follow her and walk away from the restaurant in dramatic fashion, leaving it to Sydney in a note..."love, carm. P.S. Let it rip, chef"
Claire will finish her residency and move somewhere full time. Carmy will decide to follow her and walk away from the restaurant in dramatic fashion, leaving it to Sydney in a note..."love, carm. P.S. Let it rip, chef"
Posted on 7/24/24 at 8:30 pm to Peter167
Just watched the first two episodes of Season 1 and the first five minutes of the third episode before turning it off.
Does the show get any better. I’ve heard how great it is, but so far it’s just Richie screaming. I just don’t get the appeal.
Does the show get any better. I’ve heard how great it is, but so far it’s just Richie screaming. I just don’t get the appeal.
Posted on 7/24/24 at 10:44 pm to logjamming
quote:
Just watched the first two episodes of Season 1 and the first five minutes of the third episode before turning it off.
Season 1 is fantastic. Season 2 falls off some but still quality TV with some all time top TV episodes in Forks and Fishes.
Posted on 7/25/24 at 7:21 am to logjamming
quote:
but so far it’s just Richie screaming
Stay with the show if for no other reason than to watch Richie's character arc.
Posted on 7/25/24 at 7:22 am to logjamming
You ever think it might take slightly more time than 2 episodes to understand a show that everyone else loves?
The episodes are 30 minutes long.
The episodes are 30 minutes long.
Posted on 7/25/24 at 1:17 pm to logjamming
quote:
but so far it’s just Richie screaming. I just don’t get the appeal.
I don't like it for the same reason. I don't care if Richie has an arc, because he starts out so fricking retarded I don't care what happens to him. You need hearing protectors to watch this show.
This post was edited on 7/25/24 at 1:29 pm
Posted on 7/25/24 at 1:23 pm to HueyLongJr
I will admit I stopped watching the first season at that same point for the same reason. I kept seeing on this board, however, how much better it got. So glad I got back on the horse. I ended up loving it. Richie’s initial terrible, pathetic demeanor just makes his character development that much more gratifying.
That being said…I was not as enamored of this season. I like food porn, so that was great. I think Jamie Lee Curtis should win awards for her performance. Beyond that…it did not seem to progress much.
That being said…I was not as enamored of this season. I like food porn, so that was great. I think Jamie Lee Curtis should win awards for her performance. Beyond that…it did not seem to progress much.
Posted on 7/31/24 at 10:16 pm to Sugarbaker
Well this show went downhill. Maybe mob guy burns the restaurant down for the insurance. Only way to save this show.
Posted on 7/31/24 at 10:49 pm to boogiewoogie1978
quote:
Maybe mob guy burns the restaurant down for the insurance. Only way to save this show.
Or maybe the IRS discovers the money laundering that built the place.
Posted on 8/7/24 at 7:51 am to cuddlefish
I started Season 3 this weekend and finished last night.
I think a lot of people complaining are being sort of whiny with one major exception (described more in detail below). There is more to a show/movie than plot. Plot isn't fully necessary if the writing/acting/production is top shelf with round characters developing. Season 3 had all of that (again, with one exception).
Framing the season with Carmy becoming an elite chef/mentor around his former elite chef mentors was very great. The first episode was legitimately elite TV, and it worked well as a bookend with the finale (and his conversation with chef Andrea, capped with her request to call her Andrea "next time").
I don't get people complaining about focusing on character-centric episodes after congratulating season 2 so much (with the 3 most referenced episodes being purely character-driven episodes that did not further the plot at all).
Now, here is the bad. Sydney. And it's not because she's annoying, because that role as foil to Carmy (and representing a form of young Carmy) is important and done pretty well. The problem, as others have mentioned in this thread, is that she's a bit of a Marie Sue. This is very bad on a few levels.
First, it is just unrealistic, as people have said, that she's this legit nobody who is treated as this rising star and offered these huge options. There is suspension of disbelief and there is stupidity, and this is much closer to stupidity.
Second, this entirely removes the comparison to Carmy that they're trying so hard to create. We saw multiple versions of the mentor chefs and 2 big ones in stark contrast praising him at Ever's funeral dinner. We saw the effects of both, the friendships, devleopment, career ups, career downs, etc. Sydney has none of this, because she went from failed caterer to Michelin-worthy chef du cuisine...after working a few months in a Chicago beef shop. She has no development under Carmy's fractured psyche, because she's already apparently his near equal and gets to tell him to frick of to his face in the kitchen, and not years later after proving herself like Carmy did with Joel McHale.
Some of the other journeys (Richie, Marcus) did seem to go a bit quicker than would be realistic, but at least they started from an area of ineptness (for a Michelin-star restaurant) for a full season+. But at least it showed them starting low, having professional conflict (and how it compared to their personal drama), getting an opportunity to improve, and improving. That's why Honeydew and Forks are 2 of the 3 most referenced episodes form season 2.
Last, and a transition from point 2, since they Mary Sue'd her character, they can't go back into her past in any meaningful way AND have her actually develop in any meaningful way. All they can do is make her anxious over like, signing a partnership agreement or taking a new job. I mean one of the themes they were developing in season 2 was how she was going to do all this work without a cut...Resolved with no conflict by like episode 2 of season 3. Oh man, she ran a catering company into the ground...so interesting. The whole focus on the show from season 2 on is the journey of the characters, but it's effectively impossible to do this with Sydney how they've constructed her character.
This makes her a complete outlier in how they're presenting the show, and she sticks out like a sore thumb. Having her as the #2 or 3 character with all of this baggage, and trying to force conflict/drama into her Mary Sue status, really does take away from how the rest of the show flows, especially when they're focusing on characters. Since season 3 was all about this focus, it created real issues the entire season.
I think a lot of people complaining are being sort of whiny with one major exception (described more in detail below). There is more to a show/movie than plot. Plot isn't fully necessary if the writing/acting/production is top shelf with round characters developing. Season 3 had all of that (again, with one exception).
Framing the season with Carmy becoming an elite chef/mentor around his former elite chef mentors was very great. The first episode was legitimately elite TV, and it worked well as a bookend with the finale (and his conversation with chef Andrea, capped with her request to call her Andrea "next time").
I don't get people complaining about focusing on character-centric episodes after congratulating season 2 so much (with the 3 most referenced episodes being purely character-driven episodes that did not further the plot at all).
Now, here is the bad. Sydney. And it's not because she's annoying, because that role as foil to Carmy (and representing a form of young Carmy) is important and done pretty well. The problem, as others have mentioned in this thread, is that she's a bit of a Marie Sue. This is very bad on a few levels.
First, it is just unrealistic, as people have said, that she's this legit nobody who is treated as this rising star and offered these huge options. There is suspension of disbelief and there is stupidity, and this is much closer to stupidity.
Second, this entirely removes the comparison to Carmy that they're trying so hard to create. We saw multiple versions of the mentor chefs and 2 big ones in stark contrast praising him at Ever's funeral dinner. We saw the effects of both, the friendships, devleopment, career ups, career downs, etc. Sydney has none of this, because she went from failed caterer to Michelin-worthy chef du cuisine...after working a few months in a Chicago beef shop. She has no development under Carmy's fractured psyche, because she's already apparently his near equal and gets to tell him to frick of to his face in the kitchen, and not years later after proving herself like Carmy did with Joel McHale.
Some of the other journeys (Richie, Marcus) did seem to go a bit quicker than would be realistic, but at least they started from an area of ineptness (for a Michelin-star restaurant) for a full season+. But at least it showed them starting low, having professional conflict (and how it compared to their personal drama), getting an opportunity to improve, and improving. That's why Honeydew and Forks are 2 of the 3 most referenced episodes form season 2.
Last, and a transition from point 2, since they Mary Sue'd her character, they can't go back into her past in any meaningful way AND have her actually develop in any meaningful way. All they can do is make her anxious over like, signing a partnership agreement or taking a new job. I mean one of the themes they were developing in season 2 was how she was going to do all this work without a cut...Resolved with no conflict by like episode 2 of season 3. Oh man, she ran a catering company into the ground...so interesting. The whole focus on the show from season 2 on is the journey of the characters, but it's effectively impossible to do this with Sydney how they've constructed her character.
This makes her a complete outlier in how they're presenting the show, and she sticks out like a sore thumb. Having her as the #2 or 3 character with all of this baggage, and trying to force conflict/drama into her Mary Sue status, really does take away from how the rest of the show flows, especially when they're focusing on characters. Since season 3 was all about this focus, it created real issues the entire season.
Posted on 8/7/24 at 7:59 am to SlowFlowPro
If nothing else, I learned what "Mary Sue" means.
Posted on 8/7/24 at 8:13 am to wesfau
You must not have been here for much of the discussion of the final Star Wars trilogy 
Posted on 8/28/24 at 9:58 pm to dallastiger55
quote:
wife and I just watched S3 and it was a chore to get through.
Wife and I couldn’t finish it. And she’s the CDC at a fine dining restaurant so she’s interested in a show like this.
Too boring and corny. Tries too hard to be artsy and important when it’s paper thin. Carmy is portrayed as some genius but he can’t even control his own temper. He’s a bitch and his behavior would never be tolerated in a real kitchen.
Posted on 8/28/24 at 10:29 pm to lionward2014
quote:
It was 10 episodes of filler
This is perfect. I love this show so much, but nothing was resolved. Not a single thing.
We don't know is Carmy makes up with Claire
We don't know if Sydney signs the agreement or leaves
We don't know anything about the review
I don't mind a cliffhanger bleeding into the next season three years from now, but they gave us no resolution on anything
Posted on 8/29/24 at 7:06 am to SlowFlowPro
You forgot to add that there's too many Faks. Faks aren't really all that funny and they're so dumb, it's off-putting. I guess they're there to keep the show as a comedy so it can continue to rake in Emmys.
Posted on 9/11/24 at 10:50 am to Big Chipper
quote:my biggest complaint about S3, aside from the lack of actual cooking, is the Faks. they are misused, misplaced, and frankly, just not funny at all.
You forgot to add that there's too many Faks. Faks aren't really all that funny and they're so dumb, it's off-putting. I guess they're there to keep the show as a comedy so it can continue to rake in Emmys.
There's absolutely no need for anymore FAK shenanigans. they add absolutely zero to any storyline and scene. John Cena was extremely odd casting.
S3 boiled down to individual episodes, that in totality, do not advance the bear much into the next realm or even evolution of the restaurant itself.
1 about Tina's journey
1 about Nat's circle of life relationship with momma Bear
1 about Richie's life around his daughter
1 about syd discovering new opportunities
just 1 too many about something that's not about The Bear. It was a frustrating season to get through, IMO.
3/5 for me
this felt like The Bear Season 2.5, not season 3
The final parting shots evolved around the verdict of the tribune article, I ended up wanting and wishing for a completely negative review tbh
This post was edited on 9/11/24 at 10:59 am
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