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re: What was the first modern-style TV drama?
Posted on 3/7/22 at 8:28 pm to TheTideMustRoll
Posted on 3/7/22 at 8:28 pm to TheTideMustRoll
Most have been mentioned but I’d put mold breakers title on:
Dallas
Hill Street Blues
St Elsewhere
Picket Fences
Twin Peaks
24
Sopranos
Lost
I think all of those set the stage for what we have now for dramas that build on themselves, have genuine suspense, and cliffhanger episodes. I give lost the edge for most important, but it obviously stands on some others’ shoulders.
Every failed NBC/ABC sci-if show I can think of was trying to capture some of that JJA/CC/DL magic.
Dallas
Hill Street Blues
St Elsewhere
Picket Fences
Twin Peaks
24
Sopranos
Lost
I think all of those set the stage for what we have now for dramas that build on themselves, have genuine suspense, and cliffhanger episodes. I give lost the edge for most important, but it obviously stands on some others’ shoulders.
Every failed NBC/ABC sci-if show I can think of was trying to capture some of that JJA/CC/DL magic.
Posted on 3/7/22 at 9:55 pm to fr33manator
(no message)
This post was edited on 8/22/22 at 3:07 pm
Posted on 3/7/22 at 10:13 pm to Jay Quest
quote:
You had some highly talented writers producing some of the best TV dramas in history during the 50s.

Posted on 3/8/22 at 1:54 am to Dire Wolf
quote:
2. They have acting and effects comparable to movies. If you walk into a room where one of these shows is playing on TV, you cannot generally tell at a glance that it is a TV series as compared to a movie. They also often have actors who have appeared in movies.
Ok, now point to the part of the post that mentions that they have to be a "movie star" like Martin Sheen?
Examples from the 60s and 70s have been brought up repeatedly in this thread. But it seems like the majority of posters are determined to ignore those decades and give the credit to some show from the 90s or later.
This thread is a joke.
This post was edited on 3/8/22 at 1:55 am
Posted on 3/8/22 at 1:58 am to DaleGribble
quote:
This thread is a joke.
Shut the frick up, you ornery old bastard.
Posted on 3/8/22 at 2:59 am to Hot Carl
quote:
Shut the frick up, you ornery old bastard.
Go jack off to Lost or Breaking Bad and think of it as ground breaking television.
Posted on 3/8/22 at 7:05 am to TigerIron
quote:
The part of 2 requiring hollywood level special effects seems to limit it to action/ sci-fi.
After some thought I didn't word requirement #2 as well as I could have. Let's rephrase it and say that modern TV dramas have production quality on par with movies. That incorporates far more than just special effects.
Posted on 3/8/22 at 7:06 am to DaleGribble
quote:
Examples from the 60s and 70s have been brought up repeatedly in this thread. But it seems like the majority of posters are determined to ignore those decades and give the credit to some show from the 90s or later.
Modern being a key term here
Posted on 3/8/22 at 7:20 am to Dire Wolf
quote:
Modern being a key term here
“Modern” has a specific definition in the OP. The thread is a discussion about what was the first TV drama to showcase the features that the OP is talking about. It’s my contention that the idea that these features are somehow “modern” is placing too much significance on the present and not seeing that these features have been present since the 70s.
Edit: The only thing that is 100 percent a “modern” feature is incorporation of season-long and series-long story arcs, such that the entire series blends together like a single story.
Prior to 1993, there were multiple episode story arcs to be sure. But something like Breaking Bad where it’s just one, long continuous story from episode 1 to the series finale was something you only saw in soap operas.
The first traditional drama to have an entire series planned out before anything was ever filmed was Babylon 5 (1993-1998).
Edit: I would argue that the most profound thing to happen to American television, even more so than serialized story arcs and acting, was the use of cinema-verite style cinematography. Handheld camera work and really gritty lighting. For that, Hill Street Blues would be the starting point.
This post was edited on 3/8/22 at 7:31 am
Posted on 3/8/22 at 8:42 am to UndercoverBryologist
quote:
would argue that the most profound thing to happen to American television, even more so than serialized story arcs and acting, was the use of cinema-verite style cinematography. Handheld camera work and really gritty lighting. For that, Hill Street Blues would be the starting point.
Never seen hill street blues but watched the first few episodes of Miami Vice, was pretty blown away with how good it looked. I know It is Micheal mann so it makes sense.
Kind of brings up a good point, TV was pretty limited on how good it could look until wide screen TVs took over.
Posted on 3/8/22 at 9:28 am to UndercoverBryologist
quote:
The Mary Tyler Moore company invented the modern TV drama in 1981 and 1982 with Hill Street Blues and St. Elsewhere.
These 2 were my initial thoughts and couldn’t remember which one came first.
Dallas somewhat qualifies, but its production felt a little soap opera at times.
Posted on 3/8/22 at 1:18 pm to DaBeerz
quote:
Dallas
Was thinking the same.
Posted on 3/8/22 at 3:02 pm to TheTideMustRoll
Sopranos. It is the archetype for modern episodic tv.
Posted on 3/8/22 at 3:11 pm to Pax Regis
quote:..OZ was on the same network and had it beat by 2 years.
Sopranos. It is the archetype for modern episodic tv.
Posted on 3/8/22 at 3:58 pm to SEClint
quote:
OZ was on the same network and had it beat by 2 years.
OZ definitely deserves a mention. But the fact that it was set in a prison ward kind of gave it a "studio set" feel and some of the story lines were outlandish or soap opera-like.
Posted on 3/8/22 at 4:14 pm to AUFANATL
quote:
But the fact that it was set in a prison ward kind of gave it a "studio set" feel and some of the story lines were outlandish or soap opera-like.
Well thats a drama, and I enjoyed the multi-perspective options it gave. It was definitely on a budget, but I felt they did the most with it. J.K. Simmons was such a great POS in the form of Vern Schillinger.
Posted on 3/8/22 at 4:48 pm to TheTideMustRoll
Key Word: "Modern Style"
Your Criteria for "Modern Style"
Deep Space Nine
Serialized after the first few seasons...one of the earliest examples.
Definitely has They have an overarching plot which is materially advanced in almost every episode
They are intended to be watched from first episode to last, like an extremely long movie.
It had acting and effects comparable to movies. In fact it has aged extremely well.
Your Criteria for "Modern Style"
quote:
1. Although they are broken up into episodes, they are not episodic in nature. They have an overarching plot which is materially advanced in almost every episode, so you can't generally pick them up mid-series or skip an episode. They are intended to be watched from first episode to last, like an extremely long movie. These are shows designed for the era of DVR and streaming media.
2. They have acting and effects comparable to movies. If you walk into a room where one of these shows is playing on TV, you cannot generally tell at a glance that it is a TV series as compared to a movie. They also often have actors who have appeared in movies.
Deep Space Nine
Serialized after the first few seasons...one of the earliest examples.
Definitely has They have an overarching plot which is materially advanced in almost every episode
They are intended to be watched from first episode to last, like an extremely long movie.
It had acting and effects comparable to movies. In fact it has aged extremely well.
Posted on 3/8/22 at 4:59 pm to The Spleen
quote:
Dallas somewhat qualifies, but its production felt a little soap opera at times.
thats because it was a soap opera
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