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Message
Heard the Varsity in Baton Rouge will be closing
Posted on 11/14/25 at 7:57 am
Posted on 11/14/25 at 7:57 am
I recently heard that the Varsity in Baton Rouge will be closed on 12/31/25 and will be used by the Chimes for additional seating. Really sad that the owners have let that space go to waste. Anyone else hear about this?
Posted on 11/14/25 at 9:41 am to rmckni11
Didn't this already happen once before?
Posted on 11/14/25 at 9:42 am to rmckni11
I wouldn't say they let it go to waste. They just can't keep up with corporate entertainment controlling all the music acts. Independent theaters just can't compete anymore.
Posted on 11/14/25 at 10:21 am to Midget Death Squad
Sad state of affairs.
Posted on 11/14/25 at 11:00 am to Midget Death Squad
quote:
I wouldn't say they let it go to waste. They just can't keep up with corporate entertainment controlling all the music acts. Independent theaters just can't compete anymore.
Chelsea's does pretty well with attracting decent acts for a theater their size. I saw Steel Panther at the Varsity last year and the house was packed. Ashamed to see them go.
Posted on 11/14/25 at 11:36 am to jdd48
the most certainly can thrive and compete (see Chelsea's or any other college town venue).
They just don't care enough to hire the right people to book it. And they can certainly afford to do so.
Sad day for a once thriving area for music.
They just don't care enough to hire the right people to book it. And they can certainly afford to do so.
Sad day for a once thriving area for music.
Posted on 11/14/25 at 1:01 pm to rmckni11
There's nothing posted on The Varsity's website about its closing. With the proper investor and GM, the Varsity would be the premier live entertainment venue in BR again. Turning it into a restaurant is a disappointment.
Posted on 11/14/25 at 3:11 pm to Midget Death Squad
Varsity had been booming for years before covid. There's plenty of bands that hate working with LiveNation and would prefer to play independent venues. If they wanted to do shows again, they would be successful.
Posted on 11/14/25 at 10:52 pm to Brosef Stalin
We're all looking for a cool place to play on Monday/Tuesday that covers our costs to be on the road. Sometimes those turn out to be great gigs! I'd love to play the Varsity again.
Posted on 11/15/25 at 11:38 am to rmckni11
Wow.
Concrete Blonde, Smithereens, Go Gos, Cult, John Mayer when he played guitar, Kings X plus a bunch I cant remember.
Concrete Blonde, Smithereens, Go Gos, Cult, John Mayer when he played guitar, Kings X plus a bunch I cant remember.
Posted on 11/15/25 at 5:43 pm to Lakeboy7
I’ve seen Toadies, The Cult, and Deftones there. Shame if it closes.
Posted on 11/15/25 at 7:20 pm to Lakeboy7
Shinedown, Blind Melon, Candlebox
Posted on 11/15/25 at 7:38 pm to fore4
Retroactive Saturday nights at the Varsity circa 2005 were some great times. The line sometimes to get in would go all the way out to the corner of highland between Cane’s and the gas station on the corner.
Posted on 11/16/25 at 8:20 am to Lakeboy7
quote:
John Mayer when he played guitar
I don’t think I’ve seen him NOT playing the guitar
Posted on 11/16/25 at 10:55 am to rmckni11
I'm both surprised and not surprised if that ends up being what happens.
For the surprised part, it has value to them as an event rental space. The corporation doesn't care about its status as a music venue.
For the unsurprised part... the corporation doesn't care about its status as a music venue. It was Tim Hood's passion project. When he died, the interest in it among the partners apparently died with him.
The economics of a music venue are like those of a movie theater: when you buy a ticket, that's almost all going to the act with a small carve out for operating expenses (sound guys and use of the equipment, light guys and use of the equipment, promotional costs). The venue makes its money on bar sales. Movie ticket money mostly goes to renting the prints of the movies, everything else in the place is paid for my the concession stand. That's why $.08 worth of popcorn in an $.11 box costs $8 or whatever.
Compared to the restaurant side of the business, that looks like a pain in the arse to deal with to people who aren't passionate about it.
The Casinos use concerts to draw people into the building (and attached hotel and restaurants) and then use all of their Jedi Mind Tricks to lure them onto the Casino floor. They'll lose money to make it back + more in other areas.
For the surprised part, it has value to them as an event rental space. The corporation doesn't care about its status as a music venue.
For the unsurprised part... the corporation doesn't care about its status as a music venue. It was Tim Hood's passion project. When he died, the interest in it among the partners apparently died with him.
The economics of a music venue are like those of a movie theater: when you buy a ticket, that's almost all going to the act with a small carve out for operating expenses (sound guys and use of the equipment, light guys and use of the equipment, promotional costs). The venue makes its money on bar sales. Movie ticket money mostly goes to renting the prints of the movies, everything else in the place is paid for my the concession stand. That's why $.08 worth of popcorn in an $.11 box costs $8 or whatever.
Compared to the restaurant side of the business, that looks like a pain in the arse to deal with to people who aren't passionate about it.
The Casinos use concerts to draw people into the building (and attached hotel and restaurants) and then use all of their Jedi Mind Tricks to lure them onto the Casino floor. They'll lose money to make it back + more in other areas.
Posted on 11/16/25 at 7:59 pm to Lee B
quote:
The venue makes its money on bar sales. Movie ticket money mostly goes to renting the prints of the movies, everything else in the place is paid for my the concession stand. That's why $.08 worth of popcorn in an $.11 box costs $8 or whatever.
I find it kind of fascinating to see how small to midsize venues book acts and price tickets. Some are doing great, packing it in for artists I've barely heard of but obviously have a following.
Then I see others that seem to struggle while they book old artists who broke into the country charts in the 1980s or something and want to charge like $50 a pop, or sell entire table tops at "VIP" rates. The ticket prices for boomer cover bands really blow my mind.
Always wonder what kind of chemistry goes into those formulas, but it seems like venues that aren't trying to make all their nut on the tickets do better longterm.
I imagine a good booking agent makes a huge difference, as talent scouting and marketing may be a little more complicated these days.
Posted on 11/17/25 at 3:23 pm to ActusHumanus
I'll try harder next first post. I heard some news and thought this would be a good place to verify something like this
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