We're Re-examining How We Portray Cops Onscreen. Now It's Time to Talk About Superheroes

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In the past several weeks, as calls to defund the police have gone mainstream, pop culture critics and fans have been reconsidering how Hollywood heroizes cops. Legal procedurals and shoot-em-up action movies have long presented a skewed perception of the justice system in America, in which the police are almost always positioned as the good guys. These “good cop” narratives are rarely balanced out with stories of systemic racism in the criminal justice system. The “bad guys” they pursue are often people of color, their characters undeveloped beyond their criminality.

But as we engage in this long overdue conversation about law enforcement, it’s high time we also talk about the most popular characters in film, the ones who decide the parameters of justice and often enact them with violence: superheroes.

Cops with capes

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Superheroes have dominated popular culture for the last decade—they are fixtures of the highest-grossing movies and icons to more than just our children. They are beacons of inspiration: protesters dressed as Spider-Man and Batman have turned up at recent Black Lives Matter demonstrations. And yet what are superheroes except cops with capes who enact justice with their powers?

With a few notable exceptions (more on those later), most superhero stories star straight, white men who either function as an extension of a broken U.S. justice system or as vigilantes without any checks on their powers. Usually, they have some sort of tentative relationship with the government: The Avengers work for the secretive agency S.H.I.E.L.D.; Batman takes orders from Gotham police commissioner Gordon; even the villainous members of the Suicide Squad execute government orders in exchange for commuted prison sentences. And even when superheroes function outside the justice system, they’re sometimes idolized by police because they are able to skirt the law to “get the job done.”

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