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Watching 12 Angry Men for the first time...
Posted on 9/26/26 at 5:32 pm
Posted on 9/26/26 at 5:32 pm
I've got about a half hour left and holy crap do I miss filmmaking of this caliber. The acting, the writing, the cinematography. All of it was top notch.
Posted on 9/26/26 at 6:15 pm to RollTide1987
It’s so simple yet so powerful
Each juror plays their part so well and so many great stars assembled there
Each juror plays their part so well and so many great stars assembled there
Posted on 9/26/26 at 8:06 pm to Lawyered
Pacing is great, personalities unfold quickly and naturally, good stuff
Posted on 9/26/26 at 8:14 pm to Jef75
They were all stage actors at some point. It shows.
Posted on 9/26/26 at 8:35 pm to RollTide1987
It’s an all time great movie, but the kid is guilty as frick 
Posted on 9/27/26 at 8:56 am to RollTide1987
12 Angry Men was pretty “woke” for its time.
It wasn’t preachy or particularly in-your-face, but its message is unmistakable: the writers were deeply critical of a system in which an all-white, all-male jury could send a poor minority teenager to the electric chair for killing his abusive father—while prejudice, class assumptions, anger, and indifference influenced how the jurors viewed the evidence.
The original television play aired in 1954, the same year as the McCarthy hearings and Brown v. Board of Education. There are obvious 'socialist' undertones re: class imbalance, but the writers are clever in keeping it subversive. The film arrived in 1957, in the middle of an America divided on segregation and civil rights.
The film was a box office failure. Empty theatres opening night and pulled off screens a week later.
What makes the film especially interesting today is how the conversation has changed. Today some viewers might be angered by the film's lack of women or minorities represented on the jury.
It wasn’t preachy or particularly in-your-face, but its message is unmistakable: the writers were deeply critical of a system in which an all-white, all-male jury could send a poor minority teenager to the electric chair for killing his abusive father—while prejudice, class assumptions, anger, and indifference influenced how the jurors viewed the evidence.
The original television play aired in 1954, the same year as the McCarthy hearings and Brown v. Board of Education. There are obvious 'socialist' undertones re: class imbalance, but the writers are clever in keeping it subversive. The film arrived in 1957, in the middle of an America divided on segregation and civil rights.
The film was a box office failure. Empty theatres opening night and pulled off screens a week later.
What makes the film especially interesting today is how the conversation has changed. Today some viewers might be angered by the film's lack of women or minorities represented on the jury.
Posted on 9/27/26 at 9:08 am to RollTide1987
I posted about the Murder, She Wrote episode in a recent thread. Great, great episode.
But I should also note that probably my favorite tv episode knockoff is the one on Monk. Mr. Monk Gets Jury Duty, S4/E16. Definitely worth a watch.
I have not seen the movie in 30+ years. Guess I should at some point.
But I should also note that probably my favorite tv episode knockoff is the one on Monk. Mr. Monk Gets Jury Duty, S4/E16. Definitely worth a watch.
I have not seen the movie in 30+ years. Guess I should at some point.
Posted on 9/27/26 at 10:44 am to MightyJoeYoung
quote:
They were all stage actors at some point. It shows
Sometimes it is just a treat to watch actors work their craft. Glenngary Glen Ross is a great example. Brilliant acting with a generally boring plot.
Posted on 9/27/26 at 9:09 pm to RollTide1987
We were shown it in high school and it was universally liked which is saying a lot for a bunch of dumbass kids who probably hate black and white films
Posted on 9/27/26 at 9:23 pm to Deadmanshand
I’m messing around with writ g a script and the one bit of advice I’ve seen everywhere is don’t let your script tell directors and actors how to do their jobs.
Give them freedom to interpret the material. Your writing should inspire them to play it a certain way.
Also, that’s why dialogue in movies is so expositional. Spec scripts are written to have an extremely quick moving pace and quickest way to get things across is through dialogue. But then the shooting script version should tone down that expositional dialogue.
Give them freedom to interpret the material. Your writing should inspire them to play it a certain way.
Also, that’s why dialogue in movies is so expositional. Spec scripts are written to have an extremely quick moving pace and quickest way to get things across is through dialogue. But then the shooting script version should tone down that expositional dialogue.

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