re: Trump imposes 100% tariff on movies made outside of the United States

If a movie is set in a different country I don't have a problem of it being filmed there. However let's not be naive, even movies set in the USA are being filmed outside the USA and I'm glad this will stop it. It will be funny to see all the Dems that want those jobs in the USA pretend to hate this EO. I bet a lot of them will come out against it but silently be happy about it.

He is certainly embarrassing. He has no answers other than stupid shite like this to please his ignorant fan base. Who in their right mind would, looking at the problems facing this country, thinks , “yeah, taxing foreign films. Now we’re going somewhere”?

OK, but how would you even impose a tariff on a movie? It's not like they're being sent over on ships. You can email a movie to someone.

and if you were to figure a way to do this, would this go for international films as well? Who would be fitting the bill for these international movies, the studios who distribute them? Wouldn't that just lead to either A. Price hikes from the distributor to local movie theaters, which would increase ticket prices further for you and me, or B. Distributors deciding to buy less foreign films in general, which means we'd have to either somehow pirate them, or just not see them?

I just want one person in this thread in favor of this to genuinely explain how it will work. And how this will remotely benefit the film industry as a whole.

I see a lot of “Well this will force production back into the US”. Ok? How?

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State incentives are not enough to overcome 1) labor is cheaper internationally 2) the dollar buys more internationally 3) international incentives are very lucrative.

I budgeted the same movie for Vancouver, New Orleans, New Jersey, and Atlanta last week. Net of incentives Canada is literally half the cost as the domestic options.

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And this policy doesn’t make it cheaper to produce at home. It just makes it as expensive to produce abroad. He wants your profit.

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With the evil villain OrangeFinger?

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And "Grab Them By The Pussy Galore."

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I just want one person in this thread in favor of this to genuinely explain how it will work. And how this will remotely benefit the film industry as a whole.

I see a lot of “Well this will force production back into the US”. Ok? How?

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That's not going to happen because the person making this decision doesn't even know. Starts from the top.

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I just want one person in this thread in favor of this to genuinely explain how it will work. And how this will remotely benefit the film industry as a whole.

I see a lot of “Well this will force production back into the US”. Ok? How?

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It's actually pretty straightforward and it's obvious people here don't have the slightest clue how the film industry operates which is understandable.

It's really not that complicated if you look at how other industries handle this. The "iimport" isn't a DVD or a hard drive, it's the distribution license for a finished film. Studios already pay for the right to exhibit or stream a movie in the US and those transactions are tracked and taxed. A tariff would simply add a duty to that licensing fee if the film doesn't meet a US content threshold (ex: at least 50% of production/post-production spend inside the country).

How does that help? Because it changes the math for the studios. Right now they save money by shooting overseas and then selling US rights with ZERO penalty. If the rights suddenly cost, say 25%to100% more when the work is done abroad, the "savings" disappear. At that point it's cheape or at least competitive to keep more of the production, post and crew jobs here.

Will every single film rush back overnight? No. But studios are highly cost sensitive. When the US is the world's biggest market and you make it more expensive to import foreign-made content some of that budget inevitably shifts back to domestic crews, soundstages and post houses that are collecting dust right now. Thats the whole point... tilt the incentives so American workers aren't competing with foreign subsidies and rock bottom labor costs on an uneven playing field.

It may not be thr perfect solution but like I said in another comment, at some point you either have to fight to keep the work here or you sit back and watch yet another American industry collapse. I've been in the industry for nearly ten years and this is brutal. Youve got ADs, script sups, dept heads who used to make a solid six-figures waiting tables or picking up people from the airport just to keep the lights on. I know a guy who lost his home this year. These are not lazy people either, they're seasoned professionals with being ground into the dirt because their trade is gone and it's hard to find a job making even close to the same amount.

Crew members are the unsung heroes of every movie and show you watch. The director and actors get all the headlines and credit but it's the crew who does all the heavy lifting, busting our asses working 16 hour days with little sleep and a measly 30 minute lunch to make the 90 minutes of entertainment even possible for you. And right now, those same people are the ones paying the price while studios chase the cheap labor overseas... and actors/directors are immune.

Doing nothing is a death sentence for an industry that employs tens of thousands of ordinary Americans.

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Crew members are the unsung heroes of every movie and show you watch. The director and actors get all the headlines and credit but it's the crew who does all the heavy lifting, busting our asses working 16 hour days with little sleep and a measly 30 minute lunch to make the 90 minutes of entertainment even possible for you.

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Compensation is never determined by how hard someone works. Replaceability is the scale. Fry cooks work hard.