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re: Michael is actually the villain in Godfather II
Posted on 1/23/19 at 9:08 am to Fewer Kilometers
Posted on 1/23/19 at 9:08 am to Fewer Kilometers
quote:Yeah, pretty much everyone in both movies is the villain.
He’s the head of a crime family. Of course he’s a villain.
Posted on 1/23/19 at 9:27 am to Jack Ruby
I'd argue Michael did not become evil, he was always evil. Even in the first film, he's willing to go further than any of the other hardened mobsters when it comes to killing a cop, and he rationalizes it away. He is wholly without moral compass from the word go. His character is merely revealed.
Posted on 1/23/19 at 9:44 am to mizzoubuckeyeiowa
quote:
I hate Diane Keaton but no wonder she left him
dude she aborted his son, and in the end, she tried to come crawling back anyways.
quote:
And if you haVe your brother under your thumb after that incident, do you really have to kill him?
He tried to have him KILLED..
quote:
The murder of Appollonia seemed to make him hate life and the world.
rightfully so
Posted on 1/23/19 at 10:08 am to 225bred
quote:
dude she aborted his son
She took out the future boss ....Because of this must end
quote:
He tried to have him KILLED..
He didn’t know it gonna be a hit, he was obviously not the sharpest tool in the shed and manipulated by Roth and Uncle Jr
Posted on 1/23/19 at 10:12 am to H-Town Tiger
quote:
She took out the future boss ....Because of this must end
That would be her justification, sure, but to Michael, that's unforgivable, it's murder of his son.
quote:
He didn’t know it gonna be a hit, he was obviously not the sharpest tool in the shed and manipulated by Roth and Uncle Jr
Any disloyalty must be punished, or it will happen again eventually.
Posted on 1/23/19 at 10:24 am to Baloo
quote:
I'd argue Michael did not become evil, he was always evil. Even in the first film, he's willing to go further than any of the other hardened mobsters when it comes to killing a cop, and he rationalizes it away. He is wholly without moral compass from the word go. His character is merely revealed.
There really isn’t much base for my argument but I always thought Michael going to war was strategic. A war dodger would struggle politically.
Posted on 1/23/19 at 10:47 am to memphis tiger
quote:
That’s why I think the last scene of the movie when he is sitting alone thinking about the last dinner he had with the family before going off to war is the best, most powerful scene in the series. Not really showed just how far he had fallen.
There's a lot going on in that scene. Sonny brings Carlo home and introduces him to Connie. Tessio brings in the birthday cake. And of course, Fredo is the only one who congratulates Michael on his decision.
Too bad Brando didn't come back, but perhaps the scene is best as it is.
Posted on 1/23/19 at 10:48 am to 225bred
quote:
Any disloyalty must be punished, or it will happen again eventually
We all understand that’s Michael’s rationale, we’re just saying with Fredo it’s not necessary
Posted on 1/23/19 at 10:58 am to H-Town Tiger
quote:
We all understand that’s Michael’s rationale, we’re just saying with Fredo it’s not necessary
it was even said above how Fredo was manipulated/played a fool in regards to setting Michael up.. whos to say it doesn't happen again? Fredo was a liability, he had to go.
Posted on 1/23/19 at 10:59 am to Jack Ruby
quote:Hass't this always been obvious? I think what's happened is that you aren't 18 anymore, and thus are less subject to the glorification of mobsters.
Michael is actually the villain in Godfather II
Yes, Roth is the primary antagonist, but he is not the real villain. In the end, he was small potatoes, compared to Michael's own wrath.
Upon a recent re-watch of part I and II, I found myself more disturbed than usual at Michael's character, from the end of 1 and on. I obviously always saw his actions as terrible but this time I was struck by how genuinely bad he really was.
He kills people with no remorse, he's a total sociopath, and, most of all, he is the true, old testament embodiment of evil after Fredo is killed.
He is also blinded by his own hubris and pride, classic traits of some on overtaken by his sins, and separates himself by his own undoing from the only decent things left in his life: Kay and the kids.
Posted on 1/23/19 at 11:06 am to mizzoubuckeyeiowa
quote:
I hate Diane Keaton but no wonder she left him
Why, in film and TV, do people always hate the woman who doesn't want to put up with the man's dumb shite?
Posted on 1/23/19 at 11:09 am to sicboy
He probably just means her and her acting style. She's a little weird. Kind of over-acts
Posted on 1/23/19 at 11:21 am to 225bred
quote:
it was even said above how Fredo was manipulated/played a fool in regards to setting Michael up.. whos to say it doesn't happen again? Fredo was a liability, he had to go.
I said that he was manipulated and it wouldn’t happen again because he was completely cut out of the business and could be kept as essentially a prisoner at the compound with no contact to anyone that was remotely involved in the business not to mention the people he was manipulated by are all dead
This post was edited on 1/23/19 at 11:26 am
Posted on 1/23/19 at 11:50 am to SlowFlowPro
quote:
the problem is that this dies in the first movie. not with the Corleone family, but with the 5 families
they all choose to become degenerate drug dealers, except the Corleones. so this romanticized version of terrible people is gone forever
if Michael didn't do what he did and how he did, they'd all have been killed. it's that simple
they're all villains. you just bought into the window dressing. a couple scenes after that wedding Vito sends muscle to a Hollywood producer to force him to pick Vito's relative in a movie role (after that relative cucked him)
Agree.
Their family is dead if they don't take out the heads of the other families.
And Vito was ruthless as hell from the very beginning. He's just painted in a different light
Posted on 1/23/19 at 11:54 am to Muthsera
quote:
know John Cazale gave one of the best acting performances ever in Godfather II, but Fredo allowed a hit to be carried out on Michael and his family. There is no way he could be trusted to not let it happen again.
Fredo. He has a good heart. But he's weak and stupid and this is life or death.
Posted on 1/23/19 at 12:03 pm to sicboy
quote:
quote:
I hate Diane Keaton but no wonder she left him
Why, in film and TV, do people always hate the woman who doesn't want to put up with the man's dumb shite?
I just hate her as an actress.
Well and the characters she plays - haven't liked a single Diane Keaton character, her shrill, ugly holier than though personality is grating. Hated her Annie Hall character...Family Stone, Father of the Bride, First Wives Club...her goal in every movie is to emasculate and get back at her man.
My favorite scene in Godfather is when Michael shuts the door in her face. God she is so annoying.
Posted on 1/23/19 at 12:16 pm to genro
Michael was never meant for that life either. Sonny was the heir. Vito had groomed him for it. So while Sonny was a philandering meathead. He still had the values and the advisors.
Posted on 1/23/19 at 12:34 pm to ZappBrannigan
quote:
He still had the values and the advisors.
Like cheating on his wife, setting his sister up with a trash buddy of his, and not listening to his (adopter) brother/lawyer
Posted on 1/23/19 at 12:53 pm to Dire Wolf
Cheating on his wife, which she was happy about as it gave her time to heal up and rest.
He died trying to make it right in his way.
Tom, who he brought into the family. And was like a younger brother talking back to him.
Sonny was big on not hurting the defenseless like women and children.
His big sin was speaking in favor of the deal at the meeting before Vito said no. But Vito could have got him to come around on the drugs are bad. Just an issue of temptation and being a meathead.
He died trying to make it right in his way.
Tom, who he brought into the family. And was like a younger brother talking back to him.
Sonny was big on not hurting the defenseless like women and children.
His big sin was speaking in favor of the deal at the meeting before Vito said no. But Vito could have got him to come around on the drugs are bad. Just an issue of temptation and being a meathead.
Posted on 1/23/19 at 2:56 pm to blueboy
At its heart the movie is about the social change taking place over the time period that the story covers.
Vito represents the pre-modern value system. He is just as concerned with power, money, prestige, and all of those things as all men have been down through the ages, and he is ruthless in its pursuit. But, he tempers his materialism with a deeper set of values. Family is important, perhaps most important, to him. He has a moral code that he lives by. The drug business would have made Vito a lot of money, and he knows it, but he still turns it down because it feels wrong to him. In his mind, he only hurts those who either deserve it, or who have made a conscious choice to make a living in a way that might get them hurt. He respects bargains and stands up for those who have stood up for him, even if only in a small way. He is not just a father to his sons, he is legitimately close to them, and they to him.
Contrast this with Michael, who represents modern morality. He has no depth of character at all. Although he seems like a nice guy when we first meet him, it gradually becomes clear that he is anything but. His treatment of Kay is sociopathic. He keeps her around when it is convenient, leaves her when it is convenient, and then shows back up again years later and simply expects her to come back, all while failing to mention that he got married and his wife was assassinated in the interim. He wants wealth and power for its own sake, but has no idea how to be happy. He talks about how much he loves his family, but he spends almost no time with them, sees them mostly as leeches and ingrates, and disposes of them when that becomes more convenient than keeping them around. He doesn’t care who he hurts in order to get what he wants, nor does he have any scruples about what kind of business he gets involved in.
The message of the movie is that because there was more to Vito than just a thug chasing money, he found happiness, while Michael, for all of his success, never does.
One might also see the movie as a critique of capitalism, a system which tends to reward selfish, immoral, antisocial behavior. The Corleones are rich and powerful precisely because they are willing to do whatever it takes to gain wealth and influence, and Michael succeeds where Vito failed precisely because he was willing to be even more immoral and antisocial than Vito was. But the success that Michael finds is a lie, and in the end he longs for a time when he wasn’t eaten up by the crass materialism that the system encourages in him.
Vito represents the pre-modern value system. He is just as concerned with power, money, prestige, and all of those things as all men have been down through the ages, and he is ruthless in its pursuit. But, he tempers his materialism with a deeper set of values. Family is important, perhaps most important, to him. He has a moral code that he lives by. The drug business would have made Vito a lot of money, and he knows it, but he still turns it down because it feels wrong to him. In his mind, he only hurts those who either deserve it, or who have made a conscious choice to make a living in a way that might get them hurt. He respects bargains and stands up for those who have stood up for him, even if only in a small way. He is not just a father to his sons, he is legitimately close to them, and they to him.
Contrast this with Michael, who represents modern morality. He has no depth of character at all. Although he seems like a nice guy when we first meet him, it gradually becomes clear that he is anything but. His treatment of Kay is sociopathic. He keeps her around when it is convenient, leaves her when it is convenient, and then shows back up again years later and simply expects her to come back, all while failing to mention that he got married and his wife was assassinated in the interim. He wants wealth and power for its own sake, but has no idea how to be happy. He talks about how much he loves his family, but he spends almost no time with them, sees them mostly as leeches and ingrates, and disposes of them when that becomes more convenient than keeping them around. He doesn’t care who he hurts in order to get what he wants, nor does he have any scruples about what kind of business he gets involved in.
The message of the movie is that because there was more to Vito than just a thug chasing money, he found happiness, while Michael, for all of his success, never does.
One might also see the movie as a critique of capitalism, a system which tends to reward selfish, immoral, antisocial behavior. The Corleones are rich and powerful precisely because they are willing to do whatever it takes to gain wealth and influence, and Michael succeeds where Vito failed precisely because he was willing to be even more immoral and antisocial than Vito was. But the success that Michael finds is a lie, and in the end he longs for a time when he wasn’t eaten up by the crass materialism that the system encourages in him.
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