Non-Phish Show Of The Day Thread

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“I believe I’ve transcended,” Van Morrison sings in an extended, in-the-moment riff towards the end of the title track from his recent live album, Astral Weeks Live at the Hollywood Bowl. Few would beg to differ, for over the course of this historic concert, Morrison seems to transcend age, time and whatever other affects turn some veteran performers into wan caricatures of their former selves better suited to halls of fame than halls of music. Now, for those who couldn’t be there to go “into the music” under that star-filled Los Angeles sky, Morrison has released a concert film—his first since 1990’s Van Morrison: The Concert—that documents the soulful evening measure for remarkable measure.

“It was an alchemical kind of situation,” Morrison has said of the 1968 New York recording sessions that yielded the original Astral Weeks, which, although poorly promoted by Warner Brothers upon its release, now regularly places at the top of critic and reader surveys of the greatest albums of all time. Forty years later, a similar alchemy prevails as Morrison and another group of musicians—some old, some new—come together for Astral Weeks:The Concert Film. Never one to repeat himself or rest on his laurels, Morrison doesn’t merely perform his classic album from cover to cover. He re-imagines it from the ground up, from a reshuffled track list and new orchestrations to a dramatically expanded “Slim Slow Slider,” transformed from a plaintive, three-minute album closer into a wailing, heart-wrenching eight-minute centerpiece. Throughout, from the first pluckings of “Astral Weeks’”s pizzicato bass line to “Madame George’”s stirring invocation to “get on the train,” Morrison stands center stage, singing, grunting, speaking in tongues, strumming his guitar and blowing his harmonica with such passion and vigor that it really is as though he is playing these songs for the very first time. To be born again, indeed.

“For me, it’s about going back to the source,” Morrison has said, and thanks to Astral Weeks: The Concert Film audiences can take that journey with him—back to the beginnings of an extraordinary five-decade solo career that has produced more than 30 albums, hundreds of songs and a worldwide popularity that continues to grow with each passing year. Thirty-five years after setting the gold standard for live recordings with the seminal It’s Too Late To Stop Now, with Astral Weeks: The Concert Film Van Morrison once again surpasses himself. --Scott Foundas

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B.B. King is not only a timeless singer and guitarist, he's also a natural-born entertainer, and on Live at the Regal the listener is treated to an exhibition of all three of his talents... More than anything else, Live at the Regal is a textbook example of how to set up a live performance. Talking to the crowd, setting up the tunes with a vignette, King is the consummate entertainer. Live at the Regal is an absolutely necessary acquisition for fans of B.B. King or blues music in general. A high point, perhaps even the high point, for uptown blues. -- Allmusic.com

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