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Guitar riff at the end of "Whose Crying Now"

Posted on 4/27/23 at 4:38 pm
Posted by secfballfan
Member since Feb 2016
2900 posts
Posted on 4/27/23 at 4:38 pm
OK, I cannot read any music and have zero knowledge of how to rate good versus bad I just know what I like. So for those who know how "good" and "difficult" is the ending guitar riff for Journey's Whose Crying Now? Thank you
This post was edited on 4/27/23 at 7:06 pm
Posted by Hoodie
Donaldsonville, LA
Member since Dec 2019
2986 posts
Posted on 4/27/23 at 4:51 pm to
I don’t know how difficult it is to play, but it sounds amazing, even today. The entire band shines in this outro, really.
Posted by hobotiger
Asbury Park, NJ
Member since Nov 2007
5194 posts
Posted on 4/27/23 at 4:52 pm to
quote:

guitar rift


Riff
Posted by LSU alum wannabe
Katy, TX
Member since Jan 2004
26969 posts
Posted on 4/27/23 at 5:41 pm to
quote:

Riff


You have no way of knowing. The guitarists could have been fighting. Rhythm vs. Lead. Conflict as old as time.
Posted by shutterspeed
MS Gulf Coast
Member since May 2007
63226 posts
Posted on 4/27/23 at 5:50 pm to
One of the greatest.
Posted by johnqpublic
Right here
Member since Oct 2017
610 posts
Posted on 4/27/23 at 8:06 pm to
The melodic line is pretty easy if you have any experience with lead lines.The solo in between the melodic lines is a little more nuanced but still not hard.

Starting with the E on the 12th fret 1st string, the notes are:
E G D G C G B G (repeat 2 x)
E G D G C G B A B (then do a wide vibrato/bend to move between B and C)

E G D G C G A (repeat 2 x)
E G D G C G B A B (then do a wide vibrato/bend to move between B and C)

Posted by secfballfan
Member since Feb 2016
2900 posts
Posted on 4/27/23 at 8:20 pm to
Thank you very much Johnq! So what would be a hard 70/80’s riff? Sweet child of mine, Break the Chain, Rebel yell, genuinely curious, agin I have great respect for all musicians, Van Halen? Thank you
Posted by shutterspeed
MS Gulf Coast
Member since May 2007
63226 posts
Posted on 4/27/23 at 8:47 pm to
Be right back; bout to be Neal Schon.
Posted by Oswald
South of the St. George Buffer Zone
Member since Aug 2011
3452 posts
Posted on 4/28/23 at 12:53 pm to
quote:

The entire band shines in this outro, really.

Yes. The whole album was recorded so incredibly well and there really aren't any duds on it.
Posted by tigerterrace
Mobile, Alabama
Member since Sep 2016
3396 posts
Posted on 4/28/23 at 1:26 pm to
Schon is one the best guitarist I have never seen.
Posted by secfballfan
Member since Feb 2016
2900 posts
Posted on 4/28/23 at 1:40 pm to
Schon is one the best guitarist I have never seen

So is he respected in the music community?.
Posted by TheFretShack
Member since Oct 2015
1238 posts
Posted on 4/28/23 at 3:08 pm to
The greatest thing Neal Schon brings as a guitarist is that he always seems to deliver what a particular song wants or needs, whether it's core rhythm, a singable melody or all-out fire. And whether it was Santana, Journey, Bad English, HSAS and whenever else tape is rolling. He's a chameleon of styles who can do any genre, yet you ALWAYS seem to know it's him. That's what separates the greats from the icons.

If you young'uns want to see some unexpected badassery from Schon, check out Schon's shred during the all-star solos during Ronnie James Dio's "Hear 'n' Aid" endeavor. It was a 1980s charitable thing via music like "We Are The World," but from within the metal and hard rock community.

Hear 'n' Aid - The making of "Stars"
Posted by hogcard1964
Illinois
Member since Jan 2017
10391 posts
Posted on 4/28/23 at 3:44 pm to
Awful song, but that guitar work you're referring to isn't too bad.
Posted by goodshotred2
Columbia, SC
Member since Aug 2013
320 posts
Posted on 4/28/23 at 5:54 pm to
quote:

So is he respected in the music community?.


Yes, he's legit. Never got the respect he was due, probably because he wasn't all flash like other guitarists of the era and he was overshadowed by another guitarist in his first band. But he can flat out play. He's in the Steve Lukather camp for me; all the chops in the world, but never lets it get in the way of the song.
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