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re: Explain Dylan
Posted on 9/30/24 at 6:12 pm to Zappas Stache
Posted on 9/30/24 at 6:12 pm to Zappas Stache
quote:Accepted or not - it wasn't actually him.
Most if not all those songs you refer to were from his folk phase and using other people's melodies was an accepted practice.
Posted on 9/30/24 at 6:21 pm to Big Scrub TX
The traditional folk song scarborough fair was a major folk hit for the two biggest folk acts of the time
Simon & Garfunkel - Scarborough Fair/Canticle
Bob Dylan - Girl From The North Country
It was common practice and known
Dylan even clarified when he had an original in a spoken prologue before Bob Dylan’s Blues on the Freewheelin Album
Simon & Garfunkel - Scarborough Fair/Canticle
Bob Dylan - Girl From The North Country
It was common practice and known
Dylan even clarified when he had an original in a spoken prologue before Bob Dylan’s Blues on the Freewheelin Album
quote:
Unlike most of the songs nowadays have been written uptown in Tin Pan Alley - that’s where most of the folk songs come from nowadays. This is a song - this wasn’t written up there. This was written somewhere down in the United States
This post was edited on 9/30/24 at 6:22 pm
Posted on 9/30/24 at 6:27 pm to Big Scrub TX
quote:
Accepted or not - it wasn't actually him.
He has over 600 songs and you are obsessing on a small number of them (5%) on which he did write the lyrics.
This post was edited on 9/30/24 at 6:30 pm
Posted on 9/30/24 at 8:48 pm to Zappas Stache
quote:Nah. Of his early (60s) canon, several of his most iconic hits this is true for.
He has over 600 songs and you are obsessing on a small number of them (5%) on which he did write the lyrics.
I was truly floored when I found out he did not write the melody for Blowin' in the Wind. Bernie Taupin is great and all, but no Elton, no nothing.
I'm not writing Dylan off. I'm just pointing out a major chink in his armor IMO.
Posted on 9/30/24 at 8:53 pm to Gaggle
quote:BTW, I don't have a problem with cover tunes. I'm just not in the habit of fawning over the cover artist as if they did as much as the covered artist.
It was common practice and known
To repeat: the writing of melody is the single hardest act in music. It essentially IS music. The insistence that quality poetry must somehow figure in as more relevant or predominant has always bugged me.
I always give the same thought experiment in support of my view:
If someone gave you all the Stairway to Heaven lyrics and then tasked you with then writing the actual music - including vocal melody - would that seem easier, harder or equal to the reverse (i.e. being handed a fully recorded song and vocal melody line, but having to come up only with lyrics)?
Posted on 9/30/24 at 9:21 pm to Big Scrub TX
Traditional folk songs aren’t consider covers. They are compositions written before the age of performance, in the same way playing Mozart isn’t considered a cover. Dylan’s folk period is a very small percentage of his career and not considered his best work - the electric trilogy I’ve already mentioned - is widely viewed as such. The Beatles Yesterday which Paul McCartney swears came to him in a dream is actually a note for note copy of an 1895 Neapolitan aria called Piccere. But no credit is given there and it’s completely swept under the rug. You’re trying hard to make this into something it’s not.
Posted on 9/30/24 at 11:40 pm to Gaggle
quote:Whatever you want to call it - he didn't write the melody. Why aren't you recognizing that simple fact? It's not CREDIT I'm concerned with - it's lack of doing the hard part.
Traditional folk songs aren’t consider covers.
quote:I'm not sure what this means. Admittedly, I'm only a casual Dylan fan and not any sort of maximalist. (My favorite song is When I Paint My Masterpiece). But Blowin' in the Wind is his most famous song - and he didn't write the melody.
Dylan’s folk period is a very small percentage of his career and not considered his best work - the electric trilogy I’ve already mentioned - is widely viewed as such.
I'm looking at the list I posted earlier. These are the other ones that stand out to me:
"A Hard Rain's a-Gonna Fall"
"I Shall Be Free"
"The Times They Are a-Changin'"
In my mind, that's like his best songs were not original.
quote:I'd like to see the receipts on that. I know some crank claimed that a long time ago, but the evidence seems thin.
The Beatles Yesterday which Paul McCartney swears came to him in a dream is actually a note for note copy of an 1895 Neapolitan aria called Piccere.
quote:Again, I don't care about credit, per se.
But no credit is given there and it’s completely swept under the rug. You’re trying hard to make this into something it’s not.
My only claim was: I'm taken aback at how many "classic" Dylan tunes were, in fact, not written by him - at least not the music itself, which is what I care about.
That's it. I think you seem to be making what I am trying to say into something it's not.
Posted on 10/1/24 at 11:00 am to Big Scrub TX
quote:
he didn't write the melody. Why aren't you recognizing that simple fact? It's not CREDIT I'm concerned with - it's lack of doing the hard part.
In folk music, words are the most important part of a song
Posted on 10/1/24 at 11:58 am to Big Scrub TX
quote:
My only claim was: I'm taken aback at how many "classic" Dylan tunes were, in fact, not written by him - at least not the music itself, which is what I care about.
That's it. I think you seem to be making what I am trying to say into something it's not.
I hate to tell you this, but almost 100% of all popular music is exactly the same as something that has been done before.
It may be disguised by changing the rhythm a bit, or changing the key, different instruments/ arrangments, things like that, but it's all been done before. No popular music is original. This goes back to the very beginning with Jimmy Rodgers and The Carter Family.
There are only 12 notes, but there are millions of songs. Do you not think that most are pretty much alike?
Take a 1-4-5 progression, change it to minor chords, or any variations, it may sound different to most people, but it's still the same ol' thing.
Posted on 10/1/24 at 12:34 pm to dchog
quote:
He sounded decent in his early years but his voice got worse later on.
Yes, his voice started to diminish significantly in the 80s and 90s due to drugs and smoking, but that isn't really what I am talking about here.
Posted on 10/1/24 at 12:50 pm to redneck hippie
quote:
Have your friends listen to Blonde on Blonde or Blood on the Tracks. Timeless masterpieces. Nothing else comes close.
True story:
I don’t visit this board often but for some reason I did Sunday and found this thread, and subsequently this post. I have very limited knowledge of Dylan’s catalog so I figured what the hell and looked up Blood on the Tracks on Spotify to check out one song. I chose “idiot wind” because of the amusing title. And DAMN. Why haven’t I heard that song before? I’ve listened to the whole album since (idiot wind quite a few times) and love it.
So thanks for that.

Posted on 10/1/24 at 1:38 pm to Zappas Stache
quote:Sure, for you maybe. In my world, you aren't getting my attention if the melody sucks (or doesn't exist). I can't imagine Blowin' in the Wind having even a tenth of the impact if not for how great and haunting the melody is.
In folk music, words are the most important part of a song
Posted on 10/1/24 at 1:43 pm to auggie
quote:This is a cop out. You could say that about any domain of human endeavor, not just music. All film is told in three acts. All buildings have facades and interiors, etc. It's "true" but not relevant.
I hate to tell you this, but almost 100% of all popular music is exactly the same as something that has been done before.
It may be disguised by changing the rhythm a bit, or changing the key, different instruments/ arrangments, things like that, but it's all been done before. No popular music is original. This goes back to the very beginning with Jimmy Rodgers and The Carter Family.
There are only 12 notes, but there are millions of songs. Do you not think that most are pretty much alike?
Take a 1-4-5 progression, change it to minor chords, or any variations, it may sound different to most people, but it's still the same ol' thing.
Back on topic, literally duplicating melodies surprised me about Dylan when I found it out.
To take my favorite Dylan song, When I Paint My Masterpiece - the groove and melody are both truly excellent. The story told in the song is awesome too. However, were it just spoken word, I think I would have literally zero interest in it.
Posted on 10/1/24 at 2:08 pm to Big Scrub TX
quote:
This is a cop out. You could say that about any domain of human endeavor, not just music.
Ok then, just hold everyone else to the same standards that you are trying to hold Dylan to.
How bout ZZ Top? How bout Led Zepplin? Rolling Stones? I can go on and on. They all borrowed from music that came before and they all claim credit for the music. That's the way it is.
There's nothing wrong with it as long as you acknowledge it. Wear your influences on your sleeve like a tribute. Dylan always did.
Posted on 10/1/24 at 2:14 pm to auggie
quote:Name specific tunes for which they literally stole melodies. I know Zep had the case about the intro to Stairway to Heaven - I was sympathetic to the plaintiff.
How bout ZZ Top? How bout Led Zepplin? Rolling Stones?
quote:Again, "influences" does not = "stealing".
Wear your influences on your sleeve like a tribute. Dylan always did.
Posted on 10/1/24 at 2:51 pm to Nix to Twillie
quote:
I don’t visit this board often but for some reason I did Sunday and found this thread, and subsequently this post. I have very limited knowledge of Dylan’s catalog so I figured what the hell and looked up Blood on the Tracks on Spotify to check out one song. I chose “idiot wind” because of the amusing title. And DAMN. Why haven’t I heard that song before? I’ve listened to the whole album since (idiot wind quite a few times) and love it.
So thanks for that.
Blood On the Tracks is one of the greatest albums of all time (many have it top 5 or at least top 10) and Dylan wrote the whole damn thing. People who want to focus on The Time They Are a Changin' don't know the man catalogue. It really starts with The Band and Blood On the Tracks and Desire and those weren't the folk songs people are talking about in this thread.
Posted on 10/1/24 at 4:00 pm to Big Scrub TX
quote:
Again, "influences" does not = "stealing".
Then what's your gripe?
You're pissed off because Dylan did the same thing as everyone else?
Posted on 10/1/24 at 4:13 pm to auggie
quote:
Then what's your gripe?
You're pissed off because Dylan did the same thing as everyone else?

I mean, I'm not "pissed off" about anything. I'm simply less high on Dylan than I might be had he actually written some of my favorite songs of his.
If I found out tomorrow that The Beatles had not actually written A Day in the Life, A Hard Day's Night and I Want to Hold Your Hand, I would immediately downgrade them in my estimation. This is with full knowledge (as they were quite explicit about it, even in real time) that they were HEAVILY influenced by certain genres and acts of their era.
Posted on 10/1/24 at 4:16 pm to Big Scrub TX
quote:
Name specific tunes for which they literally stole melodies. I know Zep had the case about the intro to Stairway to Heaven - I was sympathetic to the plaintiff
Zeppelin has a lot. They didn't just steal melodies, they stole parts of songs and didn't always credit the original composers until they settled out of court:
Babe I'm Gonna Leave You
Dazed and Confused
Black Mountainside
How Many More Times
Lemon Song
Bring It On Home
There's probably more.
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