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re: Once Upon a Time in Hollywood opening day check in thread ***Spoilers Inevitable***
Posted on 7/26/19 at 9:46 pm to WicKed WayZ
Posted on 7/26/19 at 9:46 pm to WicKed WayZ
quote:
From what I’ve heard, the first 75% of the movie has nothing to do with the last 25%
He allows a lot of time for you to get to know the characters and to care about them. He doesn't just throw Sharon Tate at you as a historical figure with the whats and whens of her life. He shows you how happy her day to day life is, so that she's a real tragic character and not a statistic.
Everyone in the final act (including Cliff's dog) with the exception of Rick's new wife has had a good build-up, so the last big blow-up has real teeth instead of it being a parody of a crime reenactment.
Posted on 7/26/19 at 9:51 pm to Fewer Kilometers
Cliff’s dog is the fricking hero of the movie.
Posted on 7/26/19 at 10:16 pm to PsychTiger
quote:
Cliff’s dog is the fricking hero of the movie
And the flame thrower!
Posted on 7/26/19 at 10:22 pm to Hu_Flung_Pu
quote:
Why do you need so much attention?
Because I know you'll give it.
Posted on 7/26/19 at 10:44 pm to Pandy Fackler
A pit bull as a hero, man talk about Hollywood being disconnected from reality lol
Posted on 7/26/19 at 10:50 pm to blueboy
quote:
One of the ways I knew I'd grown to adulthood was when I realized that Tarantino's "signature dark humor" is basically just him being a coked-up homo, and that all of his movies are pretty much the same.
Imagine a mind, so pedantic and impotent, that it spawned the idea of typing this post and hitting enter.
Posted on 7/26/19 at 11:36 pm to Pocket Kingz
Pretty sad honestly, all the guys bashing this on this board are the same 40 year old virgins that line up outside to catch a marvel film. I honestly feel bad for these guys
Posted on 7/27/19 at 12:08 am to kale
I pretty much dislike almost every marvel movie. Love pitt and leo as actors. Also like QT films. Thought this was kinda boring. Not enough good dialogue, and i felt like alot of the scenes were dragging
Posted on 7/27/19 at 12:29 am to josh336
I just rewatched reservoir dog and pulp fiction tonight and once upon a time eclipses both in terms of meaningful dialogue, Tarantino let’s us fall in love with these characters which he hasn’t really done with a film
Posted on 7/27/19 at 12:32 am to PsychTiger
quote:
They made a poor choice.
I liked, I mean we got that flamethrower scene from it
Posted on 7/27/19 at 12:43 am to PsychTiger
I am amazed by how polarizing this movie has been so far. I went into this movie with some major expectations. However, I left the theater feeling vastly disappointed and underwhelmed. I found myself dozing off during the second act.
Pros:
-Aesthetics (holy shite this film nails the look, feel, and sound of the era)
-Brad Pitt (badass and cool as shite)
-Leonardo DiCaprio (performance a bit over-the-top at certain points, but he was funny as hell throughout)
-Bruce Dern
-Bruce Lee “cameo” (terrifyingly accurate with the inflection of his speech)
-Brandi (only time I’ve ever rooted for a pit)
-Third Act (aside from the odd voice-over by Kurt Russell and the Italian sequence, this was the most entertaining section of the film)
-Little girl
-Editing DiCaprio into actual films/television
-Tension during Manson Family encounter
Cons:
-Pacing (movie seemed to drag on and on during the second act)
-Lack of Manson (screen time was short lived and portrayal wasn’t even close to accurate)
-Sharon Tate (as others have said, felt pointless; if Pitt would’ve rescued them instead of reacting to his own attack then it might have been more impactful)
-Bloated cast (some actors seemed to serve little to no purpose in the narrative)
-Foot fetish overkill (Jesus, Tarantino didn’t even try to hide it this time)
-Brad Pitt fricking up Bruce (How much of my disbelief must I suspend?)
-Lack of a cohesive narrative (perhaps due to not having a central protagonist, but the film is Tarantino’s most disjointed yet)
Pros:
-Aesthetics (holy shite this film nails the look, feel, and sound of the era)
-Brad Pitt (badass and cool as shite)
-Leonardo DiCaprio (performance a bit over-the-top at certain points, but he was funny as hell throughout)
-Bruce Dern
-Bruce Lee “cameo” (terrifyingly accurate with the inflection of his speech)
-Brandi (only time I’ve ever rooted for a pit)
-Third Act (aside from the odd voice-over by Kurt Russell and the Italian sequence, this was the most entertaining section of the film)
-Little girl
-Editing DiCaprio into actual films/television
-Tension during Manson Family encounter
Cons:
-Pacing (movie seemed to drag on and on during the second act)
-Lack of Manson (screen time was short lived and portrayal wasn’t even close to accurate)
-Sharon Tate (as others have said, felt pointless; if Pitt would’ve rescued them instead of reacting to his own attack then it might have been more impactful)
-Bloated cast (some actors seemed to serve little to no purpose in the narrative)
-Foot fetish overkill (Jesus, Tarantino didn’t even try to hide it this time)
-Brad Pitt fricking up Bruce (How much of my disbelief must I suspend?)
-Lack of a cohesive narrative (perhaps due to not having a central protagonist, but the film is Tarantino’s most disjointed yet)
This post was edited on 7/27/19 at 10:21 am
Posted on 7/27/19 at 1:09 am to Winston Cup
I slept between when Pitt left the ranch and when the hippies showed up at the house. Woke up just in time, maybe.
Posted on 7/27/19 at 1:16 am to metalfacedterrorist
7/10
Very well-acted by the entire cast and the dialogue was easy to follow and not drawn out. There were a couple of 5-10 minute sequences that just dragged but when we snapped back to good film it was really good.
I laughed a lot throughout and the final 20 minutes are fantastic.
I wanted more Margot Robbie/Sharron Tate and another 10 minutes of Manson screentime, but other than that it was awesome watching the chemistry between Pitt and Leo.
Feel like this movie is big-time rewatchable at home but not in theaters.
Very well-acted by the entire cast and the dialogue was easy to follow and not drawn out. There were a couple of 5-10 minute sequences that just dragged but when we snapped back to good film it was really good.
I laughed a lot throughout and the final 20 minutes are fantastic.
I wanted more Margot Robbie/Sharron Tate and another 10 minutes of Manson screentime, but other than that it was awesome watching the chemistry between Pitt and Leo.
Feel like this movie is big-time rewatchable at home but not in theaters.
Posted on 7/27/19 at 7:04 am to PsychTiger
I’m a pretty big QT fan, but honestly I fell asleep during this movie. Part of it was my own fault for going to a late showing when I was pretty tired, but most of the movie did nothing to hold my interest. The ending was classic QT, so it wasn’t much of a twist at this point. The audience I was with really enjoyed the comedic violence aspect though, so I think the majority of the theatre was satisfied with the movie. Visually, the movie looked great of course. I will give it another chance once I can watch it at home, but I suspect that it just isn’t enough story for its runtime. The dialogue seems subpar for a QT movie.
This post was edited on 7/27/19 at 8:18 am
Posted on 7/27/19 at 8:30 am to Yellerhammer5
So, is this board really so full of old men that forgot to take their afternoon naps before going to the theater, or are these guys just lieing about falling asleep to exaggerate to make their point?
Posted on 7/27/19 at 8:56 am to metalfacedterrorist
I have always been one who loves Tarantino or hates him. Last night is the first time I ever recall being stuck in the middle. The end was fun, but honestly this movie felt like a Hollywood circle jerk for the majority of the time. And sometimes that works. I think LaLa Land nailed that. But this was just terribly long. So many scenes that were completely irrelevant to the plot.
Take Inglourious Basterds. Every scene of that movie we are on edge because it is so crucial to the plot. Even Django has that feel of constant curiosity backed by great dialogue. This movie overall really sucked. The feel was awesome, there was tons of cool directing in a short film kind of way. But this screenplay was garbage.
Take Inglourious Basterds. Every scene of that movie we are on edge because it is so crucial to the plot. Even Django has that feel of constant curiosity backed by great dialogue. This movie overall really sucked. The feel was awesome, there was tons of cool directing in a short film kind of way. But this screenplay was garbage.
Posted on 7/27/19 at 9:14 am to SwaggerCopter
quote:
but honestly this movie felt like a Hollywood circle jerk for the majority of the time.
Not attacking your opinion, but this has been repeated enough times that I'm going to ask about it. Why is a midlife crisis movie set in the world of cheap genre television of the 60s a Hollywood circle jerk? We spend so little time with the actual Hollywood people - Polanski, McQueen, and I guess Tate (she only had a few roles, she was not at all yet a star).
Are we saying that Hollywood is congratulating itself for chewing up middle aged actors when their prime has passed? Is QT so obviosuly waxing poetic about the B-TV shows that he recreated with obviously silly dialogue and scenarios, with pompous, a-hole directors?
Posted on 7/27/19 at 9:34 am to Jay Are
I’m actually talking more about the long scenes of shooting tv and movie scenes (the meta stuff). And actors watching themselves on screen. There were so many scenes that clearly took a lot of production time, but made for a shitty movie. Sure they gave us a view of the movie world at that time, but I was bored to tears.
This post was edited on 7/27/19 at 9:36 am
Posted on 7/27/19 at 10:22 am to TheeRealCarolina
quote:
A pit bull as a hero, man talk about Hollywood being disconnected from reality lol
Those frickers need to start reading the OT. they'll get schooled toots sweet on pit bulls.
Posted on 7/27/19 at 10:39 am to Jay Are
quote:
Are we saying that Hollywood is congratulating itself for chewing up middle aged actors when their prime has passed?
Exactly. Tarantino laid it out early that the business built up new stars by fricking over the old ones. Showed how Eastwood fricked Hollywood by taking a European path to stardom.
The only self-suck was having a stunt-man as the superhero who saves the day.
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