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Posted on 10/1/23 at 8:56 pm to Gavin Elster
This post was edited on 10/1/23 at 8:59 pm
Posted on 10/1/23 at 9:15 pm to LSUDVM1999
I never bought into the prequel versions of Anakin. Generic, forgettable stick characters. At some point if there needed to be something special or unique about young Ani (then older) yet through three movies, I never saw anything.
Oh well.
Oh well.
This post was edited on 10/1/23 at 9:16 pm
Posted on 10/1/23 at 10:05 pm to Kafka
Anselmo Ballester (Italian, 1897-1974)
Death Of A Salesman
All The King's Men
Death Of A Salesman
All The King's Men
Posted on 10/1/23 at 10:39 pm to alajones
I have a book of exploitation movie posters. They’re all mostly great until the end of the boom where they get a little bit more… uncomrtable
But so many great ones
But so many great ones
Posted on 10/2/23 at 6:11 am to Thracken13
quote:
is it me, or does the pattern on the moth look like the guy from Saw?
It’s actually Salvador Dali’s “In Voluptas Mors.”
Posted on 10/2/23 at 6:18 am to 0x15E
Part true
In 1951, Salvador Dali, everyone's favorite mustachioed surrealist, teamed up with Magnum photographer Philippe Halsman to create one of the most enchanting, morbid and bizarre photographs of all time. Entitled "In Voluptas Mors," or Voluptuous Death, the black-and-white photo stars a melange of nude women, expertly arranged to resemble a macabre skull. Dali stands next to the literal human skull, quizzically eyeing the viewer like some sort of dubious ringmaster.
In 1951, Salvador Dali, everyone's favorite mustachioed surrealist, teamed up with Magnum photographer Philippe Halsman to create one of the most enchanting, morbid and bizarre photographs of all time. Entitled "In Voluptas Mors," or Voluptuous Death, the black-and-white photo stars a melange of nude women, expertly arranged to resemble a macabre skull. Dali stands next to the literal human skull, quizzically eyeing the viewer like some sort of dubious ringmaster.
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