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Gilmore EMG's for a Strat - Undecided
Posted on 5/25/26 at 8:35 pm
Posted on 5/25/26 at 8:35 pm
Y'all help me make up my mind.
I bought these close to 20 years ago and tried to put them into a Korean Epiphone strat knockoff, think Frankenstrat. I could never get them to work, I can't solder (essential tremor), and the guitar/pups sitting in closets ever since.
I'm seeing a luthier for a different matter and thinking about taking this with me and asking him to make it work.
That's option A.
Option B- I have a stock USA strat 1995. Have him take these out of the Epiphone and put them into the real strat.
Keep in mind, I can't solder so it's not a job I can do or undo on my own. If I change my mind later, it costs me more money to have someone do it.
Please vote. Please guide me, ye wise men of the Music Board.
I bought these close to 20 years ago and tried to put them into a Korean Epiphone strat knockoff, think Frankenstrat. I could never get them to work, I can't solder (essential tremor), and the guitar/pups sitting in closets ever since.
I'm seeing a luthier for a different matter and thinking about taking this with me and asking him to make it work.
That's option A.
Option B- I have a stock USA strat 1995. Have him take these out of the Epiphone and put them into the real strat.
Keep in mind, I can't solder so it's not a job I can do or undo on my own. If I change my mind later, it costs me more money to have someone do it.
Please vote. Please guide me, ye wise men of the Music Board.
Posted on 5/26/26 at 12:59 am to deeprig9
Have you played these same type pickups on another guitar and know that sound is what you want? Do they fit with what you want to play?
If it absolutely is, then get it done but make sure it's on a guitar that you love the feel of.
People talk about chasing tone, you better be chasing more than that.
Put the good stuff on your favorite.
If it absolutely is, then get it done but make sure it's on a guitar that you love the feel of.
People talk about chasing tone, you better be chasing more than that.
Put the good stuff on your favorite.
This post was edited on 5/26/26 at 3:23 am
Posted on 5/26/26 at 8:10 am to deeprig9
Pickups are magnets and copper wire. Some are stronger than others. You create tone with amps/modules and effects. Don't tell us you can't solder. YouTube it and practice for 30 minutes, and you'll be as good as your luthier. Make sure the wiring is correct. Don't be lazy. Whatever you want, you can make it happen.
Posted on 5/26/26 at 12:51 pm to Enadious
quote:
Don't tell us you can't solder. YouTube it
Bro, I am officially diagnosed with "essential tremor:. YouTube it, and you can be a neurologist in 30 minutes.
Posted on 5/26/26 at 9:12 pm to deeprig9
Sorry, I wasn't aware of your condition. I wish the best for you. I was only trying to push you toward a better version of yourself.
Posted on 5/26/26 at 10:51 pm to auggie
quote:
Have you played these same type pickups on another guitar and know that sound is what you want?
I haven't, but I'm in a sound/tone rut and want to change things up.
Posted on 6/1/26 at 11:51 am to Enadious
If anyone thinks a guitar pickup is just a magnetized copper coil, be sure to order tripe or even hooves instead of prime rib next time you visit a steak house. Because piece of cow is piece of cow, right? :) Seriously, pickups shape and shift a player's tone as much as they transmit signal, just as much as different amp and pedal types.
Beyond overall signal output ... factors pertaining to a passive pickup's coil alone that influence voice include but are not limited to coil wire thickness, insulation material and insulation thickness; turn count; wire tension and wire turns per layer.
Equally important to passive pickup voicing is magnet material, magnet size, magnet placement, magnet charge; and the collective metallurgy within the assembly. From plated metal covers to the different grades of steel used in pole screws and slugs, different alloys create different tonal results.
In the case of actives (EMG, Fishman, Bartolini, Live Wires), the preamp itself is a critical component in the assembly's voice. The preamp enables big huge output from sweet voicings typically only achieved via low to medium output passives.
The EMG Gilmour set is great for everything PF and really everything SSS. Be sure to integrate a "Gilmour switch" into the circuit if your assembly doesn't have it. It enables VERY utile "neck + bridge" and "all three pickups" as selection options. The Gilmour mod can be done with an added mini-toggle; or hidden in a push-pull pot to keep a stock S-type look. Google "Gilmour switch" for details.
Beyond overall signal output ... factors pertaining to a passive pickup's coil alone that influence voice include but are not limited to coil wire thickness, insulation material and insulation thickness; turn count; wire tension and wire turns per layer.
Equally important to passive pickup voicing is magnet material, magnet size, magnet placement, magnet charge; and the collective metallurgy within the assembly. From plated metal covers to the different grades of steel used in pole screws and slugs, different alloys create different tonal results.
In the case of actives (EMG, Fishman, Bartolini, Live Wires), the preamp itself is a critical component in the assembly's voice. The preamp enables big huge output from sweet voicings typically only achieved via low to medium output passives.
The EMG Gilmour set is great for everything PF and really everything SSS. Be sure to integrate a "Gilmour switch" into the circuit if your assembly doesn't have it. It enables VERY utile "neck + bridge" and "all three pickups" as selection options. The Gilmour mod can be done with an added mini-toggle; or hidden in a push-pull pot to keep a stock S-type look. Google "Gilmour switch" for details.
Posted on 6/1/26 at 1:53 pm to deeprig9
Good thread and let us know how it went.
I have a beat up old strat by Squier that the 5 way switch went out on. I love the feel of this guitar and specifically the neck is perfect for me and I played it for years when I was just goofing around. Once it broke, I find out it was not worth very much but it plays so well I might want to put 250 into it with something like that Gilmore EMG loaded pick guard.
I have a beat up old strat by Squier that the 5 way switch went out on. I love the feel of this guitar and specifically the neck is perfect for me and I played it for years when I was just goofing around. Once it broke, I find out it was not worth very much but it plays so well I might want to put 250 into it with something like that Gilmore EMG loaded pick guard.
Posted on 6/1/26 at 1:58 pm to Crow Pie
quote:
Squier that the 5 way switch went out on. I love the feel of this guitar and specifically the neck is perfect for me and I played it for years when I was just goofing around. Once it broke, I find out it was not worth very much but it plays so well I might want to put 250 into it with something like that Gilmore EMG loaded pick guard.
Ensure the squire cutout is the same as a "real" strat or the drop-in pick guard won't fit right. It's the reason I can't use one in the epi-strat.
This post was edited on 6/1/26 at 2:03 pm
Posted on 6/1/26 at 9:17 pm to deeprig9
I have the Gilmour set on one of my Strats and I love em. Lots of ton sculpting can be done with the two tone controls. One is a mid boost that can get you into humbucker territory. The other is a treble and bass boost, which can sound great, as well. I love that for clean stuff. These pickups are a must have if your trying to nail that Pulse tone.
This post was edited on 6/1/26 at 9:22 pm
Posted on 6/1/26 at 10:58 pm to Easye921
quote:
I have the Gilmour set on one of my Strats and I love em. Lots of ton sculpting can be done with the two tone controls. One is a mid boost that can get you into humbucker territory. The other is a treble and bass boost, which can sound great, as well. I love that for clean stuff. These pickups are a must have if your trying to nail that Pulse tone.
How much of a bitch factor is it to change the battery?
Posted on 6/2/26 at 8:30 am to deeprig9
I had a us strat with the gilmore loaded pickguard and it was the best sounding guitar I've ever owned. I regret selling it every time I pick up whatever junk I'm playing now
Posted on 6/2/26 at 10:11 am to deeprig9
If the Strat is a player's tool, you can add a fast-access battery box to the back of the guitar. Here's a step by step I did a few years ago ...
Adding a battery box to a PRS Brent Mason Signature
--------------------------------------
If you want fast 9V access with no mods ... store it in the trem cavity between two heavy tension springs. Run the 9V clip leads into the conrol cavity through the claw ground's wire channel.
Adding a battery box to a PRS Brent Mason Signature
--------------------------------------
If you want fast 9V access with no mods ... store it in the trem cavity between two heavy tension springs. Run the 9V clip leads into the conrol cavity through the claw ground's wire channel.
Posted on 6/2/26 at 10:36 am to TheFretShack
What is a player's tool?
Posted on 6/2/26 at 10:51 am to deeprig9
quote:
What is a player's tool?
I think he means " If you are gigging with the guitar and need to be able to make a quick battery change".
Regardless, the trem cavity is the perfect location for the battery on a Strat.
Posted on 6/2/26 at 11:26 am to deeprig9
I think he's good to go on the Squier.
Posted on 6/2/26 at 12:40 pm to deeprig9
A guitar in which the player is not reluctant to permanently modify to suit the instrument to his or her needs or tastes, i.e. a "tool" for the task at hand.
Posted on 6/2/26 at 8:21 pm to deeprig9
quote:
How much of a bitch factor is it to change the battery?
Just unscrew a few screws on the pickguard and that's it. Takes about 5 minutes, but you shouldn't need to change it often. I change my battery about once a year.
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