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1999 the last great year at the movies
Posted on 2/6/18 at 12:31 pm
Posted on 2/6/18 at 12:31 pm
quote:
In a time when multiplexes are bloated with franchise product, it is easy to call 1999 the last great year at the movies.
That long-ago 12-month stretch offered everything a carnivore of cinema could hunger for: The Matrix. Fight Club. Eyes Wide Shut. Magnolia. Election. The Talented Mister Ripley. American Beauty. Bringing Out the Dead. Boys Don't Cry. Toy Story 2. The Iron Giant. South Park: Bigger, Longer & Uncut. Any Given Sunday. Existenz. Galaxy Quest. Go. Run Lola Run. The Sixth Sense. Three Kings. Titus. The Blair Witch Project. And on and on and on.
Across genres and up and down the budgetary scale, 1999 proved to be a revolutionary year. Some filmmakers were working at the top of their game (Michael Mann's perfect journalism drama The Insider, Steven Soderbergh's puzzle-box crime thriller The Limey), while others were making incendiary debuts that foreshadowed the many masterpieces to come (Sofia Coppola's poignant The Virgin Suicides, and her then-husband Spike Jonze's head trip Being John Malkovich). There were only a half-a-dozen sequels, and fewer remakes or reboots. Even the lowbrow offerings were memorable at worst, radical at best (Deep Blue Sea, Dick, Office Space).
Yet a cursory look at the past few years – and all the myriad masterpieces since delivered – seems small compared to the achievements of 1999. Even an analysis of the box office, admittedly hardly an arbiter of quality, inches this theory forward. In 1999, the top-10 highest-grossing films of the year included five original films – that is, with no intellectual property attached – including a quiet horror story that twisted genre conventions (The Sixth Sense), a groundbreaking sci-fi-philosophical-whatchamacallit (The Matrix) and an ultra-low-budget experiment that rocked the indie world (The Blair Witch Project). In 2017, eight of the year's highest earners were sequels or spinoffs of no special distinction, the remaining two reboots of equal measure.
Even seasoned critics and observers at the time sensed something special was going on.
LINK
Posted on 2/6/18 at 12:35 pm to RLDSC FAN
I was working at a movie theater that year, was a great time to get to see films for free.
The thing I remember most that year though was American Pie for Nadia.
The thing I remember most that year though was American Pie for Nadia.
This post was edited on 2/6/18 at 12:37 pm
Posted on 2/6/18 at 12:38 pm to RLDSC FAN
All I know is 2017 was about as bad as I can remember for movies. It's been awful for years now though.
I used to go see about 10 movies a year. Now I go see about 2-3 at most.
I used to go see about 10 movies a year. Now I go see about 2-3 at most.
Posted on 2/6/18 at 12:39 pm to RLDSC FAN
quote:
The Blair Witch Project
Sucked and gave me a headache.
Posted on 2/6/18 at 12:52 pm to RLDSC FAN
2007 was a better year for movies than 1999. There Will Be Blood, No Country For Old Men and Zodiac all came out that year not to mention films like Assassination of Jesse James, Knocked Up, American Gangster, Superbad, Sweeney Todd, etc...
Posted on 2/6/18 at 6:36 pm to RLDSC FAN
Most years have plenty of great/intelligent/ interesting movies. The problem is, studios aren't just churning out mindless sequels, dreck comedies, by-the-numbers rom-coms and forgettable action extravaganzas for the hell of it. They're putting out the stuff people will flock to the theater for. If even a significant minority of the people who go around bemoaning the current state of cinema actually put their money where their mouths are, they could effect real change. But most of them aren't nearly as discriminating as they want people to believe.
Posted on 2/6/18 at 7:18 pm to RLDSC FAN
Clickbait article, clickbait thread. Nah.
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