re: Deep State Part 2: Hollywood:The spell they cast.. (pg16 Epstein = Eyes Wide Shut)

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What point? What evidence? You're "evidence" is nothing but yarn and tacks on a wall, Charlie!

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Ishtar is the Babylonian goddess of fertility, love, war and, mostly, sexuality. Her cult involved sacred prostitution and ritual acts – two elements we clearly see later in the movie.

“Babylonians gave Ishtar offerings of food and drink on Saturday. They then joined in ritual acts of lovemaking, which in turn invoked Ishtar’s favor on the region and its people to promote continued health and fruitfulness.”
– Goddess Ishtar, Anita Revel

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Mr. Milich (Rade Serbedzija), the costume owner who is connected to the cult and also acting on their behalf in his exchange with Bill, prostitutes his own underage daughter (Leelee Sobieski) for money (to the Japanese businessmen and presumably to the cult).

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So, when the models ask Bill the go “where the rainbow ends”, they probably refer to going “where the elite gathers and performs rituals”. It might also be about them being dissociated Beta Programming slaves. There are several references to Monarch mind control (read this article for more information) in the movie. Women who take part in elite rituals are often products of Illuminati mind control. In MK Ultra vocabulary, “going over the rainbow” means dissociating from reality and entering another persona .

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Domino on her bed with a stuffed feline, a symbol of Beta Kitten programming.

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The first part of this series about Eyes Wide Shut took a broad look at Bill and Alice, a modern couple that has the “privilege” of brushing with the upper-echelon of New York. While everything appears great on the surface, Kubrick quickly tells the viewers to not be deceived by appearances and to not be impressed by exhibitions of wealth. Because, behind the “rainbow world”, exists a dark and disturbing reality, one that Kubrick exposes in many subtle ways throughout the movie.

While Bill and Alice are simply “guests” in the elite circle, they are nevertheless fascinated and attracted by it. They see in this lifestyle a way of fulfilling their dark and secret needs.

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The location selected to film the elite scenes is quite interesting. Mentmore Towers was built in the 19th century as a country house for a member of the most prominent and powerful elite family in the world: The Rothschilds. By selecting this location, was Kubrick trying to show his audience the “real world” equivalents to the ultra-elite shown in the movie? Incidentally, the name of Bill’s connection to the elite, Victor Ziegler, is of German-Jewish origin, like Rothschild.

It has been documented that the Rothschilds do actually partake in masked events very similar to those shown in Eyes Wide Shut. Here are rare images taken from a 1972 party given by Marie-Hélène de Rothschild.

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The music in the movie also changes drastically. The song heard in the background is called “Backwards Priests” and features a Romanian Orthodox Divine Liturgy played backwards. The reversal or inversion of sacred objects is typical of black magic and satanic rituals. By having this Christian liturgy played backwards right before widespread fornication is Kubrick’s way of stating that the elite is nothing less than satanic.

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The last scene of the movie takes place at a toy store – a place full of highly symbolic items (more on it in the next article). Here, Helena Harford walks by a toy called Magic Circle – showing that the occult elite’s ways seep through popular culture, but are not noticed by those who have their eyes wide shut.

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The second part of this analysis focused exclusively on the unnamed secret society Bill stumbles upon and its ritual. Although nothing is explicitly spelled out to the viewers, the symbolism, the visual clues and even the music of Eyes Wide Shut tell reveals a side of the occult elite that is rarely shown to the masses. Not only does the movie depict the world’s richest and most powerful people partaking in occult rituals, it also shows how this circle has also the power to exploit slaves, to stalk people, and even to get away with sacrificial murders. Even worse, mass media participates in covering their crimes.

The secret society in the movie closely resembles the infamous Hellfire Club, where prominent political figures met up to partake in elaborate Satanic parties. Today, the O.T.O. and similar secret societies still partake in rituals involving physical energy as it is perceived to be a way to attain a state of enlightenment. This concept, taken from Tantric yoga, is at the core of modern and powerful secret societies. Although none of this is actually mentioned in Eyes Wide Shut, the entire movie can be interpreted as one big “magickal” journey, characterized by a back-and-forth between opposing forces: life and death, lust and pain, male and female, light and darkness, and so forth … ending in one big orgasmic moment of enlightenment.

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Stanley Kubrick’s works are never strictly about love or relationships. The meticulous symbolism and the imagery of all of his works often communicate another dimension of meaning–one that transcends the personal to become a commentary on our epoch and civilization. And, in this transitional period between the end of 20th century and the beginning of the 21th century, Kubrick told the story of a confused man who wanders around, desperately looking for a way to satisfy his primal urges. Kubrick told the story of a society that is completely debased and corrupted by hidden forces, where humanity’s most primal urge–procreation–has been cheapened, fetishized, perverted, and exploited to a point that it has lost all of its beauty. At the top of this world is a secret society that revels in this context, and thrives on it. Kubrick’s outlook on the issue was definitely not idealistic nor very optimistic.

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As you mentioned Kubrick was killed for Eyes Wide Shut. The movie was supposedly altered quite a bit after he was killed off.

So it doesn't even goes as full reveal as Kubrick intended.

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Lolita is a 1962 British-American black comedy-drama film[3] directed by Stanley Kubrick. Based on a novel of the same title, Vladimir Nabokov also wrote the screenplay. It follows a middle-aged literature lecturer who becomes obsessed with an adolescent girl. The film stars James Mason as Humbert Humbert, Sue Lyon as Dolores Haze (Lolita), and Shelley Winters as Charlotte Haze, with Peter Sellers as Clare Quilty.

Owing to the MPAA's restrictions at the time, the film toned down the more provocative aspects of the novel, sometimes leaving much to the audience's imagination. The actress who played Lolita, Sue Lyon, was 14 at the time of filming.

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The Ninth Gate is a 1999 mystery thriller film directed, produced, and co-written by Roman Polanski. An international co-production between the United States, Portugal, France, and Spain, the film is loosely based upon Arturo Pérez-Reverte's 1993 novel The Club Dumas. The plot involves the search for a rare and ancient book that purportedly contains a magical secret for summoning the Devil. The premiere showing was at San Sebastián, Spain, on 25 August 1999, a month before the 47th San Sebastian International Film Festival. Though critically and commercially unsuccessful in North America, where reviewers compared it unfavorably with Polanski's celebrated supernatural film Rosemary's Baby (1968),

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In March 1977, film director Roman Polanski was arrested and charged in Los Angeles with five offenses against Samantha Gailey, a 13-year-old girl[1] – rape by use of drugs, perversion, sodomy, lewd and lascivious act upon a child under 14, and furnishing a controlled substance to a minor.[2] At his arraignment Polanski pleaded not guilty to all charges,[3] but later accepted a plea bargain whose terms included dismissal of the five initial charges[4] in exchange for a guilty plea to the lesser charge of engaging in unlawful sexual intercourse.[4][5]

Polanski underwent a court-ordered psychiatric evaluation,[6] and a report was submitted to the court recommending probation.[7] However, upon learning that he was likely to face imprisonment and deportation,[5][8] Polanski fled to France in February 1978, hours before he was to be formally sentenced.[9] Since then Polanski has mostly lived in France and has avoided visiting countries likely to extradite him to the United States.

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hide it all in plain site. It is amazing how effective it is.

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but jesus freaks LOVE to drive hysteria and conspiracy theories

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To Ani: GOAT PB TD poster. I honestly didn't know if this stuff is nonsense or not but dude makes one hell of a compelling argument.

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