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Posted on 6/3/21 at 9:08 pm to Kafka
quote:
might want to edit that link
You can’t even link YouTube now? Fukin Biden sucks.
Posted on 6/3/21 at 9:44 pm to highcotton2
Many, LA (2007)
Anyone know if the Otasco is still open? It was one of a handful of stores that was permitted to keep using the Otasco name when the company went bankrupt in 1988
Anyone know if the Otasco is still open? It was one of a handful of stores that was permitted to keep using the Otasco name when the company went bankrupt in 1988
Posted on 6/4/21 at 6:32 am to LetTheTigerOut
Granny would have loved it
Posted on 6/4/21 at 11:22 am to Reservoir dawg
quote:Little known fact-
From Houston, Mississippi
The lyric in the song “Midnight Special”
“If you’re ever in Houston,
Boy you better do right,
You better not gamble,
And you better not fight”
refers to Houston, MS not Texas as most assume.
Posted on 6/4/21 at 11:27 am to soccerfüt
the version that popularised the song, the incident took place in Texas
In 1934 Huddie William "Lead Belly" Ledbetter recorded a version of the song at Angola Prison for John and Alan Lomax, who mistakenly attributed it to him as the author. However, Ledbetter, for his Angola session, appears to have inserted several stanzas relating to a 1923 Houston jailbreak into the traditional song. Ledbetter recorded at least three versions of the song, one with the Golden Gate Quartet, a gospel group (recorded for RCA at Victor Studio #2, New York City, June 15, 1940).
John and Alan Lomax, in their book, Best Loved American Folk Songs, told a credible story identifying the Midnight Special as a train from Houston shining its light into a cell in the Sugar Land Prison. They also describe Ledbetter's version as "the Negro jailbird's ballad to match Hard Times Poor Boy. Like so many American folk songs, its hero is not a man but a train." The light of the train is seen as the light of salvation, the train which could take them away from the prison walls. It is highly reminiscent of the imagery of such gospel songs as Let the Light from your Lighthouse Shine on Me. Carl Sandburg had a different view. He believed the subject of the song would rather be run over by a train than spend more time in jail.
The song, as popularized by Ledbetter, has many parallel lines to other prison songs. It is essentially the same song as "De Funiac Blues," sung and played by Burruss Johnson and recorded by John Lomax at the Raiford State Penitentiary in Florida on 2 June 1939. Many of the lines appear in prison work songs such as "Jumpin Judy," "Ain't That Berta," "Oh Berta" and "Yon' Comes de Sargent." These songs, including Ledbetter's "Midnight Special" are composite. They mix standard prison song verses indiscriminately. Many of these component pieces have become canonized in the blues idiom and appear in mutated forms regularly in blues lyrics.
Although later versions place the locale of the song near Houston, early versions such as "Walk Right In Belmont" (Wilmer Watts; Frank Wilson, 1927) and "North Carolina Blues" (Roy Martin, 1930) — both essentially the same song as "Midnight Special" — place it in North Carolina.[13] Most of the early versions, however, have no particular location. Only one recording, collected by the Lomaxes at the Mississippi State Penitentiary, actually identifies the railroad operating the Midnight Special — the Illinois Central which had a route through Mississippi.
In 1934 Huddie William "Lead Belly" Ledbetter recorded a version of the song at Angola Prison for John and Alan Lomax, who mistakenly attributed it to him as the author. However, Ledbetter, for his Angola session, appears to have inserted several stanzas relating to a 1923 Houston jailbreak into the traditional song. Ledbetter recorded at least three versions of the song, one with the Golden Gate Quartet, a gospel group (recorded for RCA at Victor Studio #2, New York City, June 15, 1940).
John and Alan Lomax, in their book, Best Loved American Folk Songs, told a credible story identifying the Midnight Special as a train from Houston shining its light into a cell in the Sugar Land Prison. They also describe Ledbetter's version as "the Negro jailbird's ballad to match Hard Times Poor Boy. Like so many American folk songs, its hero is not a man but a train." The light of the train is seen as the light of salvation, the train which could take them away from the prison walls. It is highly reminiscent of the imagery of such gospel songs as Let the Light from your Lighthouse Shine on Me. Carl Sandburg had a different view. He believed the subject of the song would rather be run over by a train than spend more time in jail.
The song, as popularized by Ledbetter, has many parallel lines to other prison songs. It is essentially the same song as "De Funiac Blues," sung and played by Burruss Johnson and recorded by John Lomax at the Raiford State Penitentiary in Florida on 2 June 1939. Many of the lines appear in prison work songs such as "Jumpin Judy," "Ain't That Berta," "Oh Berta" and "Yon' Comes de Sargent." These songs, including Ledbetter's "Midnight Special" are composite. They mix standard prison song verses indiscriminately. Many of these component pieces have become canonized in the blues idiom and appear in mutated forms regularly in blues lyrics.
Although later versions place the locale of the song near Houston, early versions such as "Walk Right In Belmont" (Wilmer Watts; Frank Wilson, 1927) and "North Carolina Blues" (Roy Martin, 1930) — both essentially the same song as "Midnight Special" — place it in North Carolina.[13] Most of the early versions, however, have no particular location. Only one recording, collected by the Lomaxes at the Mississippi State Penitentiary, actually identifies the railroad operating the Midnight Special — the Illinois Central which had a route through Mississippi.
Posted on 6/4/21 at 12:00 pm to OWLFAN86
Texas = Gay
Sometimes with good hair I'll admit
Sometimes with good hair I'll admit
Posted on 6/4/21 at 12:33 pm to soccerfüt
Aspen, 1950
ski jumper, Steamboat Springs, 1950
Boulder Canyon, 1900
Yellow Magpie, Arapahoe Tribe, 1899
Pearl Street, Boulder, 1865
Golden, CO , 1887
Guys drinking beer, Boulder, 1908
Folsom Field, 1930
Long's Peak, taken from Longmont, sometime in the 1950s.
Posted on 6/4/21 at 12:34 pm to kywildcatfanone
FLora Bama - Mullet Toss 1986
The Hangout - Gulf Shores
Alabama Point / Perdido Pass
The Hangout - Gulf Shores
Alabama Point / Perdido Pass
This post was edited on 6/4/21 at 12:40 pm
Posted on 6/4/21 at 12:47 pm to Auburntiger
I was at the '89 mullet toss (CSB/Coulda been me)
Damn. All those undeveloped lots on Ono Island. I still love Gulf Shores/Orange Beach, but back then it was amazing. The beach dunes thru the state park were like going thru a tunnel.
Damn. All those undeveloped lots on Ono Island. I still love Gulf Shores/Orange Beach, but back then it was amazing. The beach dunes thru the state park were like going thru a tunnel.
Posted on 6/4/21 at 2:58 pm to Basura Blanco
Early 80's had a crazy uncle with a house on Ono Island.
You looked out at the beach at the Flora-Bama.
Nothing on the beach to the right or the left.
Maybe stuff at the State Park, but that was it.
You looked out at the beach at the Flora-Bama.
Nothing on the beach to the right or the left.
Maybe stuff at the State Park, but that was it.
Posted on 6/4/21 at 7:10 pm to Butch Baum
Diving horse, Toronto 1907
Posted on 6/4/21 at 7:16 pm to Kafka
quote:
Otasco
Oklahoma Tire And Supply COmpany
Posted on 6/4/21 at 9:02 pm to Btrtigerfan
Three ‘lost’ Charles Schulz strips have been rediscovered. Do they show the adult Lucy Van Pelt?
quote:
To some, they resemble “Peanuts” characters — if Charlie Brown and the gang had ever grown up.
These rare curiosities intrigue and baffle even the experts. “They’re a puzzle to me,” says Jean Schulz, wife of the late cartoonist Charles M. Schulz, who drew them.
They are the seven black-and-white works of comic art from the mid-‘50s collectively called the “Hagemeyer” strips. Four of them have appeared in books. The three other “lost” strips were found and purchased at auction in May 2020 — but have never been widely published, according to the Charles M. Schulz Museum and Research Center.
Posted on 6/4/21 at 10:33 pm to mauser
Liberace looks like a vagina waiting for a dick...
Posted on 6/5/21 at 2:10 pm to mauser
This post was edited on 6/5/21 at 2:13 pm
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