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re: Louisiana appreciation thread

Posted on 3/6/24 at 8:37 pm to
Posted by When in Rome
Telegraph Road
Member since Jan 2011
35549 posts
Posted on 3/6/24 at 8:37 pm to
quote:

Several incredibly unique and defined styles of music were born in LA. Most of these guys moved to bigger markets to get rich, but the styles were born and cultivated in LA. A lot of LA folks don’t even know some of them.
There is a really cool map that I have actually had framed which I’d highly recommend for people interested in this sort of thing. You can find it online on places like Etsy.

Posted by GreatLakesTiger24
One State Solution
Member since May 2012
55725 posts
Posted on 3/6/24 at 8:45 pm to
isn't stephen stills from covington?
Posted by When in Rome
Telegraph Road
Member since Jan 2011
35549 posts
Posted on 3/6/24 at 8:52 pm to
quote:

isn't stephen stills from covington?
quote:

Stills was born in Dallas, Texas, to Talitha Quintilla Collard (1919-1996) and William Arthur Stills (1915–1986). Raised in a military family, he moved around as a child and developed an interest in blues and folk music. He was also influenced by Latin music after spending his youth in Gainesville and Tampa, Florida, as well as Covington, Louisiana, Costa Rica, the Panama Canal Zone, and El Salvador. Stills attended Admiral Farragut Academy in St. Petersburg, Florida and Saint Leo College Preparatory School in Saint Leo, Florida, before graduating from Lincoln High School in Costa Rica. His siblings are Talitha Stills, Hanna Stills, Butch Stills, George Stills, and Norma de America Hidalgo, from his father's second wife. When he was nine years old, he was diagnosed with partial hearing loss in one ear. The hearing loss increased as he got older. Stills dropped out of Louisiana State University in the early 1960s.
Interesting. Did not know this.

I love the stories about Kris Kristofferson’s time in Louisiana.

quote:

During a stop in Louisiana this month for a performance at the Paragon Casino in Marksville, he reflected on a musical career that produced the likes of “Me and Bobby McGee,” “Why Me” and “Help Me Make It Through the Night,” and how it was influenced by his time in the Louisiana oil fields before he caught his first break.

Kristofferson turned down an instructor’s post at the U.S. Military Academy at West Point to try and break into the music business in the 1960s. Unable to get any closer than a janitor’s job at the Columbia Records studio in Nashville, Tenn., he came to Louisiana and took a job with Petroleum Helicopters Inc. of Lafayette, flying between the Louisiana marshes and offshore petroleum facilities.

“That was about the last three years before I started performing, before people started cutting my songs,” he recalled. “I would work a week down here for PHI, sitting on an oil platform and flying helicopters. Then I’d go back to Nashville at the end of the week and spend a week up there trying to pitch the songs, then come back down and write songs for another week.”

“Bob Beckham told me, ‘You know, that was the most productive time for you, because you didn’t have anything to do but write songs,’ ” he said. “I can remember ‘Help Me Make It Through The Night’ I wrote sitting on top of an oil platform. I wrote ‘Bobby McGee’ down here, and a lot of them.”
This post was edited on 3/6/24 at 9:00 pm
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