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re: In Each Of These Paintings, I Ask WHY

Posted on 9/17/15 at 1:45 pm to
Posted by PhiTiger1764
Lurker since Aug 2003
Member since Oct 2009
13936 posts
Posted on 9/17/15 at 1:45 pm to




First one costs 50 mil. Second one costs a couple grand. Third one is a finger painting from Google image.

But hey maybe I'm the crazy one.
Posted by Rougarou4lsu
New Orleans
Member since Oct 2003
3081 posts
Posted on 9/17/15 at 1:50 pm to
quote:

Although all true, it's still a load of bullshite.


And no one knows more about bullshite than a Texan.
Posted by terd ferguson
Darren Wilson Fan Club President
Member since Aug 2007
108795 posts
Posted on 9/17/15 at 2:04 pm to
I've got an old framed print of this bad boy:




Now that's fricking art right there.
Posted by Cdawg
TigerFred's Living Room
Member since Sep 2003
59615 posts
Posted on 9/17/15 at 2:36 pm to
quote:

The chick in the first painting has a penis on her face.

Picasso was around 50yo slamming a 22 year old mistress when this was done. That's really all you need to know about this one and his work around 1930-35.

Posted by BugAC
St. George
Member since Oct 2007
52945 posts
Posted on 9/17/15 at 3:15 pm to
quote:

or critically important.


I know i'm ignorant on art, but how is art that looks like the guy jammed a few gallons of paint in his arse then farted towards a canvas, "critically important"?
Posted by wheelr
Member since Jul 2012
5149 posts
Posted on 9/17/15 at 3:21 pm to
quote:

I think he'd just rather spend that kind of money on, I dunno, things like:

- A house
- A child's education
- Donate to charity
- Invest
- Save for retirement/emergency


I'm guessing the people who can afford these paintings already have that stuff covered.
Posted by Placebeaux
Bobby Fischer Fan Club President
Member since Jun 2008
51852 posts
Posted on 9/17/15 at 3:23 pm to
Posted by Swoopin
Member since Jun 2011
22031 posts
Posted on 9/17/15 at 3:25 pm to
You can look at a Michelangelo, Raphael, or da Vinci painting and realize it is objectively brilliant. Especially in the context of that period of European art and how much it advanced with those guys in a matter of centuries.

You can't look at any of those and tell me it's objectively great.

The technical abilities of art has only gotten marginally better since the Renaissance. By that I mean, how well could someone who took illustration seriously paint. And that's thanks to contributions during the Renaissance. When we entered modernism, it was all about artificial meaning in the paintings and just hoping the herd mentality picked you up.
This post was edited on 9/17/15 at 3:27 pm
Posted by cajunangelle
Member since Oct 2012
147596 posts
Posted on 9/17/15 at 3:25 pm to
you're trash for callin him trash.
Posted by Jet12
Tweet, tweet, tweet, two steps.
Member since Nov 2010
20554 posts
Posted on 9/17/15 at 3:26 pm to
Because

Posted by Cdawg
TigerFred's Living Room
Member since Sep 2003
59615 posts
Posted on 9/17/15 at 3:40 pm to
quote:

how is art that looks like the guy jammed a few gallons of paint in his arse then farted towards a canvas, "critically important"?


How can a guy can take a perfectly tuned, clear sounding guitar and add distortion to it to make it sound fuzzy be critically important?


But to answer your question about Pollock, he was the punk rocker of the art world. He literally turned the art world over. Instead of applying a solid oil from brush to canvas, he took the canvas and laid it on the floor and dripped the paint from a liquid form onto the canvas. He stopped using the traditional form of painting. upright, easel, brushes, solids, etc. and moved to other methods. Sounds simple now doesn't it? Just like a three chord punk rock band is simple in principle but the rawness and power is the attraction.


Oh and it helps he was already known in the inner circles of the art world and Peggy Guggenheim liked his work.

Posted by Sellecks Moustache
NC
Member since Jun 2014
5994 posts
Posted on 9/17/15 at 3:43 pm to
quote:

I would rather hang a panoramic shot of Tiger Stadium in my hallway before any of that.

I'll take the Picasso. That would be one hell of a conversation starter.
Posted by Sisyphus
Member since Feb 2014
1824 posts
Posted on 9/17/15 at 3:56 pm to
quote:

Wow. You can just feel the internal turmoil of the artist in this one. His brooding nature, my goodness. This painting just screams societal burdens and a false sense of reality we all carry.

Would sell my left nut and a kidney just to be in the same room as this painting.


Mark Rothko is a talent less hack but all design students and art collectors got together and decided to blow him for some reason.

If I can do it more often than not it isn't art.
Posted by Swoopin
Member since Jun 2011
22031 posts
Posted on 9/17/15 at 3:58 pm to
quote:

Oh and it helps he was already known in the inner circles of the art world and Peggy Guggenheim liked his work.



quote:

Mark Rothko is a talent less hack but all design students and art collectors got together and decided to blow him for some reason.


Lends to my point, it's not about achievement anymore. It's about persuasion.
Posted by Cdawg
TigerFred's Living Room
Member since Sep 2003
59615 posts
Posted on 9/17/15 at 4:23 pm to
quote:

Mark Rothko is a talent less hack but all design students and art collectors got together and decided to blow him for some reason.

Rothko's work just affected you like he wanted it to. That's what he wanted it to do. Evoke an emotion or a response. It appears his art worked.

His solid colors were an attempt to somewhat mock the abstract art work going on at the time. Why not strip a painting all the way back down to just color?




quote:

If I can do it more often than not it isn't art.

If you could do it, you'd be doing it. Just because you can replicate something, doesn't mean you could do what he did.



Oh and Peggy Guggenheim decided to start collecting his work too.
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