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re: What are some good Rush albums?

Posted on 12/18/13 at 7:02 pm to
Posted by H-Town Tiger
Member since Nov 2003
61082 posts
Posted on 12/18/13 at 7:02 pm to
quote:

but am I the only one who really liked Roll the Bones?


no, i like it a lot as well. I also think Power Windows is under rated.
Posted by dukke v
PLUTO
Member since Jul 2006
216685 posts
Posted on 12/19/13 at 11:49 am to
quote:

2112 A Farewell to Kings Hemispheres Permanent Waves




AWESOME..............
Posted by percy
Member since Nov 2013
369 posts
Posted on 12/19/13 at 9:18 pm to
Their latest "Clockwork Angels" is pretty good.
Posted by MrFreakinMiyagi
Reseda
Member since Feb 2007
20167 posts
Posted on 12/20/13 at 8:48 am to
quote:

good Rush albums

Posted by RogerTheShrubber
Juneau, AK
Member since Jan 2009
299716 posts
Posted on 12/20/13 at 11:08 am to
quote:

"Ghost of a Chance"


Good song.
Posted by gjackx
Red Stick
Member since Jan 2007
16587 posts
Posted on 12/20/13 at 12:24 pm to
quote:

Love me some "Dreamline" and "Ghost of a Chance", also.

Roll the Bones is pretty damn solid...just not the title track with the rap. They did not need to add the rap part
Posted by TouchedTheAxeIn82
near the Apple spaceship
Member since Nov 2012
7557 posts
Posted on 12/20/13 at 12:46 pm to
Grace Under Pressure is worth a mention.

Distant Early Warning
Red Sector A
Between the Wheels

quote:

Geddy Lee explained the genesis of (Red Sector A) in an interview: The seeds for the song were planted nearly 60 years ago in April 1945 when British soldiers liberated the Nazi concentration camp Bergen-Belsen. Lee's mother, Manya (now Mary) Rubenstein, was among the survivors. (His father, Morris Weinrib, was liberated from the Dachau concentration camp a few weeks later.) The whole album "Grace Under Pressure," says Lee, who was born Gary Lee Weinrib, "is about being on the brink and having the courage and strength to survive." Though "Red Sector A," like much of the album from which it comes, is set in a bleak, apocalyptic future, what Lee calls "the psychology" of the song comes directly from a story his mother told him about the day she was liberated. "I once asked my mother her first thoughts upon being liberated," Lee says during a phone conversation. "She didn’t believe [liberation] was possible. She didn't believe that if there was a society outside the camp how they could allow this to exist, so she believed society was done in."
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