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I repaired one of Johnny Cash's guitars!
Posted on 8/18/18 at 7:30 am
Posted on 8/18/18 at 7:30 am
Yes, you read that right. I recently completed a major structural repair on one of Johnny Cash's stage and studio guitars. It was his first custom build by noted luthier Danny Ferrington, made and purchased in 1978 by Waylon Jennings (!) and gifted to Johnny shortly thereafter. It is Ferrington SN #9. The second custom Ferrington made Johnny is in his exhibit at the Country Music Hall of Fame in Nashville.
Couple of quick fly-thru photos and a link to what I put about it on my repair shop's Facebook page.
There will be more posts on the guitar, the repair and on Danny next week. He and I partnered in the repair and have become good friends in the process!
Danny Ferrington crafting new bridge
Yours truly prepping new bridge for mounting
Link to more photos, details and descriptions at www.Facebook.com/TheFretShack
Couple of quick fly-thru photos and a link to what I put about it on my repair shop's Facebook page.
There will be more posts on the guitar, the repair and on Danny next week. He and I partnered in the repair and have become good friends in the process!
Danny Ferrington crafting new bridge
Yours truly prepping new bridge for mounting
Link to more photos, details and descriptions at www.Facebook.com/TheFretShack
Posted on 8/18/18 at 7:45 am to TheFretShack
Very, very cool. Good stuff!
Posted on 8/18/18 at 8:18 am to geauxbrown
What a great project Fret!
Posted on 8/18/18 at 9:07 am to TheFretShack
Wow, how awesome is that?!
Posted on 8/18/18 at 10:16 am to TheFretShack
A ROLLED UP TOWEL!!!?
Lol
Awesome though.
Lol
Awesome though.
Posted on 8/18/18 at 10:30 am to LSU alum wannabe
That's rolled carpet tied with fishing line serving as a homemade neck rest. I have a few of different diameters. The asking price for formal neck rests is ridiculous, plus mine simply work better, safer and smarter.
You use neck rests to get angled-back headstocks up in the air a touch off the bench surface. Otherwise, tilt-back heads end up supporting weight they don't need to support. Plus the guitar is generally more stable on the bench with the head elevated. Easier to manipulate the D and G tuners on a 3x3 headstock on the fly too.
You use neck rests to get angled-back headstocks up in the air a touch off the bench surface. Otherwise, tilt-back heads end up supporting weight they don't need to support. Plus the guitar is generally more stable on the bench with the head elevated. Easier to manipulate the D and G tuners on a 3x3 headstock on the fly too.
Posted on 8/18/18 at 11:07 am to TheFretShack
quote:
That's rolled carpet tied with fishing line serving as a homemade neck rest. I have a few of different diameters. The asking price for formal neck rests is ridiculous, plus mine simply work better, safer and smarter.
I see a chance to talk shite, I take it. Whether legit or out of ignorance. I assumed there was more method than a rolled towel. Lol
Posted on 8/18/18 at 11:20 am to LSU alum wannabe
People are crazy if they take their guitars to anyone else in BR besides Jeff.
Posted on 8/18/18 at 12:18 pm to TheFretShack
BTW. What happened?
Is that just too many years and left at full tension?
Is that just too many years and left at full tension?
Posted on 8/18/18 at 1:16 pm to LSU alum wannabe
I never got a clear answer on what happened to it this time. I say that because I found evidence that it had catastrophic bridge/soundboard separations at least twice prior to this event. Many things can cause that to occur. Most are preventable.
This separation, however, was the worst, destroying the original bridge; the glued and reglued splintered spruce under it; plus the splitting of two bridgeplates - the original and a second reinforcing one from a previous repair - under the soundboard; and splitting the soundboard itself this time around.
It was also compounded by previous repairs that had to be "unfixed" this time around to make a proper new fix. The two bridgeplates, for example, had to be removed with an internally-positioned iron caul heated to 325F (PITA and dangerous for both the guitar and for me, check out my kevlar glove for the task). And once removed, replaced with one, better bridgeplate of my own design.
More on the fix in subsequent posts in the coming week :)
This separation, however, was the worst, destroying the original bridge; the glued and reglued splintered spruce under it; plus the splitting of two bridgeplates - the original and a second reinforcing one from a previous repair - under the soundboard; and splitting the soundboard itself this time around.
It was also compounded by previous repairs that had to be "unfixed" this time around to make a proper new fix. The two bridgeplates, for example, had to be removed with an internally-positioned iron caul heated to 325F (PITA and dangerous for both the guitar and for me, check out my kevlar glove for the task). And once removed, replaced with one, better bridgeplate of my own design.
More on the fix in subsequent posts in the coming week :)
Posted on 8/18/18 at 1:29 pm to TheFretShack
I finally got around to reading your Facebook link. Sorry. It answered most.
I assume that's the priciest thing you've worked on? Auction value being vague though.
Very cool. I would imagine that's a huge pucker factor in putting a heating element inside of a dry and wildly valuable wooden box.
I assume that's the priciest thing you've worked on? Auction value being vague though.
Very cool. I would imagine that's a huge pucker factor in putting a heating element inside of a dry and wildly valuable wooden box.
Posted on 8/19/18 at 6:44 am to TheFretShack
Really cool looking binding.
How's it sound/play?
Posted on 8/19/18 at 7:25 am to tidalmouse
It sounds and plays simply incredible post-repair. We players would fall in love with it even not knowing its history or previous lineage. I was able to dial in very low action considering its age and wear and it practically played itself. Very balanced tone, very touch sensitive, good boom without flub, and big projection (it has a maple back and sidewalls). There is a reason Danny's builds were and are so acclaimed.
Speaking of which, this may shed some light ... here's a list of SOME of Danny's clients over the years ...
Speaking of which, this may shed some light ... here's a list of SOME of Danny's clients over the years ...
Posted on 8/19/18 at 11:35 am to TheFretShack
You might be one of the luckiest people in the world. luck= hard work and preparation, meeting opportunity.
Congratulations, I mean it.
Congratulations, I mean it.
Posted on 8/20/18 at 5:41 pm to TheFretShack
Beautiful work on an extremely cool instrument.
That old Johnson outboard boat motor in Danny's photo is cool too.
That old Johnson outboard boat motor in Danny's photo is cool too.
Posted on 8/20/18 at 9:53 pm to TheFretShack
Nice man, that's awesome
Posted on 8/24/18 at 8:14 am to harmonics
Thanks for all the kind words, much appreciated!
Here's what Danny himself says about #9 and its completion in 1978 ...
"I built this guitar for Emmylou Harris, at least I wanted her to have it. Ricky Skaggs was one of her sidemen and he said if I came to the Willie Nelson Picnic in Dallas, he would get me backstage to show it to her. Maybe she would buy it. I went, Emmy liked it but liked her Gibson J200 more. She wanted me to inlay a rose on it which I did (it's now in the Country Music Hall of Fame in Nashville), Ricky took my guitar back to the hotel that night and picking it up the next day, he said Waylon Jennings said when I get back to Nashville, bring it to him and he would buy it. Well, I did, thrilled to sell a guitar to Waylon. About a week or so later, I was working at the Old Time Pickin' Parlour (music shop in Nashville) and I got a call from Johnny Cash's office. I had never met John so I was surprised. His assistant said she had John on the line patched in from New Jersey. He said, "Danny this is Johnny Cash and I have a guitar here that you made and it was given to me by Waylon Jennings last night at Wolf Trap and I think it's the finest guitar I've ever played and I want you to make one for my wife June, a little smaller and a little less black than this one," which I did. He played this guitar on his (prime time televised) Christmas Special in 1978 with Kris Kristofferson and Steve Martin, and on his Spring Special. He also played it on his 25th Anniversary album."
Here's something cool for you guys too ... Johnny Cash's belt buckle rash.
Here's what Danny himself says about #9 and its completion in 1978 ...
"I built this guitar for Emmylou Harris, at least I wanted her to have it. Ricky Skaggs was one of her sidemen and he said if I came to the Willie Nelson Picnic in Dallas, he would get me backstage to show it to her. Maybe she would buy it. I went, Emmy liked it but liked her Gibson J200 more. She wanted me to inlay a rose on it which I did (it's now in the Country Music Hall of Fame in Nashville), Ricky took my guitar back to the hotel that night and picking it up the next day, he said Waylon Jennings said when I get back to Nashville, bring it to him and he would buy it. Well, I did, thrilled to sell a guitar to Waylon. About a week or so later, I was working at the Old Time Pickin' Parlour (music shop in Nashville) and I got a call from Johnny Cash's office. I had never met John so I was surprised. His assistant said she had John on the line patched in from New Jersey. He said, "Danny this is Johnny Cash and I have a guitar here that you made and it was given to me by Waylon Jennings last night at Wolf Trap and I think it's the finest guitar I've ever played and I want you to make one for my wife June, a little smaller and a little less black than this one," which I did. He played this guitar on his (prime time televised) Christmas Special in 1978 with Kris Kristofferson and Steve Martin, and on his Spring Special. He also played it on his 25th Anniversary album."
Here's something cool for you guys too ... Johnny Cash's belt buckle rash.
This post was edited on 8/24/18 at 8:18 am
Posted on 8/24/18 at 8:16 am to TheFretShack
Posted on 8/24/18 at 9:11 am to TheFretShack
Wow! That is incredible. The buckle rash photos are way cool!
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