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I repaired one of Johnny Cash's guitars!

Posted on 8/18/18 at 7:30 am
Posted by TheFretShack
Member since Oct 2015
1240 posts
Posted on 8/18/18 at 7:30 am
Yes, you read that right. I recently completed a major structural repair on one of Johnny Cash's stage and studio guitars. It was his first custom build by noted luthier Danny Ferrington, made and purchased in 1978 by Waylon Jennings (!) and gifted to Johnny shortly thereafter. It is Ferrington SN #9. The second custom Ferrington made Johnny is in his exhibit at the Country Music Hall of Fame in Nashville.

Couple of quick fly-thru photos and a link to what I put about it on my repair shop's Facebook page.

There will be more posts on the guitar, the repair and on Danny next week. He and I partnered in the repair and have become good friends in the process!







Danny Ferrington crafting new bridge



Yours truly prepping new bridge for mounting







Link to more photos, details and descriptions at www.Facebook.com/TheFretShack
Posted by geauxbrown
Louisiana
Member since Oct 2006
19460 posts
Posted on 8/18/18 at 7:45 am to
Very, very cool. Good stuff!
Posted by Marco Esquandolas
Member since Jul 2013
11426 posts
Posted on 8/18/18 at 8:18 am to
What a great project Fret!
Posted by tidalmouse
Whatsamotta U.
Member since Jan 2009
30706 posts
Posted on 8/18/18 at 8:20 am to
Good stuff.Very cool.
Posted by MountainTiger
The foot of Mt. Belzoni
Member since Dec 2008
14663 posts
Posted on 8/18/18 at 9:07 am to
Wow, how awesome is that?!
Posted by LSU alum wannabe
Katy, TX
Member since Jan 2004
26999 posts
Posted on 8/18/18 at 10:16 am to
A ROLLED UP TOWEL!!!?

Lol

Awesome though.
Posted by TheFretShack
Member since Oct 2015
1240 posts
Posted on 8/18/18 at 10:30 am to
That's rolled carpet tied with fishing line serving as a homemade neck rest. I have a few of different diameters. The asking price for formal neck rests is ridiculous, plus mine simply work better, safer and smarter.

You use neck rests to get angled-back headstocks up in the air a touch off the bench surface. Otherwise, tilt-back heads end up supporting weight they don't need to support. Plus the guitar is generally more stable on the bench with the head elevated. Easier to manipulate the D and G tuners on a 3x3 headstock on the fly too.
Posted by LSU alum wannabe
Katy, TX
Member since Jan 2004
26999 posts
Posted on 8/18/18 at 11:07 am to
quote:

That's rolled carpet tied with fishing line serving as a homemade neck rest. I have a few of different diameters. The asking price for formal neck rests is ridiculous, plus mine simply work better, safer and smarter.


I see a chance to talk shite, I take it. Whether legit or out of ignorance. I assumed there was more method than a rolled towel. Lol
Posted by monsterballads
Make LSU Great Again
Member since Jun 2013
29266 posts
Posted on 8/18/18 at 11:20 am to
People are crazy if they take their guitars to anyone else in BR besides Jeff.
Posted by LSU alum wannabe
Katy, TX
Member since Jan 2004
26999 posts
Posted on 8/18/18 at 12:18 pm to
BTW. What happened?

Is that just too many years and left at full tension?
Posted by TheFretShack
Member since Oct 2015
1240 posts
Posted on 8/18/18 at 1:16 pm to
I never got a clear answer on what happened to it this time. I say that because I found evidence that it had catastrophic bridge/soundboard separations at least twice prior to this event. Many things can cause that to occur. Most are preventable.

This separation, however, was the worst, destroying the original bridge; the glued and reglued splintered spruce under it; plus the splitting of two bridgeplates - the original and a second reinforcing one from a previous repair - under the soundboard; and splitting the soundboard itself this time around.

It was also compounded by previous repairs that had to be "unfixed" this time around to make a proper new fix. The two bridgeplates, for example, had to be removed with an internally-positioned iron caul heated to 325F (PITA and dangerous for both the guitar and for me, check out my kevlar glove for the task). And once removed, replaced with one, better bridgeplate of my own design.



More on the fix in subsequent posts in the coming week :)


Posted by LSU alum wannabe
Katy, TX
Member since Jan 2004
26999 posts
Posted on 8/18/18 at 1:29 pm to
I finally got around to reading your Facebook link. Sorry. It answered most.

I assume that's the priciest thing you've worked on? Auction value being vague though.

Very cool. I would imagine that's a huge pucker factor in putting a heating element inside of a dry and wildly valuable wooden box.
Posted by tidalmouse
Whatsamotta U.
Member since Jan 2009
30706 posts
Posted on 8/19/18 at 6:44 am to


Really cool looking binding.

How's it sound/play?
Posted by TheFretShack
Member since Oct 2015
1240 posts
Posted on 8/19/18 at 7:25 am to
It sounds and plays simply incredible post-repair. We players would fall in love with it even not knowing its history or previous lineage. I was able to dial in very low action considering its age and wear and it practically played itself. Very balanced tone, very touch sensitive, good boom without flub, and big projection (it has a maple back and sidewalls). There is a reason Danny's builds were and are so acclaimed.

Speaking of which, this may shed some light ... here's a list of SOME of Danny's clients over the years ...

Posted by auggie
Opelika, Alabama
Member since Aug 2013
27969 posts
Posted on 8/19/18 at 11:35 am to
You might be one of the luckiest people in the world. luck= hard work and preparation, meeting opportunity.

Congratulations, I mean it.
Posted by Telecaster
Memphis
Member since May 2017
1670 posts
Posted on 8/20/18 at 5:41 pm to
Beautiful work on an extremely cool instrument.

That old Johnson outboard boat motor in Danny's photo is cool too.
Posted by harmonics
Mars Hotel
Member since Jan 2010
18618 posts
Posted on 8/20/18 at 9:53 pm to
Nice man, that's awesome
Posted by TheFretShack
Member since Oct 2015
1240 posts
Posted on 8/24/18 at 8:14 am to
Thanks for all the kind words, much appreciated!

Here's what Danny himself says about #9 and its completion in 1978 ...

"I built this guitar for Emmylou Harris, at least I wanted her to have it. Ricky Skaggs was one of her sidemen and he said if I came to the Willie Nelson Picnic in Dallas, he would get me backstage to show it to her. Maybe she would buy it. I went, Emmy liked it but liked her Gibson J200 more. She wanted me to inlay a rose on it which I did (it's now in the Country Music Hall of Fame in Nashville), Ricky took my guitar back to the hotel that night and picking it up the next day, he said Waylon Jennings said when I get back to Nashville, bring it to him and he would buy it. Well, I did, thrilled to sell a guitar to Waylon. About a week or so later, I was working at the Old Time Pickin' Parlour (music shop in Nashville) and I got a call from Johnny Cash's office. I had never met John so I was surprised. His assistant said she had John on the line patched in from New Jersey. He said, "Danny this is Johnny Cash and I have a guitar here that you made and it was given to me by Waylon Jennings last night at Wolf Trap and I think it's the finest guitar I've ever played and I want you to make one for my wife June, a little smaller and a little less black than this one," which I did. He played this guitar on his (prime time televised) Christmas Special in 1978 with Kris Kristofferson and Steve Martin, and on his Spring Special. He also played it on his 25th Anniversary album."

Here's something cool for you guys too ... Johnny Cash's belt buckle rash.



This post was edited on 8/24/18 at 8:18 am
Posted by hogcard1964
Illinois
Member since Jan 2017
10445 posts
Posted on 8/24/18 at 9:11 am to
Wow! That is incredible. The buckle rash photos are way cool!
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