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Good and bad "new folk" (spinoff from Mumford and Sons thread)
Posted on 8/8/13 at 11:46 pm
Posted on 8/8/13 at 11:46 pm
i butchered a response in that thread with too many ETAs, so here are my random ruminations about the "new folk"-ish genre:
Annoying folk(s):
(already bashed Of Monsters and Men and M&S)
Lumineers. more marchy crap like everything's an inspirational call to battle on a scottish hill.
Edward Sharpe (similar--just crap).
Civil Wars : can't put my finger on it, but the chick just annoys me.
In fact, i'm generally weary of contrived female vocalists these days (other e.g. is Grace Potter). In lieu of original voices like Joni Mitchell, Lucinda Williams, Bonnie Rait, Alison Krauss, Emmylou Harris, Joplin, or Baez, some of these new chicks try too hard to sound like they're from some bygone year, or are boarding the bus by a tobacco field headed for The Farm (or Maggie's Farm or Max's Farm, whatever).
also not impressed with the hyperactive noisy stylings of alabama shakes (not sure if they fit here anyway).
just a sample of some of the more popular better (IMHO) nouveau (and mostly pseudo i suppose) folk alternatives:
Josh Ritter
Alexi Murdoch
Great Lake Swimmers
Monsters of Folk
Neko Case
Gillian Welch
Iron & Wine (duh)
Decemberists/Tarkio
Anais Mitchell (yes, i said anus)
The Tallest Man on Earth
M. Ward
Andrew Bird
Jose Gonzales
AA Bondy
Mixed feelings: Ray LaMontagne, Nickel Creek (they've been around long enough for some cred and Sara Watkins's voice is soothing--hell she shared the stage with Jackson Browne), Gregory Alan Isakov (i'm sort of meh about him but he isn't annoying), Avett Brothers (they are mostly annoying but some redeeming qualities),
Annoying folk(s):
(already bashed Of Monsters and Men and M&S)
Lumineers. more marchy crap like everything's an inspirational call to battle on a scottish hill.
Edward Sharpe (similar--just crap).
Civil Wars : can't put my finger on it, but the chick just annoys me.
In fact, i'm generally weary of contrived female vocalists these days (other e.g. is Grace Potter). In lieu of original voices like Joni Mitchell, Lucinda Williams, Bonnie Rait, Alison Krauss, Emmylou Harris, Joplin, or Baez, some of these new chicks try too hard to sound like they're from some bygone year, or are boarding the bus by a tobacco field headed for The Farm (or Maggie's Farm or Max's Farm, whatever).
also not impressed with the hyperactive noisy stylings of alabama shakes (not sure if they fit here anyway).
just a sample of some of the more popular better (IMHO) nouveau (and mostly pseudo i suppose) folk alternatives:
Josh Ritter
Alexi Murdoch
Great Lake Swimmers
Monsters of Folk
Neko Case
Gillian Welch
Iron & Wine (duh)
Decemberists/Tarkio
Anais Mitchell (yes, i said anus)
The Tallest Man on Earth
M. Ward
Andrew Bird
Jose Gonzales
AA Bondy
Mixed feelings: Ray LaMontagne, Nickel Creek (they've been around long enough for some cred and Sara Watkins's voice is soothing--hell she shared the stage with Jackson Browne), Gregory Alan Isakov (i'm sort of meh about him but he isn't annoying), Avett Brothers (they are mostly annoying but some redeeming qualities),
This post was edited on 8/8/13 at 11:48 pm
Posted on 8/8/13 at 11:49 pm to McLemore
John Fulbright belongs in the good category......
Posted on 8/8/13 at 11:58 pm to CottonWasKing
Whatever that popular Lumineers song is, the one always on the radio, its a steaming pile of shite
Posted on 8/9/13 at 12:03 am to McLemore
ill stick with listening to M&S, Lumineers, and Edward Sharpe
i care very little of what some of the Music board people think of certain bands
i care very little of what some of the Music board people think of certain bands
Posted on 8/9/13 at 12:17 am to McLemore
quote:
Gillian Welch
Shares the stage with Mumford&Sons quite a bit, FWIW.
Posted on 8/9/13 at 1:04 am to McLemore
All-American Boricua Folk Singer From NYC Finds Her Home in New Orleans
quote:
Alynda Lee Segarra is only 25, but she’s already sung her way across the U.S. and Europe, with her feminine Johnny-Cash-sounding folk band, Hurray for the Riff Raff.
At 17, the Puerto Rican singer and songwriter ran away from her home in the Bronx, NY in order to find herself. She eventually did find her true home in musically-soulful New Orleans, where she’s been living for the past five years –when she’s not touring. It’s also where she formed her band, which made an appearance on the third season of HBO’s “Treme.”
quote:
In New Orleans, she says she discovered that it’s still respected to play music on the street. So she started playing in street bands and quickly realized she could make a living through music.
“It was definitely New Orleans which made me want to try,” says Segarra about where she found herself. “I realized I have to do this or I don’t know what I’m going to do.”
While she often felt like an outsider during her teenage years, it was doo-wop and motown music from the ’60s that she connected with. And through traveling the U.S., she says she fell in love with her country.
Posted on 8/9/13 at 10:43 am to McLemore
quote:
AA Bondy
One of my all time favorites
Also see:
Austin Lucas
John Moreland
Jason Isbell
Cory Branan
Shovels and Rope
Romantica
Posted on 8/9/13 at 10:59 am to CottonWasKing
quote:
John Fulbright belongs in the good category......
I agree with this. And while I find some of the ones listed by the OP generic, I would still rather listen to this new folk then some of the other bullshite that wears the tag of music nowadays.
I think the internet has enabled us to be exposed to a ton of music that we otherwise would have never heard previously. The other side of that coin is that you have to sift through the large volume of music to find the artists/songs that really stand out. But I think it's a win-win for music lovers in the long run.
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