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re: Cover Songs that Cross Musical Genres But Still Work

Posted on 3/8/23 at 11:55 am to
Posted by Lonnie Utah
Utah!
Member since Jul 2012
23847 posts
Posted on 3/8/23 at 11:55 am to
quote:

You may like this one -- The Gourds' "Gin and Juice" cover:


Came to post this one.

Since it's taken I'll go with No BS Brass Band - Take on Me...
This post was edited on 3/8/23 at 11:58 am
Posted by TexTigah81
Member since Nov 2013
545 posts
Posted on 3/8/23 at 4:53 pm to
quote:

Got To Get You Into My Life

I’m a huge Beatles fan but never cared for this song. EW&F did an excellent cover of it.
Posted by RD Dawg
Atlanta
Member since Sep 2012
27291 posts
Posted on 3/8/23 at 7:12 pm to
Needles and Pins Ramones version

Jackie Deshannon version

Written by Sonny Bono BTW

Posted by SidewalkTiger
Midwest, USA
Member since Dec 2019
52272 posts
Posted on 3/8/23 at 11:48 pm to
Glen Campbell- Gentle On My Mind

Clint Black - Desperado
Posted by hogcard1964
Illinois
Member since Jan 2017
10362 posts
Posted on 3/9/23 at 7:13 am to
Hood wasn't on bass on that but, the rest of The Swampers were.

That was her last listenable album.
Posted by Dire Wolf
bawcomville
Member since Sep 2008
36576 posts
Posted on 3/9/23 at 9:32 am to
quote:

Wilson Pickett with a soul cover of "Hey Jude"

"Hey Jude" - Wilson Pickett

Love the horns in the 'nah nah nah-nah-nah-nah' climax.


Info on the recording:


Clapton hearing Duane's solo is what led him to seeking out Duane for the Derek and the Dominos album
quote:

"I remember hearing 'Hey Jude' by Wilson Pickett and calling either Ahmet Ertegun or Tom Dowd and saying, 'Who's that guitar player?'" says Eric Clapton in the top video below.

It turns out that guitar player was a 22-year-old guitarist named Duane Allman, aka "Skydog."

"I just filed it away," Clapton adds. "To this day, I've never heard better rock guitar playing on an R&B record. It's the best."


quote:

A few uninspired days into the Layla sessions, Tom Dowd, who was also producing for the Allmans for their album Idlewild South, invited Clapton to an Allman Brothers outdoor concert in Miami, where he first heard Duane Allman play. After several hours in the studio earlier that day the band was sneaked into the show with the help of Dowd and sat between the riser and fans below. At the concert, Dowd distinctly remembers:
" Duane was in the middle of a solo; he opens his eyes and looks down, does a dead stare, and stops playing. Dickey Betts is chugging along, see Duane's stopped playing, and figures he'd better cover, that Duane must've broken a string or something. Then Dickey looks down, sees Eric, and turns his back. That was how they first saw each other."
The next day (Aug 27, 1970) Duane arrived at the Criteria studios about 3 o'clock and would quickly befriend Clapton; Dowd says their easiness with one another was instantaneous, saying they were " trading licks, they were swapping guitars, they were talking shop and information and having a ball, no hold barred, just admiration for each other's technique and facility. We got back, turned the tapes on, and they went on for 15, 18 hours like that. I went through two or three sets of engineers. "
After the jam sessions Clapton invited Allman to become the fifth and final member of the Dominos.
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