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Acoustic Guitar Advice - Stretching for bar chords

Posted on 12/19/18 at 10:55 am
Posted by SUB
Silver Tier TD Premium
Member since Jan 2009
26311 posts
Posted on 12/19/18 at 10:55 am
I've been playing off and on for nearly 15 years. I've never had formal lessons or anything, but have taught myself for the most part. One thing I've always struggled with is bar chords and chords that require me to stretch my fingers across more than 3 frets. I've improved a lot on the bar chord front but I have a hard time with chords like B which require a little stretching. Then there are some chords (non-bar) that stretch across four frets that I just can't seem to reach with my fingers.

Do I have just small hands and need to look at a different guitar that has more narrow spacing between frets, or is my technique just off?

I learned on a Takamine G-series and still use that guitar today.
Posted by BitBuster
Lafayette
Member since Dec 2017
1971 posts
Posted on 12/19/18 at 12:28 pm to
One tip I received is to take a video your hand playing these chords, and to compare that to online videos of good guitarists playing the same chords. (Justinguitar?) Check your thumb placement on the neck, fix it, and practice your arse off the right way to fix any bad habits.

ETA: It could also be the way you're resting the guitar in your lap that isn't enabling full range of your hand.
This post was edited on 12/19/18 at 12:30 pm
Posted by SUB
Silver Tier TD Premium
Member since Jan 2009
26311 posts
Posted on 12/19/18 at 2:29 pm to
Thanks man. I'll give that a shot.
Posted by awestruck
Member since Jan 2015
14739 posts
Posted on 12/19/18 at 3:01 pm to
Not to get too personal but how wide is your neck at the nut? My Yari's play almost like an electric in size - while my Martin is a fist full in width.

There's variances there and also with the taper on down the neck that might make a difference. As well as radius across back of neck. Martin site has some good diagrams of different cross sections. I play a couple other Martins with friends that are 1 3/4" and the shape of the neck varies a good bit between the 4Martins I'm familiar with. So you might give some other guitars a feel.

Like he said wrist angle and thump placement will make a difference in being able to reach.

For me it matters a lot if I'm doing more finger style and having my thumb more centered on the back. Where having my thumb over the top to fret a low-E or even A string really starts to use up a lot of my hand for stretching. Playing with wrist bent out a little and rotating more around the bottom around helped me out (which moves your thump down some). Believe that's more of a classical position.
This post was edited on 12/19/18 at 3:17 pm
Posted by TheFretShack
Member since Oct 2015
1383 posts
Posted on 12/19/18 at 5:58 pm to
The fingerboard radius (curvature) can come into play as well. Fingerboards are curved/radiused specifically to make barre chords easier and more natural feeling for the fretting hand. The lower the radius, the more curved. The higher the radius, the flatter.

This Thalia capos guide page lists a lot of current and popular guitars by radius. Most are electrics, but it will show you the variation that exists in the market and who specifically offers lower, more curved fingerboards.

Fretboard radii roundup by manufacturer
Posted by awestruck
Member since Jan 2015
14739 posts
Posted on 12/19/18 at 7:31 pm to
Here's one for you to look at... LINK

... it's Chris Cornell. His grip really changes up and down as he moves along. Hadn't specifically noticed before, but he's constantly doing a mix of wrist/thumb both high up and down low. Also here's a good 4fret stretch to help get there (G-bar shape)



although I usually (almost always) just bar the bottom four. That way if you omit high-E it's still a good sounding major chord, slip up a bit/hit and its a nice/acceptable 6th. (eta - it really becomes an easy stretch using 2 littlest fingers and omitting mr.bird finger than fretting whole thing with all 4 - a later step)
This post was edited on 12/19/18 at 8:05 pm
Posted by Spock's Eyebrow
Member since May 2012
12300 posts
Posted on 12/19/18 at 7:56 pm to
quote:

Do I have just small hands and need to look at a different guitar that has more narrow spacing between frets, or is my technique just off?


Nothing you can do about hand size. There may be some fingerings you can't physically do, and you'll need to find alternatives. There's almost always another way. A short scale guitar may help a little; standard neck lengths are 25.5" and 24.75", but Martin and others make them down to 23" or so. They don't sound as good.

One thing you can easily change is your posture. Look at old Beatles photos and contrast them with guitarist like Jimmy Page. The former wear the guitars high on the chest, whereas the latter sling them low to look cool. It's easier to play with the guitars high and angled properly. Look at how a classical guitarist sits to play. They rest the guitar on the left leg, not the right, and they use a foot stool to elevate that left leg, and along with it, the guitar neck. You can buy cushions and guitar "supports" that do the same thing without the foot stool. This makes difficult stretches much easier to accomplish.
Posted by MountainTiger
The foot of Mt. Belzoni
Member since Dec 2008
14974 posts
Posted on 12/19/18 at 8:13 pm to
quote:

Also here's a good 4fret stretch to help get there (G-bar shape)

He could also play the B x64447, sort of a 1st inversion form of the chord. That saves him the reach to the low E string. Normally I play it x24442 but that's hard for some people.
Posted by awestruck
Member since Jan 2015
14739 posts
Posted on 12/19/18 at 9:33 pm to
... it was just an easy 4fret stretch to work out on and maybe make the 3fret span easier.
Posted by MountainTiger
The foot of Mt. Belzoni
Member since Dec 2008
14974 posts
Posted on 12/19/18 at 11:16 pm to
quote:

... it was just an easy 4fret stretch to work out on and maybe make the 3fret span easier.

Yeah I know but he said he was having trouble making a B -- I assume using the conventional A barre shape. Your post gave me the idea that it might be easier to make a B your way but without the bass note until he can make the stretch.
Posted by TheFretShack
Member since Oct 2015
1383 posts
Posted on 12/20/18 at 7:26 am to
I learned on a Takamine G-series and still use that guitar today.

I looked at that Thalia chart and your (I assume) Korean-made G-series Tak is a "16" radius. Japan-made Taks, the upper tier guitars, are 12" ... refer back to my first reply above, and they tend to have narrow necks in the big scheme of things. MIJs are incredible guitars for the asking prices, and used MIJs can be found for what you'd pay for a new MIK if you shop around patiently. You might want to find a MIJ Tak and test-drive it as your first effort if you think a different yet similar guitar is your best bet.
Posted by SUB
Silver Tier TD Premium
Member since Jan 2009
26311 posts
Posted on 12/20/18 at 9:29 am to
Thanks everyone for the feedback. I'll work on my posture, thumb placement, and maybe also test out some other guitars when I have time.
Posted by awestruck
Member since Jan 2015
14739 posts
Posted on 12/20/18 at 9:56 am to
for that one b

Have you tried just the 4 center strings? You might listen to simply fretting the A string at second with pointing finger (instead of full bar) and DGB strings at fourth with your ring finger laid flat. (omitting both e strings)
Posted by SUB
Silver Tier TD Premium
Member since Jan 2009
26311 posts
Posted on 12/20/18 at 10:40 am to
quote:

Have you tried just the 4 center strings?


Haven't tried it but I'd like to be able to do the full bar. I think I can get it. Just need to practice more or maybe use a more optimal guitar.
Posted by Broke
AKA Buttercup
Member since Sep 2006
65493 posts
Posted on 12/20/18 at 10:47 am to
If you are looking for an excuse to buy a cooler, better guitar you know we aren't going to try and stop you.
Posted by link
Member since Feb 2009
19946 posts
Posted on 12/20/18 at 11:53 am to
try the "thumb wrap" technique

instead of doing an F major like this--


take some of the stress off your 1st finger having to bar the whole 1st fret, and wrap your thumb around the neck


if your hands are too small to do the thumb wrap, you could do the chord similar to the second pic but without the thumb at all. when it's strummed and mixed in with other chords, you can't tell the difference.


now for a B major that looks like x24442...i don't know what to tell you.
Posted by chitlinandthadude
Here, there and everywhere
Member since Aug 2017
248 posts
Posted on 12/20/18 at 12:08 pm to
If you mean B as in barre at the second fret, I've found using my pinky for A shape Barre chords much easier than using my ring finger
Posted by MountainTiger
The foot of Mt. Belzoni
Member since Dec 2008
14974 posts
Posted on 12/20/18 at 1:04 pm to
quote:

If you mean B as in barre at the second fret, I've found using my pinky for A shape Barre chords much easier than using my ring finger

Especially at the far end of the neck. The ring finger works better when the frets get closer together up the neck.
Posted by SUB
Silver Tier TD Premium
Member since Jan 2009
26311 posts
Posted on 12/20/18 at 1:38 pm to
Wait, are you saying that you only are using your pinky to press on all 3 strings for A shape barre chords?

NM - I think that's what you mean. Just seems difficult to me but I'm sure I can get it down with practice. I've actually never even thought to play A shaped chords without using 3 fingers (shows you how good I am haha). I never thought to just use 1 finger to press down those 3 strings.
This post was edited on 12/20/18 at 1:42 pm
Posted by Broke
AKA Buttercup
Member since Sep 2006
65493 posts
Posted on 12/20/18 at 2:08 pm to
quote:

I've actually never even thought to play A shaped chords without using 3 fingers (shows you how good I am haha). I never thought to just use 1 finger to press down those 3 strings.


We've all had many, many "AH HA" moments. It's all good
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