- My Forums
- Tiger Rant
- LSU Recruiting
- SEC Rant
- Saints Talk
- Pelicans Talk
- More Sports Board
- Fantasy Sports
- Golf Board
- Soccer Board
- O-T Lounge
- Tech Board
- Home/Garden Board
- Outdoor Board
- Health/Fitness Board
- Movie/TV Board
- Book Board
- Music Board
- Political Talk
- Money Talk
- Fark Board
- Gaming Board
- Travel Board
- Food/Drink Board
- Ticket Exchange
- TD Help Board
Customize My Forums- View All Forums
- Show Left Links
- Topic Sort Options
- Trending Topics
- Recent Topics
- Active Topics
Started By
Message
re: Spinoff: Is The Silmarillion possible to adapt to screen
Posted on 12/17/18 at 11:58 pm to randomways
Posted on 12/17/18 at 11:58 pm to randomways
Yeah I knew Ungoliant was a big spider but wasn’t sure of the looks of Melkor or the Valar.
Posted on 12/18/18 at 12:58 pm to Jack Ruby
I’m not sure why everyone is saying no. There is a consistent plot movement and great characters and events leading up to the War of Wrath. Just because there isn’t dialogue doesn’t mean it’s not doable, in fact that gives good writers the chance to make it really interesting.
Posted on 12/18/18 at 1:14 pm to biglego
quote:
but wasn’t sure of the looks of Melkor or the Valar.
From what I've gathered, Sauron in his later form was never really explicitly described in any of Tolkeins works. I think Jackson actually used Melkor's description (giant, dark, iron clad, with a great Warhammer) as his look in LOTR movies.
Sauron was originally a shape shifter before Numenor fell. He used a very fair, light appearance to deceive many of the anti Melkor, Valar loyalist men left after the war of wrath.
After Eru (God) sunk Nuemenor though I think Sauron was never again able to use any other form than his twisted and dark one.
Posted on 12/18/18 at 1:44 pm to Jack Ruby
I hope they dont do it, I just dont think you could do it justice. To book readers at least. But I doubt any production studio would care bc they could cash in big time.
I think if they did do it, you would have to leave Eru out, and possibly the Ainur. God and angel like beings just dont come off well on screen. I mean obviously you could write them in and tell back stories, but visually, it wouldnt work. I dont think you could stretch the form of characters much more than they were in lord of the rings.
I also dont think you could ever be able to portray just how badass Melkor and Ungoliant are.
I think if they did do it, you would have to leave Eru out, and possibly the Ainur. God and angel like beings just dont come off well on screen. I mean obviously you could write them in and tell back stories, but visually, it wouldnt work. I dont think you could stretch the form of characters much more than they were in lord of the rings.
I also dont think you could ever be able to portray just how badass Melkor and Ungoliant are.
Posted on 12/18/18 at 3:33 pm to Jack Ruby
I've thought about this a bit over the years, and I think you do it as a frame narrative that picks up where Return of the King (the film) left off. Maybe this is corny but whatever, I don't care. I think this is how you tie everything together to tell the stories and make it accessible to more than just extreme Arda mythos aficionados.
You've got the ringbearers on a ship headed for Aman: Frodo, Bilbo, Gandalf, Elrond, Galadriel and Celeborn, so you start there. You tie visual and musical themes from the ending of RotK into the opening of this new series.
The frame narrative centers around Frodo and Bilbo asking Gandalf/Elrond/Galadriel about their histories, the nature of the Undying Lands and the world at large, etc. There's alot that Frodo/Bilbo and the movie audience don't know about those three - Elven ringbearers, Gandalf's origins, the Elven history in the First Age, Elrond's relationship to the founding of Numenor etc. So you use the opportunity to start filling in some of the blanks for the audience as you set up the main stories for the movies. Let them talk about the awakening of the Elves and the creation of Orcs, about Gandalf being from Valinor, and link their rings to Sauron's ring craft knowledge to Sauron being a lesser evil than Morgoth. This doesn't have to take a long time, just need a few minutes of establishing dialogue so Frodo/Bilbo/the audience aren't totally lost in the upcoming stories.
This is all happening as they sail over Beleriand and Frodo/Bilbo can see ruins under the water. Now as they ask about WTF is all this, Elrond and Galadriel segway into it being Beleriand and talk about the ancient Elven and Edain kingdoms, and they link this to Feanor, Valinor, the creation of the Silmarils, and Morgoth stealing them and fleeing to Middle Earth.
In my mind this is 5-10 minutes into the movie and now we're in the First Age with Galadriel doing some establishing voice-over on a montage of some of those plot elements like at the beginning of Fellowship - Feanor creating the Silmarils, Morgoth stealing them, Feanor marching on Angband and being killed. So her voice-over gets the audience up to speed for the situation in the movie: Morgoth has the Silmarils, the Elves are pissed, they've been fighting over this shite for a long arse time in and around Beleriand.
First movie pair: Part 1 of the Silmaril story, mainly Beren and Luthien's quest to steal a Silmaril and Morgoth gets pissed. Plenty of characterization and story building to do here with Beren, Luthien, Thingol, Finrod, and others, many who are linked to the story-tellers so you can establish more links here to characters the audience already know. IMO for cinematic purposes you don't get too deep into Beren and Luthien coming back to life and having a son etc. Just leave the story at: they steal the Silmaril, Morgoth flips out.
Part 2 - Morgoth is destroying all of Beleriand. Cover the fall of Gondolin. Earendil becomes the main character with links getting established to Beren/Luthien, the Silmaril, and Elrond. So now we've got Elrond in the frame narrative telling his father's quest to get help in Valinor and defeat Morgoth, and he and Elros fighting in the War of Wrath. Morgoth gets defeated, Beleriand sinks under the sea, and this sets up the next movie pair with the creation of Numenor and Elros becoming its first king.
You've got the ringbearers on a ship headed for Aman: Frodo, Bilbo, Gandalf, Elrond, Galadriel and Celeborn, so you start there. You tie visual and musical themes from the ending of RotK into the opening of this new series.
The frame narrative centers around Frodo and Bilbo asking Gandalf/Elrond/Galadriel about their histories, the nature of the Undying Lands and the world at large, etc. There's alot that Frodo/Bilbo and the movie audience don't know about those three - Elven ringbearers, Gandalf's origins, the Elven history in the First Age, Elrond's relationship to the founding of Numenor etc. So you use the opportunity to start filling in some of the blanks for the audience as you set up the main stories for the movies. Let them talk about the awakening of the Elves and the creation of Orcs, about Gandalf being from Valinor, and link their rings to Sauron's ring craft knowledge to Sauron being a lesser evil than Morgoth. This doesn't have to take a long time, just need a few minutes of establishing dialogue so Frodo/Bilbo/the audience aren't totally lost in the upcoming stories.
This is all happening as they sail over Beleriand and Frodo/Bilbo can see ruins under the water. Now as they ask about WTF is all this, Elrond and Galadriel segway into it being Beleriand and talk about the ancient Elven and Edain kingdoms, and they link this to Feanor, Valinor, the creation of the Silmarils, and Morgoth stealing them and fleeing to Middle Earth.
In my mind this is 5-10 minutes into the movie and now we're in the First Age with Galadriel doing some establishing voice-over on a montage of some of those plot elements like at the beginning of Fellowship - Feanor creating the Silmarils, Morgoth stealing them, Feanor marching on Angband and being killed. So her voice-over gets the audience up to speed for the situation in the movie: Morgoth has the Silmarils, the Elves are pissed, they've been fighting over this shite for a long arse time in and around Beleriand.
First movie pair: Part 1 of the Silmaril story, mainly Beren and Luthien's quest to steal a Silmaril and Morgoth gets pissed. Plenty of characterization and story building to do here with Beren, Luthien, Thingol, Finrod, and others, many who are linked to the story-tellers so you can establish more links here to characters the audience already know. IMO for cinematic purposes you don't get too deep into Beren and Luthien coming back to life and having a son etc. Just leave the story at: they steal the Silmaril, Morgoth flips out.
Part 2 - Morgoth is destroying all of Beleriand. Cover the fall of Gondolin. Earendil becomes the main character with links getting established to Beren/Luthien, the Silmaril, and Elrond. So now we've got Elrond in the frame narrative telling his father's quest to get help in Valinor and defeat Morgoth, and he and Elros fighting in the War of Wrath. Morgoth gets defeated, Beleriand sinks under the sea, and this sets up the next movie pair with the creation of Numenor and Elros becoming its first king.
Posted on 12/18/18 at 10:45 pm to Huey Lewis
This would take care of the Simarillion's problem of being Hobbit free.
Posted on 12/19/18 at 6:33 am to Jack Ruby
Do it like an anthology, in the same universe...like Enter the Matrix.
Posted on 12/19/18 at 10:00 am to Jack Ruby
I initially started writing a "yes" response, but the more I wrote, the less likely it seemed.
The mythology is utterly fascinating and epic on a Biblical scale, but that could be disastrous for on-screen adaptation.
When the Valar come for Morgoth, they literally tear down complete mountain ranges, and totally destroy the better part of a continent. Go look at a map from the Silmarillon, and then compare it to maps from LOTR... Beleriand is gone, there's just the sea now.
This would be like a war that obliterates Western Europe, so that the new coastline is somewhere near Hungary. Not a wasteland, but gone.
The devastation would be insane to film, far greater than say, the new Godzilla flick.
How are you going to put that on screen, and then try to make any of these characters relatable?
The mythology is utterly fascinating and epic on a Biblical scale, but that could be disastrous for on-screen adaptation.
When the Valar come for Morgoth, they literally tear down complete mountain ranges, and totally destroy the better part of a continent. Go look at a map from the Silmarillon, and then compare it to maps from LOTR... Beleriand is gone, there's just the sea now.
This would be like a war that obliterates Western Europe, so that the new coastline is somewhere near Hungary. Not a wasteland, but gone.
The devastation would be insane to film, far greater than say, the new Godzilla flick.
How are you going to put that on screen, and then try to make any of these characters relatable?
Popular
Back to top

1






