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Long haired hippie redneck freaks -- that is to say, Country-Rock

Posted on 9/3/12 at 1:20 pm
Posted by Kafka
I am the moral conscience of TD
Member since Jul 2007
143099 posts
Posted on 9/3/12 at 1:20 pm
This is the legendary "Released only on 8 track" band:

The Flatlanders: The Odessa Tapes

The Flatlanders, Lubbock TX c. 1971 (l-r): Steve Wesson, saw player; Butch Hancock, guitar, harmonica, vocals; Jimmie Dale Gilmore, guitar, vocals; Tony Pearson, mandolin, vocals; Joe Ely, guitar, dobro, harmonica, vocals



quote:

The Flatlanders
The Odessa Tapes
(New West Records)
Rating: 4 out of 5 stars

The Flatlanders’ reputation – mythos may be the better word – developed as much because of the scarcity of their material as their prescient attempt to infuse Texas roots and acoustic instrumentation into the otherwise-slick country music of the early 1970s. Their 1972 Nashville-recorded album was barely released by an uninterested record company [see 8 track, above], and they broke up not long afterward. When its material was re-released by Rounder Records in 1990, the CD was titled More a Legend Than a Band. That’s what the long-lost Flatlanders had become.

My, how that has now changed. The solo success that the three core Flatlanders – Joe Ely, Jimmie Dale Gilmore and Butch Hancock – were starting to have in the 1980s, and that prompted the Rounder release, continued in the 1990s. As Americana developed with Austin as its center, they became celebrated heroes and that eventually prompted a serious, ongoing band reunion. There’s now a cornucopia of Flatlanders material available – new recordings and archival releases.

And the new The Odessa Tapes is one more – an important one. It’s a recently discovered and newly restored recording of 14 songs the Flatlanders had cut at a studio in Odessa, Texas, in January 1972. It was near – by Texas standards – their home in Lubbock. That two months before they went to Nashville, making this their earliest known recordings.

Originally made on a three-track tape recorder, and then kept in storage until The Flatlanders learned about it, the tape was taken to Capitol Mastering in Hollywood. There are still some minor technical imperfections, understandable given the source material’s age, but overall the songs sound startlingly fresh and new. In fact, the sound, singing and arrangements are livelier, more direct and more passionate than the Nashville versions of the same songs.


"Dallas" (Nashville version)

"You've Never Seen Me Cry"

"Down In My Hometown"

Unfortunately one of my favorite tracks from the 1972 album, "Tonight I Think I'm Gonna Go Downtown", does not seem to be on YouTube.

ETA: The Sirius/XM channel 60 Outlaw Country will air a one-hour special to celebrate the release of The Odessa Tapes, Monday Sept 3 at 7 PM. Hosted by Joe Ely, Jimmie Dale Gilmore and Butch Hancock.
This post was edited on 9/3/12 at 1:26 pm
Posted by Souljah
Audubon Park VIA Kingston,Jamaica
Member since Apr 2012
4269 posts
Posted on 9/3/12 at 3:08 pm to
Shooter Jennings,mon
Posted by TFTC
Chicago, Il
Member since May 2010
22381 posts
Posted on 9/3/12 at 5:43 pm to
quote:

"Dallas"


It was always a shame that it took so long for many to hear this great music...

Here's Butch, Joe and JDG with a live version...

Tonight I Think Im Gonna Go Downtown
Posted by Kafka
I am the moral conscience of TD
Member since Jul 2007
143099 posts
Posted on 9/3/12 at 7:28 pm to


Compared to Gene Clark, cult figure Gram Parsons is a household name. Despite being a founding member of The Byrds, Clark (1945-1991) could never make a commercial breakthrough after leaving the band. His classic 1968 album with Doug Dillard (who died earlier this year), The Fantastic Expedition of Dillard & Clark, was a pioneering effort in the genre of country-rock.




Doug Dillard & Gene Clark:




Dillard & Clark - "There's A Train Leaves Here This Morning"

Dillard & Clark - "Why Not Your Baby"

Dillard & Clark - "Don't Let Me Down" Great Beatles cover

But The Fantastic Expedition of Dillard & Clark didn't sell, nor did Clark's solo albums of the 1970s, despite frequent moments of brilliance.

Gene Clark - "Spanish Guitar" Supposedly Bob Dylan told GC he "would have been proud to write this song"

Gene Clark - "Some Misunderstanding"

Gene Clark - "With Tomorrow"

Live video of a later classic

Gene Clark - "Hear the Wind"


RIP

Posted by Kafka
I am the moral conscience of TD
Member since Jul 2007
143099 posts
Posted on 9/3/12 at 9:00 pm to
quote:

The Sirius/XM channel 60 Outlaw Country will air a one-hour special to celebrate the release of The Odessa Tapes, Monday Sept 3 at 7 PM. Hosted by Joe Ely, Jimmie Dale Gilmore and Butch Hancock

Just finished listening to this

Most of it was the guys playing in the studio. They played three tracks off the new release. "Tonight I Think I'm Gonna Go Downtown" had nice playing but a tentative vocal from Gilmore -- I prefer the Nashville version. They did not play the Odessa version of "Dallas", which is what I most wanted to hear.

Joe Ely told a story about picking up a hitch hiker in Lubbock in the late '60s, The hitcher's name was Townes Van Zandt and he gave Joe a copy of his recent album out of his backpack.
Posted by Kafka
I am the moral conscience of TD
Member since Jul 2007
143099 posts
Posted on 10/30/12 at 9:09 pm to
Posted by GreatLakesTiger24
One State Solution
Member since May 2012
56015 posts
Posted on 10/30/12 at 10:53 pm to

<-----------------
Posted by Pettifogger
Capitol Hill Autonomous Zone
Member since Feb 2012
79523 posts
Posted on 11/8/12 at 10:39 pm to
Good stuff in here, but surprised to see no JJW mentions
Posted by Kafka
I am the moral conscience of TD
Member since Jul 2007
143099 posts
Posted on 1/25/13 at 6:38 pm to
Neil Young - Harvest

The entire album on YouTube



This was the #1 selling album of 1972

"Heart Of Gold" was a #1 single on the pop chart

Track list

"Out on the Weekend" – 4:34
"Harvest" – 3:11
"A Man Needs a Maid" – 4:05
"Heart of Gold" – 3:07
"Are You Ready for the Country?" – 3:23

"Old Man" – 3:24
"There's a World" – 2:59
"Alabama" – 4:02
"The Needle and the Damage Done" – 2:03 (recorded in concert January 30, 1971)
"Words (Between the Lines of Age)" – 6:40




Posted by Kafka
I am the moral conscience of TD
Member since Jul 2007
143099 posts
Posted on 2/10/13 at 12:48 pm to
"Lightning Bar Blues"

Hoyt Axton (original) -- This version is screwed up by unnecessary sound effects in the second half

I prefer two covers:

Arlo Guthrie -- A similar arrangement, but much looser. Allegedly Ry Cooder plays slide on this.

Commander Cody & His Lost Planet Airmen

Posted by Kafka
I am the moral conscience of TD
Member since Jul 2007
143099 posts
Posted on 2/28/13 at 8:01 pm to
Best remembered as Neil Young's backing band, Crazy Horse released several albums on their own, including their 1971 debut:



They were led by Danny Whitten (1943-1972, the subject of some Neil Young songs), and future guitar hero/Springsteen sideman Nils Lofgren.



Lofgren must have left before the pics were taken. He's replaced on the back sleeve by producer Jack Nitzsche, immortal as Phil Spector's arranger.


"I Don't Want to Talk About It"

"Look at all The Things"

"Carolay"

Posted by Kafka
I am the moral conscience of TD
Member since Jul 2007
143099 posts
Posted on 7/13/13 at 5:43 pm to
quote:

Who else could have written a country song about the Holocaust ("Ride 'Em Jewboy"), or about a human being kept in a cage as part of a circus "Wild Man From Borneo"? Outrageous and irreverent but nearly always thought-provoking, Kinky Friedman wrote and performed satirical country songs during the 1970s and has been hailed as the Frank Zappa of country music.







"a-hole from El Paso"

"Sold American"

"Ride 'em Jewboy"




Posted by Kafka
I am the moral conscience of TD
Member since Jul 2007
143099 posts
Posted on 7/18/13 at 9:06 pm to
Plainsong was a short-lived English band of the early '70s featuring Ian Mathews, the former lead singer of Fairport Convention.



Plainsong - "The Goodnight Loving Trail" (1973)

Yes, the song title sounds like a porno, but it was actually a cattle trail of the 1870s, named after cattlemen Charles Goodnight and Oliver Loving.





Posted by Kafka
I am the moral conscience of TD
Member since Jul 2007
143099 posts
Posted on 8/8/13 at 10:37 pm to
Posted by When in Rome
Telegraph Road
Member since Jan 2011
35586 posts
Posted on 10/29/13 at 11:26 pm to
THIS THREAD

Might be my favorite ever on the Music Board.
Posted by GreatLakesTiger24
One State Solution
Member since May 2012
56015 posts
Posted on 10/29/13 at 11:38 pm to
does this count?

Posted by CSATiger
The Battlefield
Member since Aug 2010
6233 posts
Posted on 10/30/13 at 10:18 am to
Black Oak Arkansas- Uncle Elijah etc

LINK
Posted by Blind Boy Grunt
Member since Mar 2013
822 posts
Posted on 10/30/13 at 4:58 pm to
Man! Every Thread you post is "Right On". Do you have to work to keep yourself Solvent? Ever send a Resume to "Rolling Stone", et al?
You were born too late; the Sixties were "Prime".
Posted by Mr. Misanthrope
Cloud 8
Member since Nov 2012
5584 posts
Posted on 10/31/13 at 12:58 am to
Good post and nice stuff. I got hooked with Sweetheart of the Rodeo and naturally followed the merge of CSN/CCSNY and Buffalo Springfield into Poco. They remain a favorite and were superb live with a lot of energy and were tremendous musicians and versatile.

Here are four tracks. Two from a live album Delivering
LINK This is a very up tempo medley of songs from previous albums and highlights musicianship, vocals and harmonies and their incredible drummer George Grantham, imo the best all round rock/country/pop drummer of all time. At about 4:35 in this track you get a sense of his use of a single bass drum pedal and control of his high hat to create backbeats and counter beats at high speed. Precision and endurance. Incredible. Not too bad lyrics either.
With a goodnight yawn,
the heartache's gone,
yes indeed.


LINKThis is another live medley of early Poco and some Buffalo Springfield. Happy toe tapping stuff.
Somebody yelled at me, (hey!)
country music and company,
kind of makes it
on a Sunday afternoon.
picnic lunches of yesterday,
should still have a place in your heart today.
Think it over,
cause we'll all be going home so soon.



And two(three actually) from their second album simply titled Poco.
LINK
LINK The first track here is notable for Rusty Young's use of his pedal steel guitar being played through a Hammond leslie cabinet with a rapidly whirling speaker cone giving it the sound of a Hammond B3 organ with which the speaker was most often paired (the late Jimmy Smith as a jazz example). The song is also unusual because of the complex latin and jazz fusion and vocal harmonies. Most remarkable, to me anyway, is that they did this song live for their encore at the Warehouse in New Orleans. I have played music professionally and I can testify they didn't miss a note or a beat. More fine drum work and it almost goes without saying that Tim Schmidt is clearly the finest bassists plying his craft. It seems with the Eagles he was maybe less challenged than when he was with Poco. When they did this an encore they appended a track called Don't Let It Pass By which melded seamlessly on the album into Nobody's Fool/El Tonto de Nadie/Regressa

LINK
The second track from the album Poco is odd insofar as it is a very good blues piece called Anyway, Bye, Bye.

I realize this old shite is not everyone's cup of tea, but I liked the group you posted and their tracks and country rock in general.
Posted by Mr. Misanthrope
Cloud 8
Member since Nov 2012
5584 posts
Posted on 10/31/13 at 9:14 pm to
I forgot to post this one by the Flatlanders that I had in my favorites tab.
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