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What are the most depressing movies that don't have a death? (Spoilers)

Posted on 4/2/26 at 7:49 pm
Posted by SlowFlowPro
With populists, expect populism
Member since Jan 2004
473647 posts
Posted on 4/2/26 at 7:49 pm
Watching Glengarry right now and damn, I always forget just how depressing this movie is and how big of pieces of shite all the characters in the movie are. Just scum scraping the bottom, and doing a bad job at that. The scene in the car at the beginning?



Then when the Machine finds out the Nyborgs are crazy and scammed them back? After his monologue to Roma feeling like he was a person again after the sale? Literally soul crushing.

Death of a fricking salesman.
Posted by RLDSC FAN
Rancho Cucamonga, CA
Member since Nov 2008
59788 posts
Posted on 4/2/26 at 7:53 pm to
Requiem for a dream
The Room
Marriage Story
Posted by FredBear
Georgia
Member since Aug 2017
17317 posts
Posted on 4/2/26 at 8:00 pm to
The ending of The Last American Virgin was pretty sad
Posted by ManBearTiger
BRLA
Member since Jun 2007
22452 posts
Posted on 4/2/26 at 8:06 pm to
Haven't seen it since I was very young but remember Empire of the Sun eliciting quite an emotional response
Posted by MF Doom
I'm only Joshin'
Member since Oct 2008
11924 posts
Posted on 4/2/26 at 8:18 pm to
The wrestler

It technically doesn't have a death
Posted by sgallo3
Lake Charles
Member since Sep 2008
26638 posts
Posted on 4/2/26 at 8:21 pm to
Eternal Sunshine of the Spotless Mind
Posted by tigerfan84
Member since Dec 2003
26380 posts
Posted on 4/2/26 at 8:24 pm to
The Wrestler
Posted by WicKed WayZ
Louisiana Forever
Member since Sep 2011
33973 posts
Posted on 4/2/26 at 10:14 pm to
50/50 (not depressing but def melancholy)

Saturday Night Fever - outside of the dancing scenes, it’s actually pretty depressing especially the end
Posted by Jack Ruby
Member since Apr 2014
27165 posts
Posted on 4/2/26 at 10:30 pm to
quote:


Saturday Night Fever


Up there with Born in the USA {song) as maybe the two most mismarketed/publicly misunderstood pieces of major popular culture in the last 50 yrs.

One is about a Vietnam vet who whose life was ruined because of the war and one is about a group of scumbag Brooklyn losers whose lives are so sad, they only have Saturday nights at the danceclub to look forward to every week, and treat women like dogshit.

But both have really catchy, poppy tunes that the largely ignorant public/zeitgeist latched onto and immortalized as some sort of jubilant celebratory pieces of nostalgia, when they are actually both very dark, semi-nihilistic and depressing looks at young lives.

Kind of amazing what an all-time #1 Billboard spot can do to the perception of a piece of culture.
Posted by ATCTx
Member since Nov 2016
1438 posts
Posted on 4/2/26 at 10:33 pm to
Kramer vs. Kramer - depressing movie about divorce and custody with Dustin Hoffman and Meryl Streep in the lead roles.
Posted by adavis
North of I-10
Member since Aug 2007
5959 posts
Posted on 4/3/26 at 1:24 am to
Manchester By the Sea. Technically it does have deaths, but deaths that contribute to the mindset of Casey Affleck’s character, and they only have flashbacks to them. It’s a tough movie to watch, but it was a great movie.
Posted by THRILLHO
Metry, LA
Member since Apr 2006
50352 posts
Posted on 4/3/26 at 1:43 am to
I think that Lemmon's performance in Glengarry was the GOAT (either leading or supporting). I was rooting for him, felt sorry for him, and was disgusted by him, all at the same time. The scene where he visits the guy's house to sell him shitty property (because his wife fricked up and got on a list) makes me feel sick, but I kind of want to give him a hug once he gets kicked out into the rain.

He was a standard shady salesman for a living for most of his life. If that was still the case in the film, he wouldn't be even remotely sympathetic (which is the case for every other character IMO except for possibly Alan Arkin's, whose character was pretty dim). But now he's doing it to help his sick daughter. I wonder if his goals changing is what caused his shift from The Machine into the pathetic and ineffective salesman that he was in the film. Dude was a stud when he simply needed to provide for himself, then lost it when the pressure ramped up.

Also, to be fair to Shell Levine, the leads that he got were absolute shite. But that was probably the case back when he was still the Machine.

ETA: I'd always assumed that Mamet directed the film himself. He directed his own material with "State and Main" and "Spanish Prisoner" with great results. GGR was one of the best films ever, but the director (James Foley) has an absolutely embarrassing resume outside of GGR.
This post was edited on 4/3/26 at 1:48 am
Posted by THRILLHO
Metry, LA
Member since Apr 2006
50352 posts
Posted on 4/3/26 at 1:52 am to
quote:

Eternal Sunshine of the Spotless Mind



I need to rewatch this, as it's a phenomenal film that I haven't seent in probably a decade. But isn't the implication that they find their way back to each other despite the memory wipes?
Posted by StansberryRules
Member since Aug 2024
4975 posts
Posted on 4/3/26 at 2:40 am to
quote:

I think that Lemmon's performance in Glengarry was the GOAT (either leading or supporting). I was rooting for him, felt sorry for him, and was disgusted by him, all at the same time. The scene where he visits the guy's house to sell him shitty property (because his wife fricked up and got on a list) makes me feel sick, but I kind of want to give him a hug once he gets kicked out into the rain.


The character Gil from the Simpsons is based on Lemmons performance and it very accurately captures all of those things, in obviously a more comedic way. He's pitiful, beaten down, and you feel sorry for him while simultaneously finding him annoying and are disgusted by his overall patheticness and attitude.
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