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re: What is your favorite silent movie?
Posted on 5/11/26 at 12:39 am to THRILLHO
Posted on 5/11/26 at 12:39 am to THRILLHO
If you don't mind some recs, watch this 1st:
Comedy -- A Serious Business
Then watch the short films of Keaton (all his solo shorts 1920-3 are great) and Lloyd (1919-onward), eventually move on to their features
Comedy -- A Serious Business
Then watch the short films of Keaton (all his solo shorts 1920-3 are great) and Lloyd (1919-onward), eventually move on to their features
Posted on 5/11/26 at 2:55 am to prplhze2000
quote:
What is your favorite silent movie?
Any other movie.
Posted on 5/11/26 at 8:58 pm to Kafka
quote:
The Golden Age of Comedy (1957) is a compilation of silent comedy films from the Mack Sennett and Hal Roach studios, written and produced by Robert Youngson. This was the first compilation of its kind in feature-length form
quote:
The film's commercial success led Youngson to follow suit with other silent film compilations over the next decade. The film is often regarded as particularly bringing Laurel and Hardy back into the public's notice after years of obscurity (they are the film's most predominantly featured performers), but Oliver Hardy died around the time of the film's release in August 1957
Posted on 5/11/26 at 9:11 pm to CU_Tigers4life
quote:
That film would never....EVER..be shown today
They showed in TCM a couple of years ago as part of a series about political movies. All the movies had a prominent person intro and talk about the film with Ben Mankiewicz before and after (I think after). I forget who it was that introduced it, a black writer or journalist maybe.
Posted on 9/30/26 at 9:22 pm to Kafka
A black WWI pilot becomes a railroad detective and foils robbers.
"Race films" were made independently until the 1960s, to be shown in theaters catering to black audiences. This one was produced in Jacksonville FL, one of thirty film studios located in the city during the silent era (Oliver Hardy got started in J'ville).
The same year the film was released, the black woman pilot who inspired the main female character was killed after falling out of a plane.
This post was edited on 9/30/26 at 9:24 pm
Posted on 10/1/26 at 8:51 am to Kafka
I know that it was only able to be pieced together from still shots due to being lost in the 1965 MGM vault fire but London After Midnight (1927)

Posted on 10/1/26 at 9:02 am to prplhze2000
Most of mine have been mentioned
City Lights
Passion of Joan of Arc
Sunrise
City Lights
Passion of Joan of Arc
Sunrise
Posted on 10/3/26 at 3:33 pm to prplhze2000
There's one silent-era comedian who has generally zipped under my radar through the years... Monty Banks. Like so many others, he started out in two-reelers, but by the latter half of the 1920s began to headline his own feature films, which he produced. These are much, much more modest productions than Chaplin/Lloyd/Keaton and whatnot. More like little comedy programmers that pleased the small-town theater patrons of the day, and then were duly forgotten. I got one of his features on disc, "Flying Luck" (1927) about a decade ago. It's only so-so at best. Mainly memorable just for having a young Jean Arthur as his leading lady.
But there's another feature Banks made that impressed me far more, due to its wild chase finale, which comprises a third of the 60-minute film. It's entitled "Play Safe" (1927), and features a lot of heart-stopping action, shot on top of a runaway train. Shots that look dangerous as hell. Stunning location work. Only a few short miniatures thrown in. In addition, a lot of scenes showing off some rarely seen Los Angeles streets, with terrific detail. The newly discovered print of this film is sharp as a tack, and included on a new blu-ray collection of Bank's work. The film also features the cute (if disturbingly youngish) Virginia Lee Corbin as leading lady, who has long had a bit of a cult following due to her prominent flapper role in the indie "Bare Knees" (1928), not to mention Raymond Griffith's popular "Hands Up!" (1926). The rest of the Banks material in the collection is pretty routine silent slapstick nonsense, but this "Play Safe" is a minor but marvelous gem.
But there's another feature Banks made that impressed me far more, due to its wild chase finale, which comprises a third of the 60-minute film. It's entitled "Play Safe" (1927), and features a lot of heart-stopping action, shot on top of a runaway train. Shots that look dangerous as hell. Stunning location work. Only a few short miniatures thrown in. In addition, a lot of scenes showing off some rarely seen Los Angeles streets, with terrific detail. The newly discovered print of this film is sharp as a tack, and included on a new blu-ray collection of Bank's work. The film also features the cute (if disturbingly youngish) Virginia Lee Corbin as leading lady, who has long had a bit of a cult following due to her prominent flapper role in the indie "Bare Knees" (1928), not to mention Raymond Griffith's popular "Hands Up!" (1926). The rest of the Banks material in the collection is pretty routine silent slapstick nonsense, but this "Play Safe" is a minor but marvelous gem.
Posted on 10/3/26 at 3:43 pm to Aeolian Vocalion
quote:A stunt where Banks is holding onto a train while in a moving auto is shown in the Stuntmen episode of Brownlow's classic documentary series Hollywood.
there's another feature Banks made that impressed me far more, due to its wild chase finale, which comprises a third of the 60-minute film. It's entitled "Play Safe" (1927), and features a lot of heart-stopping action, shot on top of a runaway train. Shots that look dangerous as hell.
Banks' double in the scene, the legendary Harvey Parry, is interviewed in the episode.
Posted on 10/3/26 at 3:50 pm to Aeolian Vocalion
quote:are you familiar w/Lloyd Hamilton?
There's one silent-era comedian who has generally zipped under my radar through the years
the framing gags are classics
Posted on 10/3/26 at 4:13 pm to Kafka
I'm familiar with Lloyd Hamilton, but mainly just his very early and very late work. I saw several of his early-talkie shorts back in the 1980s, and I also bought a videotape collection of 1910s "Ham and Bud" shorts around that time. The talkies were fine, but the latter were a bit woeful. I've never seen 'prime' Hamilton from his middle-years heyday. However, the same outfit that just put out this Monty Banks blu-ray have a collection of Lloyd Hamilton's shorts also, and I've been toying with ordering it. I do have their release of Lupino Lane's comedy shorts.
The silent 'short subject' comedians can sometimes be a little hit-or-miss with me. I have the dvd collection of Weiss Brothers' silent shorts that VCI put out, and they aren't too hot (although the prints are great). I'm open to trying out a lot of the obscure silent comedy stuff, but I try to keep my expectations in check. The Hal Roach stuff (Charley Chase, Max Davidson, Our Gang, etc.) is usually the material most likely to hit a bullseye with me, but they can vary in quality as well. I'd rather like to see more of Gale Henry, who always seemed pretty funny. Lots of names I've not seen much of, like Neal Burns, Billy Dooley, and so many others. I have a disc of Alice Howell comedies, which sometimes have their moments. Larry Semon never did too much for me.
The silent 'short subject' comedians can sometimes be a little hit-or-miss with me. I have the dvd collection of Weiss Brothers' silent shorts that VCI put out, and they aren't too hot (although the prints are great). I'm open to trying out a lot of the obscure silent comedy stuff, but I try to keep my expectations in check. The Hal Roach stuff (Charley Chase, Max Davidson, Our Gang, etc.) is usually the material most likely to hit a bullseye with me, but they can vary in quality as well. I'd rather like to see more of Gale Henry, who always seemed pretty funny. Lots of names I've not seen much of, like Neal Burns, Billy Dooley, and so many others. I have a disc of Alice Howell comedies, which sometimes have their moments. Larry Semon never did too much for me.
Posted on 10/3/26 at 7:57 pm to prplhze2000
Nosferatu
Or any Buster Keaton
Or any Buster Keaton
This post was edited on 10/3/26 at 7:59 pm
Posted on 10/3/26 at 8:16 pm to prplhze2000
Les Résultats du féminisme.
Posted on 10/4/26 at 8:41 am to CU_Tigers4life
The Phantom of The Opera is my favorite, and is probably a better movie than Nosferatu. But, Nosferatu has some of the most wonderfully creepy scenes and images of any movie made: Count Orlok standing on the ship against the backdrop of the ship's mast, the carrying of coffins through the streets of Wismar, etc..
Posted on 10/17/26 at 7:22 pm to Kafka
quote:quote:A stunt where Banks is holding onto a train while in a moving auto is shown in the Stuntmen episode of Brownlow's classic documentary series Hollywood.
there's another feature Banks made that impressed me far more, due to its wild chase finale, which comprises a third of the 60-minute film. It's entitled "Play Safe" (1927), and features a lot of heart-stopping action, shot on top of a runaway train. Shots that look dangerous as hell.
Banks' double in the scene, the legendary Harvey Parry, is interviewed in the episode.

Posted on 10/18/26 at 9:28 am to prplhze2000
ESPN Gameday. Thanks to McAfee I keep it on mute unless Saban is speaking.
Posted on 10/18/26 at 1:38 pm to prplhze2000
Charlie Chaplin Modern Times

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