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re: US Army signs contract to develop advanced technologies based on UAPs (UFOs)

Posted on 10/19/19 at 7:49 pm to
Posted by Parmen
Member since Apr 2016
18317 posts
Posted on 10/19/19 at 7:49 pm to
100% guaranteed there is an extraterrestrial object in Antarctica, either purposely hidden there or there by accident.
Posted by kingbob
Sorrento, LA
Member since Nov 2010
67296 posts
Posted on 10/19/19 at 7:49 pm to
Or intraterrestrial
Posted by Jazzhands_McFeels
Member since Oct 2019
47 posts
Posted on 10/20/19 at 9:09 am to
quote:

Antarctica


Obviously shady shite going on down there. Werner von Braun and the boys, military stuff, can’t fly over it can’t just take a trip down there.
Posted by ThinePreparedAni
In a sea of cognitive dissonance
Member since Mar 2013
11100 posts
Posted on 10/20/19 at 1:51 pm to
quote:

Parmen


Check this out

They get into mythology a bunch (Greek and others)
They have a segment on Antarctica, Lovecraft and "At the Mountain of Madness"

https://arstechnica.com/gaming/2019/10/aliens-origin-story-chestbursts-anew-in-stirring-new-documentary/

quote:

Alien’s origin story chestbursts anew in stirring new documentary
Surprising new stories, insight uncover a refreshing take on Scott’s classic.

JENNIFER OUELLETTE - 10/11/2019, 1:20 PM


quote:

Memory opens with an odd, almost theatrical sequence depicting the three Furies at the Oracle of Delphi in ancient Greece—our first clue that Philippe is exploring much more than just a behind-the-scenes look at the making of a film (much of which is detailed on the film's extensive Wikipedia page anyway). According to Philippe, opening with such an idiosyncratic scene, so atypical of your standard documentary, was a means of conveying his central theme of our shared cultural dreams and collective mythological unconscious. Certain images, narratives, and other elements in the film resonate with us in ways we can't quite put a finger on.

At one point, Philippe likens the concept to cymatics, in which plates or membranes vibrate in resonance with sound waves to produce patterns on their surface that reflect the substrate's modal vibrations. (Chladni plates are the most well-known example of the phenomenon, where sand is sprinkled on the surface and the grains arrange themselves along those nodal lines.) For Philippe, cultural resonances work in a similar way. "None of this is conscious, for Scott, for Giger, or for [screenwriter] Dan O'Bannon," he said. "To me, this proposes the idea that myths are alive on a certain level and that stories periodically come back to us at times when we need to see them or to be told them again. And there are storytellers out there who can tune in on the frequency of a particular myth."


Weird and fascinating stuff indeed

I have rifted on Aliens, Prometheus and Ridley Scott in other threads...
This post was edited on 10/20/19 at 1:52 pm
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