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re: Stolen History - Lifting the Veil of Deception (Doc Part 1 - Introduction)
Posted on 3/8/23 at 12:29 pm to Mo Jeaux
Posted on 3/8/23 at 12:29 pm to Mo Jeaux
silverpoint
the fine lines are drawn in this. ON MANY Old Paintings
a simple chemical analysis could tell us if it was pure silver, or nitric silver
unfortunately, I have no paintings of that age to submit, hence "moderately provable"
if you want to send me a painting from the golden age of painting, I will surely pay for the analysis
the fine lines are drawn in this. ON MANY Old Paintings
a simple chemical analysis could tell us if it was pure silver, or nitric silver
unfortunately, I have no paintings of that age to submit, hence "moderately provable"
if you want to send me a painting from the golden age of painting, I will surely pay for the analysis
Posted on 3/8/23 at 2:05 pm to dr
quote:By "fine lines" you mean the sketch?
the fine lines are drawn in this
quote:You understand that a huge number of major works have undergone reflectography or radiography?
unfortunately, I have no paintings of that age to submit, hence "moderately provable"
No.
Nevermind, obviously you don't.
So, for clarification, there are techniques used to detect forgeries that quite easily disprove old paintings as touched up photographs.
Scientists historically acted like scientists. They made observations, formed hypotheses, tested them, and documented everything they did. It's how we can track when photography was first attempted, why it failed, and when it first succeeded. The fact tree trunks are round, and were abundantly available to pre-Columbian (Ah! There that "mysterious" 'Columbia' word again) aboriginals, does not mean they discovered the wheel. They had the resources. They had the skill. They did not have the wheel.
Nor did anyone from the 16th, 17th or 18th century have a photograph. Nor is the earth flat. Sorry.
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