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re: Cover Songs that Cross Musical Genres But Still Work

Posted on 2/22/23 at 10:01 pm to
Posted by HodsonTiger13
Member since Jan 2023
737 posts
Posted on 2/22/23 at 10:01 pm to
Wilson Pickett with a soul cover of "Hey Jude"

"Hey Jude" - Wilson Pickett

Love the horns in the 'nah nah nah-nah-nah-nah' climax.


Info on the recording:
quote:




Before there was The Allman Brothers Band, Duane Allman was trying to attract any kind of attention and make a name for himself. The music business is hard you know. Though immortalized now as one of the greatest guitarist of all time, it was Gregg who was more sought out in the record business in the early days. So Duane made ends meet by being a session guitarist in studios while he decided what his next move would be.

It was in November of 1968, when Wilson Pickett - already a star - showed up at Rick Halls Fame Studio in Muscle Shoals, AL wanting to record, but with no material or ideas. Duane, who was working for Rick but was not even the main, lead session guitarist, suggested that they cut "Hey Jude", which Rick thought was "the most preposterous thing" he had ever heard and Wilson agreed they would NOT do it. The Beatles had just recently released it and it was climbing the charts. But Duane somehow convinced them both it was a good idea because it "was" a Beatles song and it "would" be Number 1. And, as you hear, it was a GREAT idea. This song sparked the beginning of Duane's future nickname and the formation of ABB.

The story goes that Duane was already known as "Dog" because of his looks. As you might imagine, the hippie look that Duane sported was few and far between in late 1960's Alabama. When Wilson heard the way Duane played he started calling him "Sky Man". Not just for his "out of this world" playing but also for his "out of this world" state of mind he liked being in (recreational activities for those who still don't get it). From there the name somewhere morphed into "Skydog". Rick Hall was also so amazed that he phoned Jerry Wexler and put the phone up to the speakers on the playback so he could hear the song. Needless to say, he was also blown away by Duane's playing. And in Wilson's defense of this DA story, his vocals in this song are what they are in all his songs -- AWESOME.

Jerry Wexler was Wilson's main producer for Atlantic who wasn't able to be there and gave the reins to Hall. Wexler, along with Phil Walden, later in '69, started Capricorn Records in Macon, GA and we all know that story. Also, Phil Walden is also the man who introduced and brought in Jaimoe to play with Duane. They started jamming together before any of the other Brothers joined in.

Well anyway - this is for your listening pleasure and hope you enjoy it. If you want to know more of this story, I highly recommend pp. 80-88 of "Skydog: The Duane Allman Story" by Randy Poe. It is where this info came from and it is the best book ever if you are a Duane and/or ABB fan. And the Muscle Shoals Rhythm Section...thank you...you helped change the world and the music for the better.

Posted by Ace Midnight
Between sanity and madness
Member since Dec 2006
90819 posts
Posted on 2/23/23 at 6:50 am to
quote:

Wilson Pickett with a soul cover of "Hey Jude"


Aretha Franklin - Let it Be
Posted by auggie
Opelika, Alabama
Member since Aug 2013
28783 posts
Posted on 2/23/23 at 9:50 am to
quote:

The story goes that Duane was already known as "Dog" because of his looks. As you might imagine, the hippie look that Duane sported was few and far between in late 1960's Alabama. When Wilson heard the way Duane played he started calling him "Sky Man". Not just for his "out of this world" playing but also for his "out of this world" state of mind he liked being in (recreational activities for those who still don't get it). From there the name somewhere morphed into "Skydog". Rick Hall was also so amazed that he phoned Jerry Wexler and put the phone up to the speakers on the playback so he could hear the song. Needless to say, he was also blown away by Duane's playing. And in Wilson's defense of this DA story, his vocals in this song are what they are in all his songs

Rick Hall man.. That was Roger Hawkins on The drums. ( if you don't think that's important, listen closer) Might be the countriest person I ever met
Rick said they came back from lunch that day, Duane and Pickett had changed the whole session. Rick thought it was a stupid idea and said " don't breathe on me Duane"
They did it though.
I love the very first frame of that video, Duane is just saying something funny, and Picket is layed back laughing. Amazing how much better we used to get each other, before some people started reminding us how different we are supposed to be.
This post was edited on 2/25/23 at 12:55 pm
Posted by Dire Wolf
bawcomville
Member since Sep 2008
37346 posts
Posted on 3/9/23 at 9:32 am to
quote:

Wilson Pickett with a soul cover of "Hey Jude"

"Hey Jude" - Wilson Pickett

Love the horns in the 'nah nah nah-nah-nah-nah' climax.


Info on the recording:


Clapton hearing Duane's solo is what led him to seeking out Duane for the Derek and the Dominos album
quote:

"I remember hearing 'Hey Jude' by Wilson Pickett and calling either Ahmet Ertegun or Tom Dowd and saying, 'Who's that guitar player?'" says Eric Clapton in the top video below.

It turns out that guitar player was a 22-year-old guitarist named Duane Allman, aka "Skydog."

"I just filed it away," Clapton adds. "To this day, I've never heard better rock guitar playing on an R&B record. It's the best."


quote:

A few uninspired days into the Layla sessions, Tom Dowd, who was also producing for the Allmans for their album Idlewild South, invited Clapton to an Allman Brothers outdoor concert in Miami, where he first heard Duane Allman play. After several hours in the studio earlier that day the band was sneaked into the show with the help of Dowd and sat between the riser and fans below. At the concert, Dowd distinctly remembers:
" Duane was in the middle of a solo; he opens his eyes and looks down, does a dead stare, and stops playing. Dickey Betts is chugging along, see Duane's stopped playing, and figures he'd better cover, that Duane must've broken a string or something. Then Dickey looks down, sees Eric, and turns his back. That was how they first saw each other."
The next day (Aug 27, 1970) Duane arrived at the Criteria studios about 3 o'clock and would quickly befriend Clapton; Dowd says their easiness with one another was instantaneous, saying they were " trading licks, they were swapping guitars, they were talking shop and information and having a ball, no hold barred, just admiration for each other's technique and facility. We got back, turned the tapes on, and they went on for 15, 18 hours like that. I went through two or three sets of engineers. "
After the jam sessions Clapton invited Allman to become the fifth and final member of the Dominos.
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