- My Forums
- Tiger Rant
- LSU Recruiting
- SEC Rant
- Saints Talk
- Pelicans Talk
- More Sports Board
- Fantasy Sports
- Golf Board
- Soccer Board
- O-T Lounge
- Tech Board
- Home/Garden Board
- Outdoor Board
- Health/Fitness Board
- Movie/TV Board
- Book Board
- Music Board
- Political Talk
- Money Talk
- Fark Board
- Gaming Board
- Travel Board
- Food/Drink Board
- Ticket Exchange
- TD Help Board
Customize My Forums- View All Forums
- Show Left Links
- Topic Sort Options
- Trending Topics
- Recent Topics
- Active Topics
Started By
Message
re: 1 minor to 5# major..how many (hard)rock songs would exist without this chord progression?
Posted on 5/20/23 at 7:05 am to themetalreb
Posted on 5/20/23 at 7:05 am to themetalreb
quote:
Not sure if you’re serious, but I’ll play along…using the Nashville number system, let’s say your song is in the key of Em…E would be your “1”, making C your “5#”….so let’s try this another way….how many rock songs would exist if you couldn’t go from Em to C on the choruses?
C is the minor sixth interval of Em. It is a flat sixth, not a sharp 5. You could not make an Em chord without B, it’s perfect fifth, therefore there is no sharp 5 in the key if Em, even though C is a semitone up from B (or one tone sharp of the 5). The key context matters.
ETA: the simple way of looking at it is there is always one of each letter in every scale, which is either natural, sharp or flat. So a #5 in any given E key is a B#. Even though B# is C, the 5 is being augmented, so notated as B#. There would still be a sixth scale degree, and would either be a C, Cb or C#.
For those that don’t know music theory, I will say I meandered through learning music for many years, but when I finally learned theory my skills kind of took off. It actually makes learning easier, it’s just a vocabulary
This post was edited on 5/20/23 at 8:17 am
Popular
Back to top
