re: Rolling Stone: 50 Terrible Movies by Great Directors

Death Proof is the least of his that I have seen, but some of that was intentional based on the style of film he was imitating.

The idea is that it is so disjointed because the first half of the film is intended to come from an abandoned project and is spliced together with the second half to salvage it commercially.



I understand it from an artistic POV but it doesn’t make it enjoyable as a whole.