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Message
Nikon just released the best digital stills camera ever
Posted on 8/24/17 at 5:49 pm
Posted on 8/24/17 at 5:49 pm
The D850 went on sale today. Pre order for $3,299. (rumors had it at $4,000+)
LINK
45.7mp arse kicking full frame sensor with the awesome D500's 150+ point Auto Focus and unbelievable low light capabilities, plus better Dynamic range than the D810(supposedly).
Also shoots 9fps with grip and shoots internal 4K with adjustable hinged touchscreen.
Folks, this is the possible the best digital camera ever made on paper. It's essentially a medium format camera that can shoot sports, action, landscapes, portraits, and everything else nearly as good or better than anything currently on the market....all for 3300 bucks.

LINK
45.7mp arse kicking full frame sensor with the awesome D500's 150+ point Auto Focus and unbelievable low light capabilities, plus better Dynamic range than the D810(supposedly).
Also shoots 9fps with grip and shoots internal 4K with adjustable hinged touchscreen.
Folks, this is the possible the best digital camera ever made on paper. It's essentially a medium format camera that can shoot sports, action, landscapes, portraits, and everything else nearly as good or better than anything currently on the market....all for 3300 bucks.


This post was edited on 8/24/17 at 5:51 pm
Posted on 8/24/17 at 6:27 pm to Jack Ruby
Well, at that price I think I'll just buy two
Posted on 8/24/17 at 6:33 pm to Jack Ruby
Way too many MPs. Unless you're producing billboards.
I've learned that specs rarely translate to the awesomeness they are supposed to.
I've learned that specs rarely translate to the awesomeness they are supposed to.
Posted on 8/24/17 at 6:39 pm to RogerTheShrubber
You can shoot low raw. Something like 11mp
Posted on 8/24/17 at 7:26 pm to Got Heeem
I guess the problem I have with these eye popping specs is they are great marketing but not something 90% of camera owners would need.
Sony is developing the full frames of the future, high quality mirrorless. The A9 is stunning
Sony is developing the full frames of the future, high quality mirrorless. The A9 is stunning
Posted on 8/24/17 at 7:27 pm to Jack Ruby
And they released this just after the eclipse.


Posted on 8/24/17 at 8:05 pm to foshizzle
The A9 is a great camera but at $4500 and the availability of a huge back catalog of incredible Nikkor lenses make the D850 such a great package.
I also heard Nikon will release a full frame mirroress later in the year. Now that would be incredible if hey do it right.
I also heard Nikon will release a full frame mirroress later in the year. Now that would be incredible if hey do it right.
This post was edited on 8/24/17 at 8:07 pm
Posted on 8/24/17 at 9:08 pm to Jack Ruby
quote:
also heard Nikon will release a full frame mirroress later in the year. Now that would be incredible if hey do it right.
Yeah their mirrorless offerings in the past failed but I too would be really interested
I went mirrorless an love the Electronic viewfinder on my fuji. You see exactly what your image will look like.
Posted on 8/24/17 at 10:28 pm to Jack Ruby
Are you just generally impressed by company specs? From what I've read, there's no anti-aliasing filter to eliminate moire in busy shots. It also has no Log Gamma option for serious photographers and videographers.
The Bluetooth app included can't transfer RAW files. That's a non-starter for many professionals and serious hobbyists.
It definitely has fine specs, but greatest camera ever? It really will come down to how well it can focus with that many pixels. I recently used the 50 Megapixel Canon 5DS and the Canon 5D Mark IV at 30 Mp to shoot on the same targets with the same lens. I had sent the 5DM4 in to Canon and had it upgraded to include Canon Log. Clearly the 5DM4 was the better camera and the 50 Mp of the 5DS pulled in more info, but it was noisy and lacked depth. So it remains to be seen if more equals more with this Nikon or not.
The Bluetooth app included can't transfer RAW files. That's a non-starter for many professionals and serious hobbyists.
It definitely has fine specs, but greatest camera ever? It really will come down to how well it can focus with that many pixels. I recently used the 50 Megapixel Canon 5DS and the Canon 5D Mark IV at 30 Mp to shoot on the same targets with the same lens. I had sent the 5DM4 in to Canon and had it upgraded to include Canon Log. Clearly the 5DM4 was the better camera and the 50 Mp of the 5DS pulled in more info, but it was noisy and lacked depth. So it remains to be seen if more equals more with this Nikon or not.
This post was edited on 8/24/17 at 10:42 pm
Posted on 8/24/17 at 10:35 pm to RogerTheShrubber
quote:Correct me if I'm wrong, but in mirrorless you don't actually "see" through the optics when looking through the viewfinder. You see an electronic visual representation, correct?
Sony is developing the full frames of the future, high quality mirrorless. The A9 is stunning
Posted on 8/25/17 at 7:24 am to Jack Ruby
quote:
he D850 went on sale today.
Saw an ad for it. Kinda moved.
Posted on 8/25/17 at 8:30 am to HubbaBubba
Co
Well, you see exactly what your sensor is picking up. With an optical viewfinder you're seeing what the eyeball sees. With an electronic viewfinder you see what the sensor sees. You see highlights, color and shadows exactly how they'll appear when you download to your computer. With an optical, it's kind of a surprise at times.
My Fujifilm viewfinder is 2.4m dots. It has the sensor that moves the view from live view to the viewfinder when you put your eye to the camera. IMO, it's superior to optical.
Many mirrorless have mechanical and electronic shutters. I believe the D850 also included an electronic shutter if I read the specs correctly.
quote:
rrect me if I'm wrong, but in mirrorless you don't actually "see" through the optics when looking through the viewfinder. You see an electronic visual representation, correct?
Well, you see exactly what your sensor is picking up. With an optical viewfinder you're seeing what the eyeball sees. With an electronic viewfinder you see what the sensor sees. You see highlights, color and shadows exactly how they'll appear when you download to your computer. With an optical, it's kind of a surprise at times.
My Fujifilm viewfinder is 2.4m dots. It has the sensor that moves the view from live view to the viewfinder when you put your eye to the camera. IMO, it's superior to optical.
Many mirrorless have mechanical and electronic shutters. I believe the D850 also included an electronic shutter if I read the specs correctly.
This post was edited on 8/25/17 at 8:46 am
Posted on 8/25/17 at 8:41 am to HubbaBubba
quote:
Clearly the 5DM4 was the better camera and the 50 Mp of the 5DS pulled in more info, but it was noisy and lacked depth
Generally what happens when you pack pixels into the same size sensor. Larger pixels >> smaller pixels if all else are equal
This post was edited on 8/25/17 at 9:01 am
Posted on 8/25/17 at 4:06 pm to RogerTheShrubber
quote:That's kind of my sense of what might be the issue with the new Nikon. That, and no anti-aliasing filter.
Generally what happens when you pack pixels into the same size sensor. Larger pixels >> smaller pixels if all else are equal
Posted on 8/25/17 at 4:36 pm to HubbaBubba
Yep after doing some research I'm no longer wowed by spec sheets.
Posted on 8/26/17 at 8:36 am to Jack Ruby
This should put downward pricing pressure on the D800 and D810 which are both very nice cameras.
Watch the low-light test with the A9 ISO cranked up to over 100,000. That's really unbelievable.

quote:That said, if I was just getting started and didn't have a nice collection of Nikon glass..... LINK
The A9 is stunning
Watch the low-light test with the A9 ISO cranked up to over 100,000. That's really unbelievable.
This post was edited on 8/26/17 at 8:44 am
Posted on 8/26/17 at 11:37 am to tigerpawl
I was with a defense contractor client performing evaluations of the Sony A7s II vs. the Canon ME20F-SH for a military surveillance video application at 3:40 in the morning in the mountains of Oregon where we were shooting an SUV stopped on a mountain road, no lights, and various items scattered around the vehicle all from a distance of 75+/- yards. Requirement was for 30 fps. Lenses were Sigma 20mm ART, both cameras set at 1/20, f/1.4.
At 200,000 ISO, the Sony appeared slightly better, but neither had the level of detail required under starlight. At only 128,000 ISO, the Sony already had seriously bad magenta heat fringing all around the edges bleeding into lots of horizontal magenta banding and extreme noise. The Canon looked very clear and with usable information. However, as we cranked up ISO to 256,000, the Sony was giving more info, but the magenta problem got worse. At 407,000, the magenta color problem, horizontal banding and noise from Sony was so bad it was unusable, but the Canon started popping out detail, like the road surface, the items around the SUV and and colors.
At ISO 574,000, we could start making out the width of the road, looking into the SUV, greater detail in the Milky Way, where the bottom of the vehicle was separated from the ground below, etc.
At ISO 811,000 we could make out the wisps of clouds in the night sky and see the power lines on telephone poles nearby. At ISO 1,620,000, we could make out the driver, the rims on the wheels, and the edge details for the items around the SUV.
At ISO 2,290,000 it started getting a little noisy, but we were able to create a completely usable image, with good definition, enough to clearly define what might be going on, but not enough to create facial recognition. At ISO 3,230,00 the night sky was exceedingly bright but we could see into the vehicle enough to define the differences between the right and left areas of the vehicle.
For fun, we removed the Sigma lens and replaced it with a 400mm Canon lens at f/2.8 and cranked the shutter speed down to 1/4 with ISO 2,290,000. That allowed us to make out the color of the driver, his shirt color, the license plate, the vehicle color, and there was more than enough info there to produce facial recognition. Under starlight. Amazing camera, but it does not provide frame capture. That has to be done in post editing. That said, we shot the video in Canon Log, so when we did our post editing, the level of color, contrast and detail that came out was pretty incredible.
Great camera if you need to shoot video in the dark or dark conditions. Pretty much an industrial camera, though. Surprised that the sensor doesn't come under ITAR-like regulations because I've looked at products, like EBAPS, that are also very good in the dark, and the government regulates where it can be sold outside the U.S. to keep it out of the hands of the bad guys.
At 200,000 ISO, the Sony appeared slightly better, but neither had the level of detail required under starlight. At only 128,000 ISO, the Sony already had seriously bad magenta heat fringing all around the edges bleeding into lots of horizontal magenta banding and extreme noise. The Canon looked very clear and with usable information. However, as we cranked up ISO to 256,000, the Sony was giving more info, but the magenta problem got worse. At 407,000, the magenta color problem, horizontal banding and noise from Sony was so bad it was unusable, but the Canon started popping out detail, like the road surface, the items around the SUV and and colors.
At ISO 574,000, we could start making out the width of the road, looking into the SUV, greater detail in the Milky Way, where the bottom of the vehicle was separated from the ground below, etc.
At ISO 811,000 we could make out the wisps of clouds in the night sky and see the power lines on telephone poles nearby. At ISO 1,620,000, we could make out the driver, the rims on the wheels, and the edge details for the items around the SUV.
At ISO 2,290,000 it started getting a little noisy, but we were able to create a completely usable image, with good definition, enough to clearly define what might be going on, but not enough to create facial recognition. At ISO 3,230,00 the night sky was exceedingly bright but we could see into the vehicle enough to define the differences between the right and left areas of the vehicle.
For fun, we removed the Sigma lens and replaced it with a 400mm Canon lens at f/2.8 and cranked the shutter speed down to 1/4 with ISO 2,290,000. That allowed us to make out the color of the driver, his shirt color, the license plate, the vehicle color, and there was more than enough info there to produce facial recognition. Under starlight. Amazing camera, but it does not provide frame capture. That has to be done in post editing. That said, we shot the video in Canon Log, so when we did our post editing, the level of color, contrast and detail that came out was pretty incredible.
Great camera if you need to shoot video in the dark or dark conditions. Pretty much an industrial camera, though. Surprised that the sensor doesn't come under ITAR-like regulations because I've looked at products, like EBAPS, that are also very good in the dark, and the government regulates where it can be sold outside the U.S. to keep it out of the hands of the bad guys.
Posted on 8/26/17 at 12:24 pm to HubbaBubba
The A7 and A7II were good cameras but not on par with the A9
Most camera manufacturers use Sony sensors, the D850 comes with one.
Sony's weakness is their lenses. I bought Fuji over Sony for this very reason. Fuji doesn't make a bad lens.
Most camera manufacturers use Sony sensors, the D850 comes with one.
Sony's weakness is their lenses. I bought Fuji over Sony for this very reason. Fuji doesn't make a bad lens.
Posted on 8/26/17 at 3:46 pm to RogerTheShrubber
I would love to get a fuji xt-20 or soemthing similar for a travel camera. I love their lenses and they're button layout is second to none. I agree on their lenses also.
It still can't hold a candle to Nikon's glass selection out there though. FF sake I can buy the same 180mm prime that Stanley Kubrick used on numerous of his movies for under $300. You just can't beat that.
It still can't hold a candle to Nikon's glass selection out there though. FF sake I can buy the same 180mm prime that Stanley Kubrick used on numerous of his movies for under $300. You just can't beat that.
This post was edited on 8/26/17 at 3:46 pm
Posted on 8/26/17 at 9:12 pm to Jack Ruby
quote:
I would love to get a fuji xt-20 or soemthing similar for a travel camera. I love their lenses and they're button layout is second to none. I agree on their lenses also.
It still can't hold a candle to Nikon's glass selection out there though. FF sake I can buy the same 180mm prime that Stanley Kubrick used on numerous of his movies for under $300. You just can't beat that.
Ive got the xt-1. The "kit" lens is sharper than any lens I've used. While their selection is less than optimal yet, the quality throughout the lineup is second to none.
Fujis color replication is incredible.
This post was edited on 8/26/17 at 9:14 pm
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