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re: MB Musicians: Opinion on Short Scale Basses
Posted on 11/26/18 at 9:54 pm to TheFretShack
Posted on 11/26/18 at 9:54 pm to TheFretShack
Are you going to sell the Hofner?
Posted on 11/27/18 at 8:57 am to crazy4lsu
It's possible ... e-mail me at info AT thefretshack DOT com
Posted on 11/27/18 at 9:09 am to TheFretShack
How much would it cost me to sunburst paint my Ernie Ball Musicman Stingray?
Posted on 11/27/18 at 12:09 pm to Broke
I don't do anything biz or pricing related on the message board. E-mail me on that.
But I assume you mean change from a solid color to a sunburst? If so, I don't recommend it.
Solid colored guitars are generally solid colors for a reason and it's typically the factory's way to conceal cosmetic issues on perfectly good tone wood. And you might not like what you find underneath, particularly when it's full frontal nude via a transparent finish.
Examples: Mismatched color planks in a two- or three-piece body (I learned this the hard way when I stripped a candy apple red body to refin it a sunburst) ; or a stray mineral streak, spalting or a tiny knot or natural fiber split that was patched prior to paint.
I emphasize, however, solid colors typically don't hide "bad" wood, just cosmetically challenged wood. My personal tele I built - that gets an immediate "is it for sale?" out of EVERY player who touches it - I handpicked its body from DOZENS of raw bodies for what I consider perfect weight, grain pattern and density, resonance and stuff for a telecaster. It had a mineral streak across the treble bout so it was finished in desert sand to conceal it.
Look at the mineral streak on the treble side of the body ...
So we did this ...
If you want a sunburst bass, acquire one that's already sunburst. That's my experience-based two cents.
But I assume you mean change from a solid color to a sunburst? If so, I don't recommend it.
Solid colored guitars are generally solid colors for a reason and it's typically the factory's way to conceal cosmetic issues on perfectly good tone wood. And you might not like what you find underneath, particularly when it's full frontal nude via a transparent finish.
Examples: Mismatched color planks in a two- or three-piece body (I learned this the hard way when I stripped a candy apple red body to refin it a sunburst) ; or a stray mineral streak, spalting or a tiny knot or natural fiber split that was patched prior to paint.
I emphasize, however, solid colors typically don't hide "bad" wood, just cosmetically challenged wood. My personal tele I built - that gets an immediate "is it for sale?" out of EVERY player who touches it - I handpicked its body from DOZENS of raw bodies for what I consider perfect weight, grain pattern and density, resonance and stuff for a telecaster. It had a mineral streak across the treble bout so it was finished in desert sand to conceal it.
Look at the mineral streak on the treble side of the body ...
So we did this ...
If you want a sunburst bass, acquire one that's already sunburst. That's my experience-based two cents.
Posted on 11/27/18 at 1:53 pm to wareaglepete
quote:
I don't see a need for the short scale unless you are just really a small person.
Rotator cuff surgery will help you decide also. I went from a Rickenbacker 4003 to a Hofner V62 and save about 10 lbs. dragging on that shoulder. I still play the Rick but not for the entire 3-4 hours.
Posted on 11/27/18 at 4:59 pm to TheFretShack
Mine is natural already. So hiding the bad wood isn't an issue.
Posted on 11/28/18 at 10:05 am to wareaglepete
quote:
don't see a need for the short scale unless you are just really a small person.
There are all sorts of reasons. Most hollowbody basses are short scale. If you want that woody, full tone, it's easier to get out of a hollowbody. If you want an extended range bass, like a bass VI or a piccolo bass, then short scale is the way to go as well. It all depends on the sound you want.
This post was edited on 11/28/18 at 11:49 am
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