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re: Non-Phish Show Of The Day Thread

Posted on 12/6/15 at 10:22 am to
Posted by Kafka
I am the moral conscience of TD
Member since Jul 2007
143087 posts
Posted on 12/6/15 at 10:22 am to
Sam Cooke live at the Harlem Square Club, Miami (January 12, 1963)



quote:

Not only is this one of the greatest live soul albums ever released, it also reveals a rougher, rawer, and more immediate side to Sam Cooke that his singles only hinted at, good as they were. Working with a merged band that included guitarist Cliff White and drummer Albert "June" Gardner from Cooke's regular touring outfit and saxophonist King Curtis and his band, Cooke brings a gospel fervor to these whirlwind versions, which are fiery, emotionally direct, and hit with uncommon power. Every track burns with an insistent, urgent feel, and although Cooke practically defines melisma on his single releases, here he reaches past that into deeper territory that finds him almost literally shoving and pushing each song forward with shouts, asides, and spoken interactions with the audience, which becomes as much a part of this set as any bandmember. "Chain Gang" is stripped down to a raw nerve, "Twistin' the Night Away" explodes out of the gate like a runaway rocket, and Curtis' sax breaks on "Somebody Have Mercy" make it sound like the saxophone was invented for this one song alone. Throughout Cooke's voice is a raspy laser that makes it obvious what Rod Stewart picked up from this recording, and it is impossible not to hear Cooke's voice looming behind Stewart's once you've heard this amazing live set.

Although recorded January 12, 1963, at the Harlem Square Club in Miami in 1963, RCA didn't release it as an album until 1985. The set was remixed from the original first generation three-track tape for 2000's The Man Who Invented Soul box, and while the music (and Cooke's vocals in particular) sounded much cleaner, much of the crowd noise from the 1985 mixes was toned down, robbing the recording of some of its claustrophobic, frenzied power. The mix used here seems to more or less split the difference, but the crucial key is and was always Cooke's vocals, and while he was a marvelously smooth, versatile, and urbane singer on his official pop recordings, here he explodes into one of the finest sets of raw secular gospel ever captured on tape. It is essential listening in any version. -- Steve Leggett, AllMusic

Set list:

"Soul Twist/Introduction" (Curtis Ousley) – 1:23
"Feel It (Don't Fight It)" (Sam Cooke) – 2:54
"Chain Gang" (Cooke) – 3:11
"Cupid" (Cooke) – 2:44
"Medley: It's All Right/For Sentimental Reasons" (Cooke, Ivory "Deek" Watson, William "Pat" Best) – 5:11
"Twistin' the Night Away" (Cooke) – 5:18
"Somebody Have Mercy" (Cooke) – 6:18
"Bring It On Home to Me" (Cooke) – 4:08
"Nothing Can Change This Love" (Cooke) – 2:39
"Having a Party" (Cooke) – 5:03


Live Lagniappe:

Sam Cooke - "Blowing in the Wind" (live on the Shindig TV show (September 1964) -- Watch out Jimi; you got some competition for best Dylan cover
Posted by Kafka
I am the moral conscience of TD
Member since Jul 2007
143087 posts
Posted on 12/13/15 at 11:28 am to
(no message)
Posted by Kafka
I am the moral conscience of TD
Member since Jul 2007
143087 posts
Posted on 12/13/15 at 11:28 am to
Gene Clark & Silverado at the Ebbets Field club, Denver (February 19, 1975)



A live show from the tragically underappreciated Clark, a founding father of country-rock.
quote:

Gene Clark's luck was rarely good when it came to his career after leaving the Byrds, and though his 1974 album No Other would come to be seen as a neglected masterpiece years after the fact, by early 1975 it was considered an expensive flop that put Clark on the bad side of David Geffen, and Clark was doing club dates when and where he could to make a buck and keep his name before the public. On February 19, 1975, Clark played in Denver, CO at a club called Ebbets Field, where he shared the bill with Tom Waits. A local radio station recorded the show for later broadcast, and 33 years after the fact, this night in the life of Gene Clark has finally been given an authorized release on CD. Silverado '75: Live & Unreleased finds Clark backed by Roger White on guitar and Duke Bardwell on bass and acoustic guitar, and while the trio (who were billed as Gene Clark & Silverado) sometimes sounds a bit rough, as if they're mapping out their set on the fly, the harmonies are superb and White's lead guitar offers a fine counterpart to Clark's strong and emotive vocals, which are still striking despite the low-budget circumstances of the gig. Clark plays two numbers from No Other, and "Silver Raven" and "No Other" sound a great deal different in such stripped down form, but it seems clear at this point Clark was hardly bothering to support his new release, and this recording features several songs that slipped through the cracks and never made it onto a proper album (such as "Home Run King" and "Daylight Line"), two numbers reaching back to his glory days with the Byrds ("Here Without You" and "Set You Free This Time"), and even a pair of old country chestnuts ("Long Black Veil" and "In the Pines"). Silverado '75 often sounds casual, as if this trio was performing for a handful of friends, but Clark was in full command of his muse this evening, and if this isn't an essential moment in his career, it's a reminder of just how consistently remarkable he could be, even playing a little bar on a Wednesday night. -- Mark Deming, Allmusic
For more about the great Gene Clark, check out the Country-rock thread

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