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re: The Man Who Shot Liberty Valance appreciation
Posted on 6/29/22 at 4:43 pm to LSUfan0420
Posted on 6/29/22 at 4:43 pm to LSUfan0420
We've had a few threads on this Masterpiece and I'm thankful when someone brings the subject back.
I agree with everything you said..
This was surprisingly filmed in Black and White in 1962 when color was common in Westerns..It was a great decision because B&W really makes this film pop.
I agree with everything you said..
This was surprisingly filmed in Black and White in 1962 when color was common in Westerns..It was a great decision because B&W really makes this film pop.
Posted on 6/29/22 at 5:21 pm to CU_Tigers4life
quote:
We've had a few threads on this Masterpiece and I'm thankful when someone brings the subject back
my bad, i did a search but my Tiger Droppings search didn't show anything...at least not a thread i could easily find
quote:
This was surprisingly filmed in Black and White in 1962 when color was common in Westerns..It was a great decision because B&W really makes this film pop
this goes exactly to my point on how it was beautifully shot...the black and white in a modern color time was really something that made it a great film
This post was edited on 6/29/22 at 5:24 pm
Posted on 6/29/22 at 7:18 pm to CU_Tigers4life
quote:This wasn't intended. Ford wanted to shoot it in color, like a standard Wayne outdoor epic of the period. But the studio would not give the money for that.
This was surprisingly filmed in Black and White in 1962 when color was common in Westerns..It was a great decision because B&W really makes this film pop.
So Ford shot it like a film noir, mostly set at night and/or inside, with few of the daylight exteriors (notably the how to shoot a gun scene) that you expect in a western.
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