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The Germs are the band people think the Sex Pistols are

Posted on 5/17/14 at 2:15 pm
Posted by Baloo
Formerly MDGeaux
Member since Sep 2003
49645 posts
Posted on 5/17/14 at 2:15 pm
Listening to (GI) and pondering the ridiculously stupid suicide of Darby Crash (they literally had one last show so he could raise money to buy enough heroin to kill himself -- not a joke). Stiil, the album is amazing and a billion times better and more "dangerous" than anything the Pistols put out, what with their whining about their record label and all.

Pat Smear would land on his feet though. He'd play with Nirvana as their second guitarist and later would help form Foo Fighters. Still, this (GI) might be the single best output of a band that only put out one full length.

Credited with the first hardcore album, known for amazing live shows, it is arguable the Germs are the most influential punk band that ever existed, despite only recording one album.
Posted by AlxTgr
Kyre Banorg
Member since Oct 2003
81604 posts
Posted on 5/19/14 at 11:10 am to
I need to give them a listen. No idea why I have not yet.
Posted by Cdawg
TigerFred's Living Room
Member since Sep 2003
59442 posts
Posted on 5/19/14 at 1:21 pm to
*wonders to self*

Did Baloo really start a thread about a west coast punk band not from San Fran but from LA?

*checks pulse*

*notes time & date*

*wonders the temperature of hell*
Posted by Baloo
Formerly MDGeaux
Member since Sep 2003
49645 posts
Posted on 5/19/14 at 2:03 pm to
Hey, I start threads about the Minutemen, and they are from Pedro. But that's because the Minutemen are one of the greatest bands to ever exist.

I adore SST, and that's Long Beach. But we all know the greatest punk rock bands came from DC. It's scientific fact.
Posted by Srbtiger06
Member since Apr 2006
28255 posts
Posted on 5/19/14 at 2:13 pm to
quote:

Pat Smear would land on his feet though. He'd play with Nirvana as their second guitarist and later would help form Foo Fighters. Still, this (GI) might be the single best output of a band that only put out one full length.



So weird to think about
Posted by TFTC
Chicago, Il
Member since May 2010
22266 posts
Posted on 5/19/14 at 3:07 pm to
quote:

But we all know the greatest punk rock bands came from DC. It's scientific fact.


Ha... growing up, I always prefer the west coast bands... those straight edges bitches could frick off!!

I was young and dumb..
Posted by Baloo
Formerly MDGeaux
Member since Sep 2003
49645 posts
Posted on 5/19/14 at 3:18 pm to
Yeah, know what you call an old straight edge fan?
An alcoholic.

No one is perfect. I loved straight edge, but I'm also a drunk. I met in the middle between Minor Threat and the Replacements. I do like a lot of west coast bands, though. Didn't know I had an anti-LA punk rep. I like plenty of LA bands. It's NYC punk I never got into, post CBGB's. Stuff like Agnostic Front or the Cro-Mags is just too meathead for me.
Posted by Cdawg
TigerFred's Living Room
Member since Sep 2003
59442 posts
Posted on 5/19/14 at 3:32 pm to
quote:

Didn't know I had an anti-LA punk rep.

I think it's just with me.

quote:

Stuff like Agnostic Front or the Cro-Mags is just too meathead for me.

I couldnt' get into any of those either.

quote:

I adore SST

well that's true. I think in my mind you have east coast bias.
This post was edited on 5/19/14 at 3:35 pm
Posted by TFTC
Chicago, Il
Member since May 2010
22266 posts
Posted on 5/19/14 at 5:10 pm to
I was part kidding, but lets just say I never chose the straight edge path...

Posted by Sayre
Felixville
Member since Nov 2011
5503 posts
Posted on 5/19/14 at 7:00 pm to
Straight edge never had the first bit of appeal to me.

Love me some Sex Pistols.
Posted by brucevilanch
Fort Worth, Tejas
Member since May 2011
24333 posts
Posted on 5/19/14 at 11:25 pm to
I never imagined I would see The Germs discussed on this board.

Black Flag
The Germs
GBH
Fear

My favorite punk/hardcore bands in order.
Posted by AlxTgr
Kyre Banorg
Member since Oct 2003
81604 posts
Posted on 5/20/14 at 10:32 am to
What is straight edge?
Posted by Baloo
Formerly MDGeaux
Member since Sep 2003
49645 posts
Posted on 5/20/14 at 10:50 am to
Straight edge was a militant form of hardcore, primarily out of DC. It is best summed up by Minor Threat's Out of Step: Don't drink, don't smoke, don't frick. It is essentially doing the things your parents supposedly want you to do, and still pissing them off.

It was an incredibly violent scene and it was populated primarily by under 18 year olds. DC bars would admit under age kids to clubs, and put an X on their hand to indicate they couldn't drink. Straight edge kids took this as their symbol ("The X is my mark!") and touring bands would usually play two shows in DC: a night time show for the drinkers and a matinee show with no alcohol served. Holy shite, those matinee shows were insane. You get a bunch of sexually frustrated, angry, puritanical 15 year olds in a room and then play them the fastest, loudest music you can, and bad things happen. It was an awesome time, but it is completely ridiculous with the benefit of any distance from the scene (time or space). Some great music came out of it, Minor Threat especially, but the scene was such a dead end.

The Germs are nowhere near straight edge. They were in LA and they were pretty much all addicted to heroin to varying degrees. They also openly antagonized their audience and Darby would usually be so drugged out of his mind, he couldn't sing into the microphone, he just yelled to the rafters. You can see some of that on the last track of (GI), which is a nine minute dirge, after an album of 2 minute hardcore songs.

(GI) by the way, stands for Germs Incognito. It was a name they used to book gigs in LA, as the Germs shows were apparently so destructive that they were banned from almost every venue in town. I point this out to again say the Pistols were a bunch of British poseurs.
Posted by eye65
Member since Aug 2009
987 posts
Posted on 5/20/14 at 11:08 am to
quote:

but the scene was such a dead end.


I don't know about all this. I loved sXe hardcore though. One guys dead and the other started a record label....I'd say the germs route was a "dead end."

Some fantastic "hardcore" bands...if you consider them as such came out of all areas of the country. The germs were a band I never could get into, but giving a listen now with an open ear....I guess they were alright. I'm just old and somewhat over it. If a gun was put to my head to listen to a "hardcore" album from the early years I'm going minor threat or group sex all the way. .02$

Nyhc like gorilla biscuits would be my preferred "hardcore" (which the word in itself is interpreted differently depending on age and scene involvement. )

Since this is your thread Baloo and I imagine you will return to it, are you old enough (I ask respectfully) to have been a part of the DC days? I've seen you reference dag nasty many times. Did you get to see them?
Posted by Baloo
Formerly MDGeaux
Member since Sep 2003
49645 posts
Posted on 5/20/14 at 11:26 am to
I f'n love Dag Nasty. Yeah, I saw them back in the day. I'm a little too young for Minor Threat, but I've seen Fugazi multiple times. I spent a lot of time at the old 9:30 Club, yes. We were suburban kids who took the Metro down for shows.

Never got into NYHC. It seemed so meathead. It was very "NY tough guy", and I had no interest in that. Even the DC violence wasn't about targeting people, it was this weird mutually assured destruction thing. But then a lot of bands started pushing back against the pit in the early 90s. By the time riot grrrl showed up (I know that's more of a Pacific Northwest thing, but they were embraced in DC), it was embarrassing to think about slamdancing. It's so exclusionary and sort of sexist when you stop to think about it. Girls want to see the shows without getting punched in the head. Bikini Kill was eye opening for me.

I think a lot of the former straight edge guys moved on to other things. They ended up doing lots of cool things, just not in straight edge. It was a starting point, not a destination. I don't regret one second of those days, but it's hard for me to point a young music fan back to that cul de sac. Get the Flex Your Head compilation and then move on to their later projects.

The Germs are the blueprint for hardcore, and for about five years, hardcore was the indie scene. In fact, almost all of 90s rock music is borne out of that scene. New bands still name check Black Flag.
Posted by Meursault
Nashville
Member since Sep 2003
25172 posts
Posted on 5/20/14 at 5:08 pm to
quote:

But we all know the greatest punk rock bands came from DC


Void was from this scene. So I agree.
Posted by eye65
Member since Aug 2009
987 posts
Posted on 5/21/14 at 8:40 am to
That's awesome....love some dag nasty with Dave. To not derail the thread into a DC love fest, I will agree with you on the germs having the early shock factor the pistols wanted.
Posted by Chef Leppard
Member since Sep 2011
11739 posts
Posted on 5/21/14 at 11:58 am to
Loved that punk bible by Legs McNeil. Can't remember name of the book right off. Major emphasis on detroit punk scene. killer book though

Anyway, it changed how I looked at Vicious and Rotten. pretty much painted them as poser douchebags that rode the coattails of the american punk movement hard. book really shite on the pistols big time
Posted by Jonas
Northshore
Member since Nov 2010
594 posts
Posted on 5/21/14 at 12:10 pm to
Pretty good movie out there about them.

Called "What we do is secret"

Actor that played Darby is from Baton Rouge and he also became a frontman with the Germs for a while after filming the movie.
Posted by Baloo
Formerly MDGeaux
Member since Sep 2003
49645 posts
Posted on 5/21/14 at 12:53 pm to
quote:

Loved that punk bible by Legs McNeil. Can't remember name of the book right off.


Please Kill Me?

Legs McNeil also started Punk! magazine and is likely the guy who gave the scene its name. Which is pretty f'n cool. I do like how the book traces the roots to Detroit, and the settles in on the CBGB scene. The Pistols come off terribly (especially McLaren), as does Patti Smith. Man, a lot of people hate her f'n guts. Lou Reed comes off as an a total a-hole, but a really cool total a-hole, so it almost helps his myth.

The book does a good job of showing how 70s punk was not connected to hardcore. The story ends in the last 70s, and you can see how punk was very much a movement of art school kids slumming it. It's pretty interesting. Hardcore would never get played at Andy Warhol's party.

We've Got the Neutron Bomb is a great oral history of the LA hardcore scene.
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