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Rock and Roll Hall of Fame?
Posted on 4/7/17 at 9:03 pm
Posted on 4/7/17 at 9:03 pm
Is there a stream or a audio link to the live event?
HBO re-airs the show on April 29th, but it's going on tonight...
Thanks
HBO re-airs the show on April 29th, but it's going on tonight...
Thanks
Posted on 4/8/17 at 6:33 am to Morgan56
I assume youtube will have clips?
But I also assume it may get policed out like UFC and Prince live videos.
But I also assume it may get policed out like UFC and Prince live videos.
Posted on 4/8/17 at 9:00 am to Morgan56
I think it is fricked up that Joan Baez is being inducted into the Rock and Roll Hall of Fame.
Has she ever sung a Rock and Roll song?
She's a great singer but that doesn't mean she should get in the Rock and Roll Hall of Fame.
Has she ever sung a Rock and Roll song?
She's a great singer but that doesn't mean she should get in the Rock and Roll Hall of Fame.
Posted on 4/8/17 at 9:40 am to LSU alum wannabe
quote:
I assume youtube will have clips?
they do!
Yes with Geddy Lee - Roundabout
Yes - Owner of a Lonely Heart
Posted on 4/8/17 at 9:42 am to DawgfaninCa
I think it's been established by now that all these other critically acclaimed artists in other genres will get voted in and far more popular artists that aren't critically acclaimed won't unless there is a groundswell. And ftr, I think she is in because she's emblematic of the "protest" wing of rock and roll and not because her pedestrian brand of folk protest stood the test of time. Because the Hall of Fame is more of a history of things rock critics find important than rock bands that sold records.
Posted on 4/8/17 at 10:09 am to DawgfaninCa
quote:
Has she ever sung a Rock and Roll song?
Debatable. But it has really become the American music HOF. Excluding country because they have their own HOF.
Joni Mitchell in? Carole King in? Linda Ronstadt? I'm actually asking as I am not sure. They are essentially the same artists. Except Ronstadt I believe did a bazillion covers.
Posted on 4/8/17 at 11:57 am to Brosef Stalin
Wakeman in the fat wizard outfit ftmfw
His speech was funny as hell, it's someone's phone vid but it starts around 14:00.
Wish they could've gotten in while Squire was still alive.
His speech was funny as hell, it's someone's phone vid but it starts around 14:00.
Wish they could've gotten in while Squire was still alive.
Posted on 4/8/17 at 12:21 pm to LSU alum wannabe
CK is in as a song writer.
Ronstadt 2014 inductee.
Mitchell '97 but did not attend
Ronstadt 2014 inductee.
Mitchell '97 but did not attend
This post was edited on 4/8/17 at 12:25 pm
Posted on 4/8/17 at 4:04 pm to Lsupimp
quote:
I think it's been established by now that all these other critically acclaimed artists in other genres will get voted in and far more popular artists that aren't critically acclaimed won't unless there is a groundswell. And ftr, I think she is in because she's emblematic of the "protest" wing of rock and roll and not because her pedestrian brand of folk protest stood the test of time. Because the Hall of Fame is more of a history of things rock critics find important than rock bands that sold records.
Sorry but I'm a purist and I think the Rock and Roll Hall of Fame should only include performers and bands who actually became famous for playing Rock and Roll.
Performers and groups like Chuck Berry, Little Richard, The Rolling Stones, etc. not Joan Baez.
However, if the definition of Marriage can be changed to include that which was meant to be excluded then I guess the definition of Rock and Roll can be changed to include those performers and bands who never played any Rock and Roll.
Posted on 4/8/17 at 4:33 pm to DawgfaninCa
So no to this guy?
https://www.rockhall.com/inductees/cosimo-matassa
He was awarded: 2012 Category: Award for Musical Excellence
https://www.rockhall.com/inductees/cosimo-matassa
quote:
Cosimo Matassa’s studio was the center of the New Orleans recording scene for two decades.
Some of the greatest rhythm & blues and rock and roll sides of all time were laid down in Matassa’s small, unpretentious room, including seminal recordings by Fats Domino and Little Richard. Roughly 250 nationally charting singles and 21 gold records were cut at Matassa’s studio. These include virtually every hit by Fats Domino, beginning in 1948 with “The Fat Man,” as well as such New Orleans R&B classics as “Lawdy Miss Clawdy” by Lloyd Price, “Mother-in-Law” by Ernie K-Doe, “Good Rockin’ Tonight” by Roy Brown and “Shake, Rattle and Roll” by Big Joe Turner.
Matassa, whose first name is pronounced “Cosmo,” was born and raised in New Orleans, where he worked at his father’s corner grocery store. After studying chemistry at Tulane University, he dropped out and began working for J&M Services, a jukebox business that he eventually bought. Matassa identified and filled a need on the New Orleans music scene in the mid-Forties. It was a city full of talented musicians but lacked recording studios. “For a long time, I was the only show in town,” he noted.
Opened in 1945, Matassa’s original J&M Studio occupied a room at the back of his J&M Appliance Store and Record Shop, located at 838-840 Rampart Street (on the corner of Dumaine, at the edge of the French Quarter). The room was only 15-by-16 feet in size, “as big as my four fingers,” joked Matassa. In the early years, Matassa recorded direct to disc until he could afford a tape-recording system. J&M Studio operated at its Rampart Street address until 1956, when Matassa moved to a new location on Governor Nicholls Street, which he simply called Cosimo’s Studio.
Over the years Matassa worked closely with bandleader-arranger Dave Bartholomew and a stellar corps of New Orleans musicians that included drummer Earl Palmer, keyboardist Huey “Piano” Smith, and saxophonists Lee Allen and Alvin “Red” Taylor. All were involved in the recording of Fats Domino’s and Little Richard’s hits during their phenomenal runs in the Fifties.
The list of notable musicians who recorded at Matassa’s studio, in addition to those already mentioned, includes Smiley Lewis (“I Heart You Knockin’"), Shirley and Lee (“Let the Good Times Roll”), Guitar Slim (“The Things That I Used to Do,” featuring Ray Charles on piano), Frankie Ford (“Sea Cruise”), Professor Longhair (“Mardi Gras in New Orleans”), Paul Gayten (“Since I Fell for You”) and Chris Kenner (“Land of 1,000 Dances”).
Music journalist Emily Gaul asked Matassa, “What do you think defines the New Orleans sound?” He responded: “It’s a party sound. New Orleans was a partying town because it wasn’t a very wealthy town. The ethnic makeup of New Orleans was such that music was part of everybody’s lives.”
In the Sixties, Matassa started his own label, Dover Records, to compete with all the out-of-town companies signing New Orleans talent. He even got involved in distribution, handling two national hits – Robert Parker’s “Barefootin’” and Aaron Neville’s “Tell It Like It Is” – for local labels. After leaving the music business in the Eighties, he returned to work at Matassa’s Grocery, his family’s business for three generations.
Reflecting back on his life in music in a 1999 Goldmine interview, Matassa described his role as one of facilitator. “It was to get the performance and the performer on the tape with the least interference and the least resistance,” he said.
But Matassa’s contributions went far beyond that. Legendary New Orleans producer and pianist Allen Toussaint referred to Matassa as “a genius with worlds of information.... We all came through Cosimo.” Matassa passed away on September 11, 2014.
Cosimo Matassa (producer, studio owner; April 13, 1926 – September 11, 2014)
He was awarded: 2012 Category: Award for Musical Excellence
Posted on 4/8/17 at 5:13 pm to DawgfaninCa
quote:
I think it is fricked up that Joan Baez is being inducted into the Rock and Roll Hall of Fame.
Have you seen some of the clowns in the rock n roll hall of fame? Joan belongs way before a lot of people that are in
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