re: Deep State Part 2: Hollywood:The spell they cast.. (pg16 Epstein = Eyes Wide Shut)

The Shining...

TLDR:

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The Shining, then, is a ghost story – but also something much deeper in Kubrick’s film. It is a multi-layered exploration of the psyche, the spiritual realm, surrealism, ancient mythology and the satanic occult elite that rule the West, as the theme of pedophilic generational bloodlines parasitically manipulate the underclass through the false promise of worldly prosperity. In Jack, Danny and the Overlook Hotel and its magnificent maze, we see America in a microcosm, situated on old Indian lands that now house a world superpower intent on “bombing the universe” into submission, all at the behest of psychopathic mad men like Jack or as displayed in Dr. Strangelove. This control structure operates through cult sex magick and generational traumatization (Lolita, Eyes Wide Shut, Full Metal Jacket) and maintains its control over the masses through the real Monarch program, mass media and social engineering (Clockwork Orange). For Kubrick, The Shining is another in his film canon that displays the dark side of spiritual phantasms that lie behind the mirror of our world.

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Generally considered one of the best horror films of all time, the Stanley Kubrick adaptation of the Stephen King story The Shining, is not lacking in interpretive creativity on the part of critics and analysts. Freudian psychoanalysis combined with esoteric speculation generally garner much of the review space, but in my estimation the Shining is about something much more obvious, yet obscure. I believe the film adaptation is intended to convey the same message as King’s, and that is demonic possession. Not merely possession of Jack Torrance (Jack Nicholson), but of the spectral haunting of America itself, in terms of its dark past in relation to the Native Americans. Indigenous animistic spiritualism undergirds the film, manifesting in a kind of generational curse upon Jack

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As above, so below – the mirror of two worlds

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The interview scene conveys this overtly Americana façade that clues the viewer into the dual symbology of the film, where the Overlook is both Jack’s degenerating psyche and a microcosm of the United States. With a friendly, charming veneer, the baby boomer generation has a dark side that is portrayed both figuratively and literally in Jack’s brutality and the mystic locale of the Overlook. In this sense, America is not baseball and apple pie, and Manager Ullman’s JFK-esque appearance masks his own potential to actually be nefarious, while surrounded by icons of Americana, from flags to paintings to Native American artworks.

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Jack’s homosexual and incestuous tendencies.

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as we see from the imagery in the Torrance apartment, Wendy actually shares an interest in the occult, including numerous books on witchcraft, as well as the notorious Catcher in the Rye. Because Jack has come to despise his family, whom he thinks are holding him back from greatness, it will come into his mind (through the suggestion of the demonic) to create a real horror for Wendy.

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“Ghost and horror fanatic” Wendy’s books also include “The Magic Circle” and “The Mother Goddess.”

“The Magic Circle” = Remember the Eyes Wide Shut breakdown...

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We begin to suspect Danny has been abused as his alternate persona appears to be a spirit named “Tony,” who lives in Danny’s mouth and stomach. In my opinion, the usage of inverted stars here is intentional, as we later discover Jack has physically and sexually assaulted Danny (resulting in his traumatic break and “Tony”). Interestingly, in accounts of spiritual possession, there are instances of spirits inhabiting certain areas of the body in precisely this way.

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Trauma based mind control and child abuse are tactics employed by Deep State operatives

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ndeed, as Rob Ager has correctly elucidated, the abuse appears to be generational, and intergenerational conflict and Freudian/Oedipal envy (Jack resents Danny) will occupy much of this story. Ager is also correct in his insights concerning the cartoon programming Danny has apparently received, as Jack will become the “Big Bad Wolf,” utilizing the Disney and nursery rhyme mantras during his psychosis. This is also why cartoons are consistently playing and seen throughout the film, including numerous references to fairy tales like Hansel and Gretel and classical works of mythology with Theseus and the labyrinth’s minotaur.

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LINK

This statue of George Washington is in the Smithsonian....

Disparate institutes...




Let me open your eyes....


LINK

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Asherah

SEMITIC GODDESS
WRITTEN BY: The Editors of Encyclopædia Britannica
See Article History
Alternative Titles: Baalat, Elat, Elath, Qudshu

SIMILAR TOPICS
Odin
Apollo
Horus
Zeus
Isis
Prometheus
Athena
Re
Aphrodite
Dionysus

Asherah, ancient West Semitic goddess, consort of the supreme god. Her principal epithet was probably “She Who Walks on the Sea.” She was occasionally called Elath (Elat), “the Goddess,” and may have also been called Qudshu, “Holiness.” According to texts from Ugarit (modern Ras Shamra, Syria), Asherah’s consort was El, and by him she was the mother of 70 gods. As mother goddess she was widely worshiped throughout Syria and Palestine, although she was frequently paired with Baal, who often took the place of El; as Baal’s consort, Asherah was usually given the name Baalat. Inscriptions from two locations in southern Palestine seem to indicate that she was also worshiped as the consort of Yahweh.

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An Asherah pole is a sacred tree or pole that stood near Canaanite religious locations to honor the Ugaritic mother-goddess Asherah, consort of El.[1] The relation of the literary references to an asherah and archaeological finds of Judaean pillar-figurines has engendered a literature of debate.[2]

The asherim were also cult objects related to the worship of the fertility goddess Asherah, the consort of either Ba'al or, as inscriptions from Kuntillet ‘Ajrud and Khirbet el-Qom attest, Yahweh,[3] and thus objects of contention among competing cults.

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"Pigs (Three Different Ones)"

Big man, pig man, ha ha, charade you are
You well heeled big wheel, ha ha, charade you are
And when your hand is on your heart
You're nearly a good laugh
Almost a joker
With your head down in the pig bin
Saying "keep on digging"
Pig stain on your fat chin
What do you hope to find?
When you're down in the pig mine
You're nearly a laugh
You're nearly a laugh
But you're really a cry.
Bus stop rat bag, ha ha, charade you are
You fricked up old hag, ha ha, charade you are
You radiate cold shafts of broken glass
You're nearly a good laugh
Almost worth a quick grin
You like the feel of steel
You're hot stuff with a hat pin
And good fun with a hand gun
You're nearly a laugh
You're nearly a laugh
But you're really a cry.

Hey you Whitehouse, ha ha, charade you are
You house proud town mouse, ha ha, charade you are
You're trying to keep our feelings off the street
You're nearly a real treat
All tight lips and cold feet
And do you feel abused?
.....!.....!.....!.....!
You gotta stem the evil tide
And keep it all on the inside
Mary you're nearly a treat
Mary you're nearly a treat
But you're really a cry.


ha ha, charade = Asherah (have to listen to the music to get the reference, very clever...)




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"Sheep"

Harmlessly passing your time in the grassland away
Only dimly aware of a certain unease in the air
You better watch out
There may be dogs about
I've looked over Jordan and I have seen
Things are not what they seem.

What do you get for pretending the danger's not real
Meek and obedient you follow the leader
Down well trodden corridors into the valley of steel
What a surprise!
A look of terminal shock in your eyes
Now things are really what they seem
No, this is no bad dream.

The Lord is my shepherd, I shall not want
He makes me down to lie
Through pastures green he leadeth me the silent waters by
With bright knives he releaseth my soul
He maketh me to hang on hooks in high places
He converteth me to lamb cutlets
For lo,m he hath great power and great hunger
When cometh the day we lowly ones
Through quiet reflection and great dedication
Master the art of karate
Lo, we shall rise up
And then we'll make the bugger's eyes water.

Bleating and babbling we fell on his neck with a scream
Wave upon wave of demented avengers
March cheerfully out of obscurity into the dream.

Have you heard the news?
The dogs are dead!
You better stay home
And do as you're told
Get out of the road if you want to grow old.



Goddess...





Capital of Texas



District of Columbia







youtube

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Know Your Enemy (Part 53 - The Capitol)

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Check out part 54 (and the whole series)

I watched every episode of "Know Your Enemy" and my head was spinning when I finished. That Scottish dude really does know his history and his Bible. Anybody that has not watched it needs to.

Not to get too off topic, but I want to reinforce the sinister symbolism in plain site

Pentagrams...

Watch the “Know Your Enemy” series for details/context...





This was the actual poster for the building (upset many folks when it was released).

Link

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Symbolism of the EU Parliament

So the construction of the EU Parliament in the image of the Tower of Babel sends the message that Nimrod had the right philosophy and his Tower of Babel was a good idea

A gradual introduction of tyranny
The elimination of the worship of God to introduce dependence on power
All people speaking the same language and the same religion
Rejecting God while trying to become gods

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A version of the logo got a facelift and “Blepharoplasty”...



Magic circles...

Will get back to movies( 2001)

Prior to that, let’s discuss True Detective and how it relates to the themes on the page/in this thread...

Warning:



True Detective: Season 1

TLDR:

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The series True Detectives spurred all kinds of discussions and theories about the identity of the killer. However, beyond the classic “whodunit”, there is a constant message communicated throughout every episode. It is about our society, about who rules it and about the unseen forces that influence us all. It is about the psychosphere, a concept that is obscure to most of us, but that is nevertheless extremely important in occult elite circles. Through mega-rituals amplified by mass media, the elite actively looks to generate shock, fear, and dismay in the general population, whose thoughts then get projected back to the psychosphere. This disturbance causes the human race to live in a toxic atmosphere, ruled by specific symbols and thoughts. Furthermore, as portrayed by Audrey in True Detectives, a disturbed psychosphere causes society to break down, to become immoral and obsessed with dark thoughts. This is what they revel in.

Despite all of this, the series ends with Rustin Cohle having an epiphany and “seeing the light” because, for a moment, he saw the “spirit world”, where his dead daughter waited for him. Cohle realized that, beyond this material world, the one that is ruled by powerful sadistic families, there is another dimension – an eternal one – where they have no power at all.

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Taking place in the swampy backwoods of Louisiana, True Detective captured audiences’ attention with its interesting characters and dark atmosphere.

There was therefore no mind-blowing plot twist (i.e. one of the detectives was behind it all) or shocking high-level conspiracy. And that left many fans somewhat disappointed.

However, looking back at the references, the symbolism, and the enigmatic dialogue peppered throughout the episodes, one can indeed wonder why some aspects of the story (i.e. Marty Hart’s family life) were so extensively developed while they were of no relevance to the final outcome of the investigation. Was the series, through these alternative storylines, trying to communicate something that went beyond the actual investigation? Something that encompasses us all?

Despite the straight-forward conclusion to the story, there is a deeper message communicated throughout the series: That the ritual murders were not simply the product of the mind of lone crazy redneck – they’re the result of a deep-seated mindset, a toxic environment that goes back several generations and affects all aspects of society. This concept can be summed up in one word: “psychosphere” – a word detective Rustin Cohle uses in the first episode. Through a variety of symbols and messages, True Detectives shows us how the sick obsessions of the elite ultimately seep through the everyday lives of the masses.

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After the autopsy, the detectives learn that the victim was drugged, bound, abused, tortured with a knife, strangled and posed outside for the world to see. In short, it bares all of the signs of mega-ritual of Satanic Ritual Abuse (SRA).

Around the body are strange triangles made of sticks.

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A reverend tells the detectives that these things are “devil nets” and are used “to catch the devil before he came too close”.



Current logo for app store...

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Rustin Cohle and the Psychosphere

Played by Matthew McConaughey, Rustin Cohle qualifies himself as a realist or, in philosophical terms, a “pessimist”. The least one can say is that he has little faith in humanity and that he does not understand the constructs surrounding it – including religion.

“I think human consciousness is a tragic step in evolution. We became too self-aware. Nature created an aspect of nature separate from itself. We are creatures that should not exist by natural law”.

As a “pessimist” who hates humanity in general and a Texan working in Louisiana, Cohle is an eternal outsider. Indeed, he has a tendency of viewing the world from outside, almost as if he was an other-worldly figure. To accentuate this fact, Cohle appears to have a sixth-sense – bordering on extra-sensory perception (ESP) – that manifests itself throughout the investigation. He has visions, he “reads” people in a few seconds, and he can even “taste” colors.

In the very first episode of the series, Cohle tells his partner a sentence that sums up the main message of the entire series. While driving through Louisiana roads, Cohle refers to an obscure concept that has deep resonance in occult spheres.

“Got a bad taste out there. Aluminum, ash, like you can smell the psychosphere”.

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The term psychosphere is not a common term in the English language. It originates from the science fiction literature of authors such as Roland C. Wagner and H. P. Lovecraft – the creator of the Cthulhu Mythos.

“Psychosphere” can be defined as “sphere of human consciousness” and takes its roots in Carl Jung’s concept of “collective unconscious”. It basically states that all thoughts that go through the human brain are “converted” by the neocortex and projected outwards into ethereal dimensions. Humans therefore live in an “atmosphere of thoughts”, a concept that is also referred to as “noosphere” by Vladimir Vernadsky and Teilhard de Chardin. According to them, the existence of this psychosphere causes humans to be compelled to respond to similar ideas, myths and symbols.

Although referred to in other terms, the concept of psychosphere is important in occult circles who conduct mega-ritals to influence the “collective unconscious” – often for nefarious purposes.

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Occult researchers have often identified ritualistic murders as mass-rituals meant to shock the masses and disturb the psychosphere.

“[Some murders] are ritual murders involving a cult protected by the U.S. government and the corporate media, with strong ties to the police.

Such killings are actually intricately choreographed ceremonies; performed first on a very intimate and secret scale, among the initiates themselves in order to program them, then on a grand scale, amplified incalculably by the electronic media.

In the end what we have is a highly symbolic, ritual working broadcast to millions of people, a Satanic inversion; a Black mass, where the “pews” are filled by the entire nation and through which humanity is brutalized and debased in this, the ‘Nigredo’ phase of the alchemical process.

– Michael A. Hoffman II, Secret Societies and Psychological Warfare

This is what True Detective is truly about.

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LINK

True Detective continued...

Rust famously states, “I get a bad taste in my mouth out here. Aluminium. Ash. Like you can smell the psychosphere.”

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Rustin Cohle, can actually “smell the psychosphere”‘ and that it tastes “like aluminum and ash”. In other words, the sphere of human thought around the crime scene is nothing less than toxic and foul. However, being himself part of the human sphere, Cohle cannot help but being part of it and, on some level, even embracing it.

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In the “present day” scenes Cohle drinks cans of beer and smokes cigarettes … aluminum and ashes. While, fifteen years before, Cohle was disgusted by the taste of the psychosphere, this psychosphere is now part of him.

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The first ritual murder discovered in True Detectives was purposely staged to attract the attention of the masses. Not only is it a physical manifestation of the foul psychosphere, it is also an attempt to massively affect the psychosphere. These mega-rituals are purposely staged to shock and traumatize the masses, who then collectively send these thoughts to the psychosphere, creating the type of ambiance the occult elite revel in.

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Mass, trauma based mind control...
Embrace surveillance state, support for war profitteering..

“Aluminium. Ash. Like you can smell the psychosphere.”

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Throughout the series, an image appears in several places and through several people : Five men around a girl. This “pentagram of men” represents the occult elite abusing a child in a ritualistic matter. Through the psychosphere, the world appears to be aware of this, almost unconsciously.

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The detectives find a video of a little girl being abused and sacrificed by five masked men. The fact that the ritual was recorded represents the elite’s propensity for creating “snuff material”.



house of a woman whose daughter mysteriously disappeared, Cohle notices a framed picture of a young girl surrounded by five masked men.



Martin Hart’s daughter Audrey placed five male dolls around a female naked doll.



Magic circles...(reference Eyes Wide Shut and The Shining in this thread...)


While telling his story to agents, Rustin Cohle oddly transforms five cans of beer in to five little people and places them in a circle. Is he unconsciously telling the detectives that he never caught the real culprits – the pentagram of men?

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Through symbols, the series tells us that the psychosphere is disturbed by the elite’s rituals and that its effects seep through the reality of the masses. However, these effects are not only symbolic: they influence society’s morals, values and behavior. This is represented by the evolution of Martin Hart’s family.

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Played by Woody Harrelson, Martin Hart is very much the opposite of Rustin Cohle. A simple look at the character’s names gives a good idea of their mindset. The name Rustin Cohle sounds like “rust and coal” – two materials associated with decay and toxicity – which represent his world vision. In contrast, Martin Hart’s last name sounds like “heart” – the muscular organ that keeps people alive. Far from being detached from the material world like Cohle, Hart intensely lives the emotional trials and tribulations of human experience. Like most humans, he is also deeply flawed. While considering himself to be a Christian, he has a propensity for adultery and violence.

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Audrey’s transformation from an innocent girl to a promiscuous teen represents how the occult elite’s depravity and immorality ultimately affects the entire population. While she is not a direct victim of the occult elite, she is an indirect victim through the foul ambiance she grows up in. We later learn that, as an adult, Audrey “sometimes forgets to take her pills”, implying that she has mental health issues and that she was indirectly traumatized by this context. Therefore, through various means, the series shows how the psychosphere is purposely disturbed to create a generation that is morally lost.

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Look around at the madness that surrounds us...



More butterflies and spirals...

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The Spiral – Representing the “Real Life” Occult Elite

As the investigation progresses, the detectives learn about a group of “rich men” sacrificing children.

“There’s a place down-South where all these rich men go to devil-worship. They sacrifice kids and whatnot. Women and children all got murdered there and something about someplace called Carcosa and the Yellow King. He said there’s all these, like, old stones out in the woods people go to, like, worship. He said there’s so much good killing down there. The spiral – that’s their sign.”

We soon discover who’s behind these rituals: The elite of Louisiana, members of an ancient bloodline, the Tuttle family. As a Texan, Cohle quickly finds out that one member of the Tuttle family is Governor and another one leads the Church – therefore encompassing the spheres of power that are politics and religion.

The detectives learn that the Tuttles are responsible for a great number of missing children who were abused and killed in a ritual sacrifice. Since the family is extremely powerful, law enforcement and local media are completely silent. The family practices its own brand of Louisiana voodoo mixed with classic Satanic Ritual Abuse (SRA) as practiced by the occult elite. While the family’s area of action is very local, it does not take much extrapolation to understand that the Tuttles represent the occult elite that currently rules the entire world.

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True Detective functions on multiple levels as a mix of numerous influences. Southern Gothic, neo noir, pulp crime fiction, and occult psychodrama all mesh to form a well-done drama that is one of the best series we’ve seen yet. Hearkening to Twin Peaks, but without the absurdist elements, True Detective is a spiritual chronicle of the rise of the Satanic in modernity, but a Satanic that is not new, but which had formerly been hidden in the backwoods, sulking out of some ancient grove like a creature from a Lovecraft story. While the Tuttles’ mind-controlled their victims to do their bidding (even to the point of suicide), as the family members themselves had been mind-controlled by the previous generation, the good news is that Rust finds freedom. Near death in the hospital after a coma resulting from his battle with Errol, Rust realizes his daughter is in the afterlife, and that death is not the end, and he sees himself with a Christ-like visage. As Marty and Cohle look up at the stars, Marty remarks that the dark is winning. Rust replies: “Well, once there was only dark. You ask me, the light’s winning.” Disturbingly, the news cast is heard stating that the higher Tuttle family members in the senate and other positions are cleared of guilt, though the series has made it clear there were other members of the cult. This shows the control the family still has, while Errol was just a patsy. True Detective is a reminder that no matter how dark and depraved the infernal powers and the deceived humans that serve them become, God has triumphed over evil through the resurrection. On still another level, there’s a “conversation” being had with the audience – true detectives realize the subject matter is real.

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A committed nihilist at the beginning, Cohle espouses the very worldview of the Satanic elite – a Nieztschean eugenics stance, combined with eternal return, where materialistic chaos returns to its beginning in endless spirals, associating Cohle’s own mind with the recurring spiral symbolism in the series. Humans are “sentient meat” that happened to develop the “mirror” of consciousness accidentally, and ever since, man is engaged in a perpetual self-delusion of convincing himself he is a “person” with meaning. Cohle the philosopher scoffs at these notions, having immersed himself in so many years of battling the darkness. Nietzsche famously said, “And when you gaze long into an abyss the abyss also gazes into you,” which perfectly describes Cohle.

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Another version of the cyclical spiral, the wreath portal.

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The first murder also occurs in “Erath,” with is an anagram for earth, cluing the viewer into the wider scope of the crimes Rust and Marty are unraveling

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Rust’s left eye, as he looks into the depravity of the Tuttle’s “left-hand path.”



LINK

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For example, sex magick practitioner Aleister Crowley stressed the anal and its symbolism as superior to the vaginal, stating “Oh how superior is the eye of Horus to the mouth of Isis.” This is why Errol, the Tuttle villain who takes the fall, always mows in a spiral, as well as why the vortex that opens in the ritual chamber is a spiral. The principle of inversion in black magic is demonstrated here, as the lowest part of the body is also the lowest part of the galaxy, a kind of luminous black hole gateway in the psychosphere through which the energy of the infernal powers enters. Rust is able to see this dark portal in the ritual chamber because he has a psychic connection to the Tuttles and the victims, as several times he is spoken of as having “demons” and seeing “darkness.” This is why the series has such an anal fixation, as numerous times anal sex comes up, as well as images and references. The move from 1995 to 2012 demonstrates the “anal-ization” of society, to where “sex is everything,” as Maggie’s dad states about the transition from “Clinton” to 2012. It is also important that True Detective is based on an actual occultic “church” in Louisiana that engaged in all the same types of acts.

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NY Times

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Sex Charges Follow a Church's Collapse
By RICK LYMANMAY 25, 2005

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PONCHATOULA, La., May 24 - Two decades ago, Hosanna Church was one of the fastest growing congregations in the cypress flats of Tangipahoa Parish on Lake Pontchartrain's northwest rim, and its pastor, Louis Lamonica, was a beloved figure.

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And now, many of them, including Louis Lamonica Jr. and a deputy sheriff who once lived on the church grounds, are behind bars, accused by the police of a litany of ungodly offenses, including sexual abuse of perhaps two dozen children and the mutilations of cats for satanic rituals.

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Sheriff Daniel H. Edwards of Tangipahoa said that as many as 25 children -- about evenly split between boys and girls -- might have been involved in sex acts at the youth center, in cars and in the homes of at least two of those charged. The abuse seems to have begun in 1999, he said, and stopped occurring on the church grounds after 2003.

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vice

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THE REAL / S1 EP2

The Real 'True Detective'?

Ten years ago, the town of Ponchatoula, Louisiana, was traumatized when a local church's secret Satan worship, ritualized child molestation, and animal sacrifices came to light. Rust Cohle may be a fictional character, and time may not really be a flat circle, but that sounds an awful lot like the events of the first season of HBO's hit True Detective. In this episode of our brand-new series The Real, we went down to Ponchatoula to meet Stuart Murphy and Tom Tedder, two law enforcement officials who helped put these terrible, true events in Ponchatoula's rearview mirror.

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Subtle points, but may get lost in the large amount of info I presented above

Woody Harrelson’s dad has supposed ties to the Kennedy assasination...

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The first murder also occurs in “Erath,” with is an anagram for earth, cluing the viewer into the wider scope of the crimes Rust and Marty are unraveling

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The Guardian

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Hollywood is to court controversy with a film that will challenge the official version of the events of 9/11, a previously taboo topic for the industry mainstream. Martin Sheen, Woody Harrelson and Ed Asner, who have all supported conspiracy theories about the terrorist attacks, have signed up to the movie, which is entitled September Morn.

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No hidden hand here (compare pose in image above to below...)



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People of South LA know that these directions do not make sense (if interpreted strictly...)

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Aleister Crowley (/'kro?li/; born Edward Alexander Crowley; 12 October 1875 – 1 December 1947) was an English occultist, ceremonial magician, poet, painter, novelist, and mountaineer. He founded the religion of Thelema, identifying himself as the prophet entrusted with guiding humanity into the Æon of Horus in the early 20th century. A prolific writer, he published widely over the course of his life.

Born to a wealthy Plymouth Brethren family in Royal Leamington Spa, Warwickshire, Crowley rejected this fundamentalist Christian faith to pursue an interest in Western esotericism. He was educated at the University of Cambridge, where he focused his attentions on mountaineering and poetry, resulting in several publications. Some biographers allege that here he was recruited into a British intelligence agency, further suggesting that he remained a spy throughout his life. In 1898 he joined the esoteric Hermetic Order of the Golden Dawn, where he was trained in ceremonial magic by Samuel Liddell MacGregor Mathers and Allan Bennett. Moving to Boleskine House by Loch Ness in Scotland, he went mountaineering in Mexico with Oscar Eckenstein, before studying Hindu and Buddhist practices in India. He married Rose Edith Kelly and in 1904 they honeymooned in Cairo, Egypt, where Crowley claimed to have been contacted by a supernatural entity named Aiwass, who provided him with The Book of the Law, a sacred text that served as the basis for Thelema. Announcing the start of the Æon of Horus, The Book declared that its followers should "Do what thou wilt" and seek to align themselves with their True Will through the practice of magick.

After an unsuccessful attempt to climb Kanchenjunga and a visit to India and China, Crowley returned to Britain, where he attracted attention as a prolific author of poetry, novels, and occult literature. In 1907, he and George Cecil Jones co-founded a Thelemite order, the A?A?, through which they propagated the religion. After spending time in Algeria, in 1912 he was initiated into another esoteric order, the German-based Ordo Templi Orientis (O.T.O.), rising to become the leader of its British branch, which he reformulated in accordance with his Thelemite beliefs. Through the O.T.O., Thelemite groups were established in Britain, Australia, and North America. Crowley spent the First World War in the United States, where he took up painting and campaigned for the German war effort against Britain, later revealing that he had infiltrated the pro-German movement to assist the British intelligence services. In 1920 he established the Abbey of Thelema, a religious commune in Cefalù, Sicily where he lived with various followers. His libertine lifestyle led to denunciations in the British press, and the Italian government evicted him in 1923. He divided the following two decades between France, Germany, and England, and continued to promote Thelema until his death.

Crowley gained widespread notoriety during his lifetime, being a recreational drug experimenter, bisexual and an individualist social critic. He was denounced in the popular press as "the wickedest man in the world" and a Satanist. Crowley has remained a highly influential figure over Western esotericism and the counter-culture, and continues to be considered a prophet in Thelema.

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Thank you Thine!

There was an outstanding documentary on YouTube, ( that's now gone), that claimed Barbara Bush is the illegitimate daughter of Aleister Crowley. Have you ever heard anything like that?

As mentioned above, watch the “know your enemy” series

The modus operendi is layering of symbolism, benevolent/ superficial for the profane and deeper/sinister for the adepts /illumined

This is somewhat compartmentalized as most members within these systems have honorable intentions and are “good” people (military, various faiths).

A small contingent in positions of power can do much behind the scenes (especially if you control eductation and the media)

A good analogy for the board is the Clinton Foundation. A charity organization is used as a front for sinister activities...

WARNING: This will be inflammatory, but here we go. "The head of the snake"


Paul VI Audience Hall at The Vatican













Note the lack of traditional "Catholic" iconography...



This last one is obviously shopped (but the others are not). You get the point...

At a minimum, it is odd

Vid with description and closeup of above...